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Fabricating enchantment: Antoine Benoist’s wax courtiers in Louis XIV’s Paris 制造魔法：路易十四时期巴黎的安托万-贝努瓦（Antoine Benoist）蜡像廷臣
IF 0.1 3区 艺术学
Sculpture Journal Pub Date : 2023-12-01 DOI: 10.3828/sj.2023.32.4.08
David Mark Mitchell
{"title":"Fabricating enchantment: Antoine Benoist’s wax courtiers in Louis XIV’s Paris","authors":"David Mark Mitchell","doi":"10.3828/sj.2023.32.4.08","DOIUrl":"https://doi.org/10.3828/sj.2023.32.4.08","url":null,"abstract":"\u0000 Antoine Benoist’s\u0000 Cercle royal\u0000 was an exhibition of life-size wax figures on display in Louis XIV’s Paris. In the absence of extant objects from the exhibition itself, this article focuses on the corpus of sources that attest to its reception. It concentrates on the\u0000 Cercle royal’s\u0000 initial recognition, beginning in the 1660s, when the exhibition centred on French royalty’s courtly entourage. Alternately celebrated as vivid miracles or derided as deceitful trivialities, Benoist’s wax figures provide an informatively problematic case for considering questions of sculptural craft and the decorum of its display in this era. In tracing the discord of wax portraiture’s reception, this article demonstrates that vexed questions of artisanal stature were embedded within aesthetic debates about illusionistic verisimilitude.\u0000","PeriodicalId":21666,"journal":{"name":"Sculpture Journal","volume":" 5","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138618757","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Wider than the realm of England’: the Hosack family heritage, Atlantic slavery and casting Mary, Queen of Scots for the nation 比英格兰国土更广阔"：霍萨克家族的遗产、大西洋奴隶制以及为国家塑造苏格兰女王玛丽
IF 0.1 3区 艺术学
Sculpture Journal Pub Date : 2023-12-01 DOI: 10.3828/sj.2023.32.4.05
Liberty Paterson
{"title":"‘Wider than the realm of England’: the Hosack family heritage, Atlantic slavery and casting Mary, Queen of Scots for the nation","authors":"Liberty Paterson","doi":"10.3828/sj.2023.32.4.05","DOIUrl":"https://doi.org/10.3828/sj.2023.32.4.05","url":null,"abstract":"In 1871 the Scottish-born magistrate John Hosack (1809–87) was described as ‘the chivalrous and most recent defender’ of Mary, Queen of Scots. After writing a popular historical account of her life, he had presented a plaster cast bust of her Westminster effigy to London’s National Portrait Gallery, which it then used to create an electrotype sculpture with the help of Elkington & Co. This article interrogates the ‘value’ of this sculpture as a cultural heritage object by retracing its history. It places Hosack’s desire to replicate and commemorate Scottish heritage alongside his family ties to Jamaica, including the parallel life of his half-brother William and the wealth John derived from his father’s sugar profits, which relied on African enslavement. It argues the importance of understanding how such legacies enabled individuals to participate in cultural philanthropy in the Victorian period, which simultaneously distanced them from their Atlantic pasts. It also considers how, in its transformation into an electrotype, Hosack’s cast became part of a wider effort by museums and galleries to replicate national heritage using manufacturing methods indebted to the industrial economy intertwined with the British Empire. Sculpture offered a powerful medium through which to fortify national history, but its commemorative capacity can, and should, be unpicked to better understand British legacies of enslavement and colonialism.","PeriodicalId":21666,"journal":{"name":"Sculpture Journal","volume":"28 s81","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138622963","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Young Naturalist by Henry Weekes: intermediality, industry and international exhibitions 亨利-威克斯（Henry Weekes）的《青年博物学家》：跨媒介性、工业和国际展览
IF 0.1 3区 艺术学
Sculpture Journal Pub Date : 2023-12-01 DOI: 10.3828/sj.2023.32.4.04
Rebecca Wade
{"title":"The Young Naturalist\u0000 by Henry Weekes: intermediality, industry and international exhibitions","authors":"Rebecca Wade","doi":"10.3828/sj.2023.32.4.04","DOIUrl":"https://doi.org/10.3828/sj.2023.32.4.04","url":null,"abstract":"\u0000 The Young Naturalist\u0000 by Henry Weekes (1807–77) was first presented in plaster at the Royal Academy of Arts in 1854. Beginning as an object located firmly in the domain of the fine arts through its modes of production and sites of display, the sculpture encountered industry through a series of international exhibitions in Paris, London and Manchester during the 1850s and 1860s. Not only was the work in proximity to industrial objects, processes and collectors, it was fundamentally transformed by them, resulting in a collaboration between Weekes and the Birmingham-based manufacturer Elkington & Co. This article charts the changing status of sculpture and labour in the second half of the nineteenth century, with its increasing visibility and availability to new markets through both emerging and established technologies of reproduction.\u0000","PeriodicalId":21666,"journal":{"name":"Sculpture Journal","volume":" 23","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138616494","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Review 评论
IF 0.1 3区 艺术学
Sculpture Journal Pub Date : 2023-12-01 DOI: 10.3828/sj.2023.32.4.09
Jennifer Dudley
{"title":"Review","authors":"Jennifer Dudley","doi":"10.3828/sj.2023.32.4.09","DOIUrl":"https://doi.org/10.3828/sj.2023.32.4.09","url":null,"abstract":"","PeriodicalId":21666,"journal":{"name":"Sculpture Journal","volume":" 6","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138610121","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Valuing sculpture: art, craft and industry, 1660–1860 雕塑估价：1660-1860 年的艺术、手工艺和工业
IF 0.1 3区 艺术学
Sculpture Journal Pub Date : 2023-12-01 DOI: 10.3828/sj.2023.32.4.01
Samantha Lukic-Scott, Charlotte Davis
{"title":"Valuing sculpture: art, craft and industry, 1660–1860","authors":"Samantha Lukic-Scott, Charlotte Davis","doi":"10.3828/sj.2023.32.4.01","DOIUrl":"https://doi.org/10.3828/sj.2023.32.4.01","url":null,"abstract":"Responding to the many useful and intriguing discussions that arose over the two days of the ‘Valuing Sculpture: Art, Craft and Industry, 1660–1860’ conference held in July 2021, this special issue explores new directions for scholarly research. This introduction considers the usefulness of the classifications of art, craft and industry, and in doing so presents this collection’s methodology of expanding dialogues by reaching across medial, dimensional, geographical and categorical boundaries.","PeriodicalId":21666,"journal":{"name":"Sculpture Journal","volume":"139 1‐2","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138621618","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The art of stucco in southern Portugal: morphologies, value judgements and the prejudice of conservation 葡萄牙南部的灰泥艺术：形态、价值判断和保护偏见
IF 0.1 3区 艺术学
Sculpture Journal Pub Date : 2023-12-01 DOI: 10.3828/sj.2023.32.4.07
Patricia Monteiro
{"title":"The art of stucco in southern Portugal: morphologies, value judgements and the prejudice of conservation","authors":"Patricia Monteiro","doi":"10.3828/sj.2023.32.4.07","DOIUrl":"https://doi.org/10.3828/sj.2023.32.4.07","url":null,"abstract":"The Portuguese artistic production of stucco is part of a long tradition of decorative techniques that form part of a shared visual and cultural legacy in southern Europe. However, little is understood of local idiosyncrasies within this legacy. By focusing on stucco artworks in the peripheral area of Alentejo, away from the cultural capitals of Europe, this article explores the emergence of an original and distinct formal and functional interplay over the course of several centuries. This article re-evaluates the morphologies of Alentejo’s stucco sculptures and assesses the degree to which such morphologies express common artistic practices and constitute a distinct art form. Finally, the article identifies the deleterious ramifications that have arisen from such considerations not being taken account of during the conservation of these works.","PeriodicalId":21666,"journal":{"name":"Sculpture Journal","volume":"352 16","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138625914","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Valuing sculpture in the long eighteenth century: materials and technology 十八世纪漫长时期的雕塑估价：材料与技术
IF 0.1 3区 艺术学
Sculpture Journal Pub Date : 2023-12-01 DOI: 10.3828/sj.2023.32.4.02
M. G. Sullivan
{"title":"Valuing sculpture in the long eighteenth century: materials and technology","authors":"M. G. Sullivan","doi":"10.3828/sj.2023.32.4.02","DOIUrl":"https://doi.org/10.3828/sj.2023.32.4.02","url":null,"abstract":"In 1712 the sale catalogue of John Nost’s studio defined the value of sculpture as lying in the intrinsic value of materials, the performance of the artist, and the costs and complexity of sculptural production. This article looks at how these values of materials and making shifted over the course of the following 150 years through specific examples of materials – lead and granite – that gained and then lost value; and how production processes that streamlined sculptural production, notably James Tulloch’s marble works, were first celebrated and then seen as anathema to sculptural value. The article argues for the malleability of sculptural value systems in the long eighteenth century, and the need to understand sculptural value in materials and production in relation to economic and technological history.","PeriodicalId":21666,"journal":{"name":"Sculpture Journal","volume":" 5","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138616057","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Valuing ornament: Jean-Baptiste Plantar (1790–1879) between art, craft and industry 重视装饰：让-巴蒂斯特-普朗塔尔（Jean-Baptiste Plantar，1790-1879 年）：艺术、手工艺与工业之间的关系
IF 0.1 3区 艺术学
Sculpture Journal Pub Date : 2023-12-01 DOI: 10.3828/sj.2023.32.4.06
Justine Gain
{"title":"Valuing ornament: Jean-Baptiste Plantar (1790–1879) between art, craft and industry","authors":"Justine Gain","doi":"10.3828/sj.2023.32.4.06","DOIUrl":"https://doi.org/10.3828/sj.2023.32.4.06","url":null,"abstract":"In the nineteenth century, as European countries reacted to industrialization, art and burgeoning industries intertwined in a myriad of new ways. From this union, several major changes occurred in building construction, decorative arts and sculpture. The career and oeuvre of Jean-Baptiste Plantar, French ornamentalist and sculptor des Bâtiments du Roi, illustrate the new relationships forged between traditional architectural patterns and industrial artistic production. Despite holding a central role in their establishment, Plantar has been largely unheeded both by his contemporaries and later writers. This article reasserts Plantar’s significance in the creation of a visual – essentially Parisian – landscape in the first half of the nineteenth century.","PeriodicalId":21666,"journal":{"name":"Sculpture Journal","volume":" 8","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138620094","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Peculiarly fit for statues’: the contribution of Coade’s fired artificial stone to sculpture in the eighteenth century 特别适合雕像"：科德烧制的人造石对十八世纪雕塑的贡献
IF 0.1 3区 艺术学
Sculpture Journal Pub Date : 2023-12-01 DOI: 10.3828/sj.2023.32.4.03
Caroline Stanford
{"title":"‘Peculiarly fit for statues’: the contribution of Coade’s fired artificial stone to sculpture in the eighteenth century","authors":"Caroline Stanford","doi":"10.3828/sj.2023.32.4.03","DOIUrl":"https://doi.org/10.3828/sj.2023.32.4.03","url":null,"abstract":"\u0000 This article considers the enduring ‘value’ of Coade stone as artefact. Using insights from Alois Riegl’s\u0000 The Modern Cult of Monuments\u0000 , it examines the contribution of fired artificial stone as a key enabler of the eighteenth-century passion for sculpture in Britain, as replicated sculptural forms entered interiors, gardens and architecture. This durable stoneware first crossed into statuary in the 1720s. From 1769, Eleanor Coade (1733–1821) became its figurehead, successfully positioning Coade stone as superior to natural stone. Formulation and production were collaborative processes dependent upon specialist, often overlooked fabricating skills. This article considers factors that led to the success of Coade stone, as well as its composition and production. It concludes with a brief case study of the Coade stone caryatids that Sir John Soane took as a personal motif.\u0000","PeriodicalId":21666,"journal":{"name":"Sculpture Journal","volume":"68 2","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138627231","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘This sculptor is a cop’: John Reginald Abbott, murder in Montreal and the Royal Canadian Mounted Police’s criminal identification masks “这个雕塑家是警察”:约翰·雷金纳德·阿博特，蒙特利尔谋杀案和加拿大皇家骑警的犯罪识别面具
3区 艺术学
Sculpture Journal Pub Date : 2023-09-16 DOI: 10.3828/sj.2023.32.3.05
Jamie Jelinski
{"title":"‘This sculptor is a cop’: John Reginald Abbott, murder in Montreal and the Royal Canadian Mounted Police’s criminal identification masks","authors":"Jamie Jelinski","doi":"10.3828/sj.2023.32.3.05","DOIUrl":"https://doi.org/10.3828/sj.2023.32.3.05","url":null,"abstract":"","PeriodicalId":21666,"journal":{"name":"Sculpture Journal","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135306405","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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