{"title":"Repeatability versus Unrepeatability in Free Improvisation","authors":"T. Gartmann","doi":"10.4324/9781003179443-31","DOIUrl":"https://doi.org/10.4324/9781003179443-31","url":null,"abstract":"","PeriodicalId":212919,"journal":{"name":"The Routledge Handbook of Philosophy and Improvisation in the Arts","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124926691","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Improvisation as Resonance","authors":"Giovanni Matteucci","doi":"10.4324/9781003179443-4","DOIUrl":"https://doi.org/10.4324/9781003179443-4","url":null,"abstract":"","PeriodicalId":212919,"journal":{"name":"The Routledge Handbook of Philosophy and Improvisation in the Arts","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124474233","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Improvisation, Actions, and Processes","authors":"Pierre Saint-Germier, C. Canonne","doi":"10.4324/9781003179443-10","DOIUrl":"https://doi.org/10.4324/9781003179443-10","url":null,"abstract":"","PeriodicalId":212919,"journal":{"name":"The Routledge Handbook of Philosophy and Improvisation in the Arts","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131145352","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Performance Art and Improvisation","authors":"Dieter Mersch","doi":"10.4324/9781003179443-41","DOIUrl":"https://doi.org/10.4324/9781003179443-41","url":null,"abstract":"","PeriodicalId":212919,"journal":{"name":"The Routledge Handbook of Philosophy and Improvisation in the Arts","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122713664","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Rethinking Realtimeness in Improvisation","authors":"S. Ramshaw","doi":"10.4324/9781003179443-11","DOIUrl":"https://doi.org/10.4324/9781003179443-11","url":null,"abstract":"","PeriodicalId":212919,"journal":{"name":"The Routledge Handbook of Philosophy and Improvisation in the Arts","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128822971","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Expressivity of Musical Improvisation","authors":"Philip Alperson","doi":"10.4324/9781003179443-17","DOIUrl":"https://doi.org/10.4324/9781003179443-17","url":null,"abstract":"","PeriodicalId":212919,"journal":{"name":"The Routledge Handbook of Philosophy and Improvisation in the Arts","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115901525","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Improvisation as Spontaneous Creation versus “Making Do”","authors":"A. Hamilton","doi":"10.4324/9781003179443-15","DOIUrl":"https://doi.org/10.4324/9781003179443-15","url":null,"abstract":"","PeriodicalId":212919,"journal":{"name":"The Routledge Handbook of Philosophy and Improvisation in the Arts","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120840377","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Improvisation and Essential Ornamentation in Vocal Music (1600–1900)","authors":"Livio Marcaletti","doi":"10.4324/9781003179443-27","DOIUrl":"https://doi.org/10.4324/9781003179443-27","url":null,"abstract":"","PeriodicalId":212919,"journal":{"name":"The Routledge Handbook of Philosophy and Improvisation in the Arts","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121660130","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Freedom and Form in Piano Improvisation in the Early 19th Century","authors":"Katrin Eggers, Michael Lehner","doi":"10.4324/9781003179443-28","DOIUrl":"https://doi.org/10.4324/9781003179443-28","url":null,"abstract":"","PeriodicalId":212919,"journal":{"name":"The Routledge Handbook of Philosophy and Improvisation in the Arts","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132039974","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Improvisation in Arab Musical Practices","authors":"A. J. Racy","doi":"10.4324/9781003179443-36","DOIUrl":"https://doi.org/10.4324/9781003179443-36","url":null,"abstract":"In the Arab world, the phenomenon of musical improvisation is historically deep-rooted, widely practiced and, in general, aesthetically and culturally held in high esteem. This realm of artistry is associated with a certain technical skill and a particular emotional effect. As a craft, it is connected to an established set of theoretical concepts and structural frameworks, but it also appeals to the performer’s spontaneity and intuition. Ideally, improvising develops through knowledge and experience, as well as talent and inspiration. In some ways, the literal term of “improvisation,” as well as some of its equivalents, prompts certain ponderings. Such a polysemic coinage as “improvisation” carries multiple overtones, some of them being flattering or benign and others negative or suspicious. In Arab and many other cultures, people take interest in musical improvisation for a variety of reasons. Many cherish the art for its significance and aesthetic gratification.","PeriodicalId":212919,"journal":{"name":"The Routledge Handbook of Philosophy and Improvisation in the Arts","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126834854","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}