{"title":"French Musicians of the 18th Century on the Interpretation of Compositions by Jean-Baptiste Lully","authors":"A. Panov, I. Rosanoff","doi":"10.56620/2587-9731-2023-1-072-086","DOIUrl":"https://doi.org/10.56620/2587-9731-2023-1-072-086","url":null,"abstract":"","PeriodicalId":211901,"journal":{"name":"Contemporary Musicology","volume":"73 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124645649","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“THE RIDDLE” ABOUT THE CENTRE IN THE FIFTH MOVEMENT OF ANTON WEBERN’S CANTATA OP. 31","authors":"Larisa L. Gerver","doi":"10.56620/2587-9731-2023-2-095-115","DOIUrl":"https://doi.org/10.56620/2587-9731-2023-2-095-115","url":null,"abstract":"","PeriodicalId":211901,"journal":{"name":"Contemporary Musicology","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114378384","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The “Scholarly Map of Russia” as a Research Project: An Attempt of Systematization of Musicology","authors":"Tatiana I. Naumenko","doi":"10.56620/2587-9731-2023-1-056-071","DOIUrl":"https://doi.org/10.56620/2587-9731-2023-1-056-071","url":null,"abstract":"","PeriodicalId":211901,"journal":{"name":"Contemporary Musicology","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126523718","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"OPERA WHICH INVOLVES DANCE, OR BALLET WHICH INVOLVES SINGING: COMÉDIE LYRIQUE ON THE STAGE OF THE ROYAL ACADEMY OF MUSIC IN PARIS","authors":"Alexandra A. Safonova","doi":"10.56620/2587-9731-2023-2-006-027","DOIUrl":"https://doi.org/10.56620/2587-9731-2023-2-006-027","url":null,"abstract":"","PeriodicalId":211901,"journal":{"name":"Contemporary Musicology","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127893389","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Greece and France: Concerning the Question of Georges Aperghis’ National Identity","authors":"Tatyana O. Yakovleva","doi":"10.56620/2587-9731-2023-1-087-102","DOIUrl":"https://doi.org/10.56620/2587-9731-2023-1-087-102","url":null,"abstract":"","PeriodicalId":211901,"journal":{"name":"Contemporary Musicology","volume":"89 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130251108","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"MODERN / POSTMODERN Translation from French, foreword and notes by Yu.N. Panteleeva","authors":"Yulia N. Panteleeva","doi":"10.56620/2587-9731-2023-2-116-129","DOIUrl":"https://doi.org/10.56620/2587-9731-2023-2-116-129","url":null,"abstract":"","PeriodicalId":211901,"journal":{"name":"Contemporary Musicology","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130942899","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"BALLET IN THE THEATERS OF THE RADZIWILL PRINCES IN THE 18TH CENTURY","authors":"Anastasia Yu. Patoshina","doi":"10.56620/2587-9731-2023-2-028-046","DOIUrl":"https://doi.org/10.56620/2587-9731-2023-2-028-046","url":null,"abstract":"","PeriodicalId":211901,"journal":{"name":"Contemporary Musicology","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129472782","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}