{"title":"Affekte in Bewegung","authors":"J. Weber","doi":"10.33675/2021-82537264-5","DOIUrl":"https://doi.org/10.33675/2021-82537264-5","url":null,"abstract":"This article examines the relationship between language, space, and movement in Ann Quin’s novel ‚Passages‘ (1969) from an affect-oriented theoretical perspective. After a brief overview of the relevant theoretical background, it analyses the literary techniques Quin uses to explore affective interrelations that defy common strategies of literary representation. By drawing attention to Quin’s engagement with the writings of Virginia Woolf, the article also reveals the underestimated importance of Woolf as a point of reference for understanding Quin’s experimental prose.","PeriodicalId":211782,"journal":{"name":"Bewegungsszenarien der Moderne","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129753671","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Moving is in Every Direction","authors":"S. Flach","doi":"10.33675/2021-82537264-10","DOIUrl":"https://doi.org/10.33675/2021-82537264-10","url":null,"abstract":"Traditionally, art history divided the arts into four genres: painting and sculpture, poetry and music. Hence the art-historical canon was dominated by a strict division into the arts of space and those of time. Movement (both of an internal and externalized kind) did not find a place within this classificatory corset. In 1766, Gotthold Ephraim Lessing framed the classical art-theoretical approach through his famous text ‚Laocoon: An Essay on the Limits of Painting and Poetry‘, in which he splits the arts into those unfolding in time and those unfolding in space. Lessing’s ‚Laocoon‘ is the founding text defining poetry and music as time-based, sculpture and painting as space-orientated. By 1900, this strict system of classification and hierarchization began to dissolve, giving way to cross-border experiments in the arts of the twentieth century up to the present day. This overturning of classical genre divisions between the static and the dynamic arts, between sculpture, installation, and performance enables us to examine artworks as variations of movement in terms of ‚constellations between scene and scenario‘. Furthermore, the development of movement as an artform implies the activation of the audience in participatory arts practice.","PeriodicalId":211782,"journal":{"name":"Bewegungsszenarien der Moderne","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125803522","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Bewegungsszenarien der Moderne","authors":"","doi":"10.33675/2021-82537264","DOIUrl":"https://doi.org/10.33675/2021-82537264","url":null,"abstract":"Bewegungsszenarien der Moderne veranschaulichen die bislang wenig erforschte Verflechtung von Bewegungstheorien und Modi der Schreibbarkeit von Bewegung anhand facettenreicher Thematisierungen in Literatur, Kunst und Wissenschaft. Dabei bilden Bewegungsdiskurse eine Kontaktzone zwischen wissenschaftlichen Erkenntnissen verschiedenster Disziplinen sowie technischen, medialen und ästhetischen Entwicklungen. Für eine systematische Erforschung dieser transmedialen und multikomponentiellen Wechselbeziehung zwischen Bewegung und Schreiben werden die transdisziplinären Kategorien der ‚Szene‘ und des ‚Szenarios‘ vorgeschlagen. Der Band versammelt Beiträge aus Literatur-, Tanz-, Kunst-, Kultur- und Medienwissenschaften.","PeriodicalId":211782,"journal":{"name":"Bewegungsszenarien der Moderne","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132438187","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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