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Conceptual superposition: the aesthetics of quantum simulation 概念叠加:量子模拟的美学
SIGGRAPH ASIA 2015 Art Papers Pub Date : 2015-11-02 DOI: 10.1145/2835641.2835643
Fabian Offert
{"title":"Conceptual superposition: the aesthetics of quantum simulation","authors":"Fabian Offert","doi":"10.1145/2835641.2835643","DOIUrl":"https://doi.org/10.1145/2835641.2835643","url":null,"abstract":"The idea of quantum simulation, first conceived by Richard Feynman in his influential 1982 lecture \"Simulating Physics with Computers\" [Feynman 1982], introduced a peculiar new way of thinking about the relationship between the material and the symbolic. In this paper1, I examine the conceptual and aesthetic implications of quantum simulation by reading Feynman's lecture with Theodor W. Adorno's aesthetic theory. I argue that quantum simulation, as it requires nothing less than the simulated to become the fabric of the simulation, actively symbolizes the material---not by referencing it but by transforming it into an actual symbolic system that exists in the real world, like the electric charges that do not represent but are our thoughts in the realm of the material. The very notion of quantum simulation can thus be understood to be in a state of conceptual superposition---which is, at its core, an aesthetic principle.","PeriodicalId":211188,"journal":{"name":"SIGGRAPH ASIA 2015 Art Papers","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126458388","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
(Projection) mapping the brain: a critical cartographic approach to the artist's use of fMRI to study the contemplation of death (投影)绘制大脑:艺术家使用功能磁共振成像研究死亡沉思的关键制图方法
SIGGRAPH ASIA 2015 Art Papers Pub Date : 2015-11-02 DOI: 10.1145/2835641.2835645
Jane Prophet
{"title":"(Projection) mapping the brain: a critical cartographic approach to the artist's use of fMRI to study the contemplation of death","authors":"Jane Prophet","doi":"10.1145/2835641.2835645","DOIUrl":"https://doi.org/10.1145/2835641.2835645","url":null,"abstract":"This paper discusses the author's artwork, Neuro Memento Mori, a self-portrait comprising digital animations and live action video projection-mapped onto a 3D print. The life-sized sculpture of the head and neck, dissected to reveal the artist's brain, was produced from MRI data gathered as the artist viewed memento mori paintings and meditated on death. The production of the artwork, made with neuroscientists, explores the relationship between the so-called frontier of neuroscience, data and the map. The use of computation to produce neuroimages, 3D prints and projected video is discussed from the perspective of critical cartography.","PeriodicalId":211188,"journal":{"name":"SIGGRAPH ASIA 2015 Art Papers","volume":"162 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114576928","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Super-natural: digital life in eastern culture 超自然:东方文化中的数字生活
SIGGRAPH ASIA 2015 Art Papers Pub Date : 2015-11-02 DOI: 10.1145/2835641.2835644
I. Hwang, M. Guglielmetti, V. Dziekan
{"title":"Super-natural: digital life in eastern culture","authors":"I. Hwang, M. Guglielmetti, V. Dziekan","doi":"10.1145/2835641.2835644","DOIUrl":"https://doi.org/10.1145/2835641.2835644","url":null,"abstract":"The ways in which digital technologies find themselves integrated into society are influenced to a significant degree by cultural conventions. In Western culture there is a tendency to consider digital technology in terms of hardware and software that is introduced into various processes to enable us to work more efficiently and better negotiate our domestic and networked social lives. Such conventions render digital technologies transparent and invisible and in doing so defers our realization that technology is always with us; everywhere and in everything. This culturally reinforced attitude obscures our perceptual experience of \"technology-being-with-us.\" In response, this paper examines our relationship with technology through exploring alternative, non-Western conceptions of interdependence. In support of this study we examine a series of cultural activities practiced in Korea in order to appreciate how the hardware and software associated with digital technologies can be perceived as non-human entities. This discussion will extend onto an analysis of selected artworks by Nam June Paik, before turning attention to the Japanese media art movement Device Art. The characteristics of this genre --- noted for its particular relation to Japanese cultural influences --- will be examined to reveal how everyday technologies are used to create interactive experiences that promote a sense of \"technology-being-with-us.\"","PeriodicalId":211188,"journal":{"name":"SIGGRAPH ASIA 2015 Art Papers","volume":"199 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122756790","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Meditative process in new media art: an affective possibility of digital media in the art making process 新媒体艺术中的沉思过程:数字媒体在艺术创作过程中的情感可能性
SIGGRAPH ASIA 2015 Art Papers Pub Date : 2015-11-02 DOI: 10.1145/2835641.2835648
Sunsook Nam
{"title":"Meditative process in new media art: an affective possibility of digital media in the art making process","authors":"Sunsook Nam","doi":"10.1145/2835641.2835648","DOIUrl":"https://doi.org/10.1145/2835641.2835648","url":null,"abstract":"In this paper, the author suggests affective possibilities in technology that can be found in a digital art making process. As going through a persistent, intimate process of digital production with contemplation, media artists gain a unique experience and build an affective relationship with digital technology. Through the process, artists realize the gap between their mind image and digital representation and discover the affective potentials that connect digital media and bodies. The author explores the ambiguous nature of affect and addresses an alternative relationship between human bodies and digital technology. The author, as a media artist, experiences the awakening through her making process and realizes that its analogy to Zen practice in arts that requires a meditative discipline and inner interaction with the tool and media itself. Media artists overcome the limit of the absolute rationality and discontinuity of digital media through a meditative computational mode of operation.","PeriodicalId":211188,"journal":{"name":"SIGGRAPH ASIA 2015 Art Papers","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127413107","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Dear human 亲爱的人类
SIGGRAPH ASIA 2015 Art Papers Pub Date : 2015-11-02 DOI: 10.1145/2835641.2835647
Lai Chun Wai, L. Y. Hang, Lui Sze Mei, Ng Siu Tak, Y. Hang
{"title":"Dear human","authors":"Lai Chun Wai, L. Y. Hang, Lui Sze Mei, Ng Siu Tak, Y. Hang","doi":"10.1145/2835641.2835647","DOIUrl":"https://doi.org/10.1145/2835641.2835647","url":null,"abstract":"Inspired by the cruelty in intensive farming of animals, the aim of this installation is to express the sorrow of livestock and poultry and remind people of the story behind their food. Even if you did not kill the animal, eating is just same as killing them. The installation includes traditional Chinese philosophy, which depict the harmonious relationship of human and animal. We would like audience to meditate about this as well. For the research, there were data showing the correlation between population increment and meat consumption. As meat demand increase, inhumane factory farming was adopted. Moreover, some slaughterhouses were still using cruel way to kill the animals. Even those adopted more humane way of killing still cannot avoid the pain and fear suffered by the animals.","PeriodicalId":211188,"journal":{"name":"SIGGRAPH ASIA 2015 Art Papers","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121872680","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
SyncDon II: bio-synchronical communication SyncDon II:生物同步通信
SIGGRAPH ASIA 2015 Art Papers Pub Date : 2015-11-02 DOI: 10.1145/2835641.2835646
Issey Takahashi, Akihito Ito
{"title":"SyncDon II: bio-synchronical communication","authors":"Issey Takahashi, Akihito Ito","doi":"10.1145/2835641.2835646","DOIUrl":"https://doi.org/10.1145/2835641.2835646","url":null,"abstract":"\"SyncDon II\" aims to share emotion to others non-verbally by heartbeat synchronization. When you hold the gift-box, the box vibrates, and intermittent pulse sounds with flashing lights are given to you according to heartbeats acquired from a person in the past. When you are exposed to the stimuli; your heartbeat gradually synchronizes to the rhythm of the stimuli, and your circulation through the body gets similar to the heartbeats of the person. The assimilation of the body condition makes you to have similar emotion that the person felt during the recording. This configuration is entirely unique, especially using the heartbeat synchronization for sharing emotion is which nobody ever tried. We believe that \"SyncDon II\" will bring us new sensations we have never experienced.","PeriodicalId":211188,"journal":{"name":"SIGGRAPH ASIA 2015 Art Papers","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122605701","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
HCI in performance arts and the case of Illimitable Space System's multimodal interaction and visualization 表演艺术中的人机交互与“无限空间系统”的多模态交互与可视化案例
SIGGRAPH ASIA 2015 Art Papers Pub Date : 2015-11-02 DOI: 10.1145/2835641.2835649
Miao Song, Serguei A. Mokhov, P. Grogono, S. Mudur
{"title":"HCI in performance arts and the case of Illimitable Space System's multimodal interaction and visualization","authors":"Miao Song, Serguei A. Mokhov, P. Grogono, S. Mudur","doi":"10.1145/2835641.2835649","DOIUrl":"https://doi.org/10.1145/2835641.2835649","url":null,"abstract":"The primary aim of this art paper is to present a case study of the use of modern 3D graphics and sensor technologies in interactive stage performances. Specifically, we present studies of interactive performances in which we have used the Illimitable Space System, a proof-of-concept tool box that offers configurable multimodal interaction via a variety of means. The animation and interaction are all done in real-time and can be of arbitrary duration while the system is up and running. Earlier ISS versions were exhibited in the end of 2012 and 2013 during Open House and Stewart Hall Expo-Science events, as well during the 2014 2-day Chinese New Year Gala performance during the Ascension dance at Concordia University, Montreal, Canada, and in the large Like Shadows theatre production in Beijing, China. We describe how ISS was configured and used in these events, and the valuable feedback obtained, confidence gained in interactive technology usage in performances, and lessons learned from them. All of which help us in making continuous improvements in ISS. As a result this paper includes the themes of these events, methods, theory, and history. Since technology has been used in stage performances from ancient times, we start with a brief historical background of technology in performance arts.","PeriodicalId":211188,"journal":{"name":"SIGGRAPH ASIA 2015 Art Papers","volume":"71 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130109012","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Numerical anamorphosis: an artistic exploration 数字变形:一种艺术探索
SIGGRAPH ASIA 2015 Art Papers Pub Date : 2015-11-02 DOI: 10.1145/2835641.2835642
Francesco De Comité, L. Grisoni
{"title":"Numerical anamorphosis: an artistic exploration","authors":"Francesco De Comité, L. Grisoni","doi":"10.1145/2835641.2835642","DOIUrl":"https://doi.org/10.1145/2835641.2835642","url":null,"abstract":"Anamorphoses have been know for centuries, as distorted images needing to be seen in a mirror from a special point of view in order to see the non-distorted image. During Renaissance, they have been associated to mathematical techniques for drawing such pictures efficiently, on specific mirror shapes (in the case of cylindrical or conical mirrors). We can expect in the next years a strong interest in such type of images, because of the emergence of various contexts and physical supports for image visualization (soft or deformable screens, lightmapping, projection of images on dynamic objects, etc...). Solving the numerical problem of anamorphosis in the general case belongs to the same class of problems as when the trend is to control image deformation as long as image is seen projected on, or reflected by, a non-planar surface, which can be of arbitrary shape. In this work, we show how raycasting technique, well-known in the computer graphics community, can be used to provide an efficient general framework for such rendering. We describe an effective procedure for building general anamorphoses. A generalization of the method leads to the conception of three-dimensional anamorphic sculptures, usable for 3D printing anamorphic objects. We exhibit, through several artworks, tangible and virtual examples.","PeriodicalId":211188,"journal":{"name":"SIGGRAPH ASIA 2015 Art Papers","volume":"165 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128229538","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 9
SIGGRAPH ASIA 2015 Art Papers SIGGRAPH ASIA 2015艺术论文集
SIGGRAPH ASIA 2015 Art Papers Pub Date : 1900-01-01 DOI: 10.1145/2835641
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引用次数: 0
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