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Tran Anh Hung’s Dualistic Gaze on Female Characters: Focus on Vietnam Trilogy 陈英红对女性角色的二元审视:以《越南三部曲》为中心
Cine forum Pub Date : 2022-04-30 DOI: 10.19119/cf.2022.04.41.65
Thinh Ngo, Hyoin Yi
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引用次数: 0
A study on features and meaning of the inter-Korean cooperation film as a new tendency of the Korean Division Film: focusing on Escape from Mogadishu 韩朝合作电影作为韩国分裂电影新趋势的特征与意义研究——以《逃离摩加迪沙》为中心
Cine forum Pub Date : 2021-12-31 DOI: 10.19119/cf.2021.12.40.67
Y. J. Kim, Hyunmee Lee
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引用次数: 0
Conflict and coexistence expressed in sound montage: Focusing on Widow Dance (1983) 用声音蒙太奇表达的冲突与共存:聚焦于《寡妇之舞》(1983)
Cine forum Pub Date : 2021-12-31 DOI: 10.19119/cf.2021.12.40.9
Se Bin Rim
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引用次数: 0
Metacinema"s Smellscape: Parasite (2019) and (Family) Smellwalks Metacinema的《嗅景:寄生虫》(2019)和(家庭)嗅漫步
Cine forum Pub Date : 2021-12-31 DOI: 10.19119/cf.2021.12.40.97
S. Nam
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引用次数: 0
A Study on the Construction Way of Cultural Memory and Heterotopia Space of Everyday Life: Focused on After Life (Hirokazu Goreeda, 1998) 文化记忆与日常生活异托邦空间的建构方式研究——以“死后”为中心(Goreeda, 1998)
Cine forum Pub Date : 2021-12-31 DOI: 10.19119/cf.2021.12.40.35
Seung-Mook Kang
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引用次数: 0
Double-sided impact of the OTT market on the film industry: An aspact of the film “Lost in Russia” and “Space Sweepers” OTT市场对电影产业的双重影响——以电影《迷失俄罗斯》和《太空清洁工》为例
Cine forum Pub Date : 2021-08-31 DOI: 10.19119/cf.2021.08.39.159
Xinyue Ma, Tcha Sung Jai
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引用次数: 0
An industrialization of Memory and a Politicization of Commemoration: A Historical Meaning of War Films Which Have Represented Korean War Since the 2000s 记忆的工业化与纪念的政治化——21世纪以来朝鲜战争题材电影的历史意义
Cine forum Pub Date : 2021-08-31 DOI: 10.19119/cf.2021.08.39.9
Y. Chung
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引用次数: 0
A Study on the Color Aesthetics of Almodovar’s “Pain and Glory” 阿莫多瓦《痛苦与荣耀》的色彩美学研究
Cine forum Pub Date : 2021-08-31 DOI: 10.19119/cf.2021.08.39.39
Saemee Moon, Sangjoon Bae
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引用次数: 0
The Study on the Evidence, Testimony Documents in Errol Morris’ Films 埃罗尔·莫里斯电影中的证据、证言文件研究
Cine forum Pub Date : 2021-08-31 DOI: 10.19119/cf.2021.08.39.77
Jaeyoung Kim
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引用次数: 0
Narrative structure analyzation of the film “Barking Dogs Never Bite”: Bong Joon-ho’s allegory construction and punctum 电影《吠犬不咬人》叙事结构分析:奉俊昊的寓言建构与点状
Cine forum Pub Date : 2021-08-31 DOI: 10.19119/cf.2021.08.39.111
Jeong-nam Seo
{"title":"Narrative structure analyzation of the film “Barking Dogs Never Bite”: Bong Joon-ho’s allegory construction and punctum","authors":"Jeong-nam Seo","doi":"10.19119/cf.2021.08.39.111","DOIUrl":"https://doi.org/10.19119/cf.2021.08.39.111","url":null,"abstract":"","PeriodicalId":205862,"journal":{"name":"Cine forum","volume":"161 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134129362","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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