{"title":"Bob Dylan and Sound: A Tale of the Recording Era","authors":"Barry J. Faulk","doi":"10.1017/9781108855532.019","DOIUrl":"https://doi.org/10.1017/9781108855532.019","url":null,"abstract":"","PeriodicalId":201822,"journal":{"name":"Sound and Literature","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127954896","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Deafness and Sound","authors":"R. Sanchez","doi":"10.1017/9781108855532.014","DOIUrl":"https://doi.org/10.1017/9781108855532.014","url":null,"abstract":"","PeriodicalId":201822,"journal":{"name":"Sound and Literature","volume":"65 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128884555","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Attending to Theatre Sound Studies and Complicité’sThe Encounter","authors":"A. Curtin","doi":"10.1017/9781108855532.018","DOIUrl":"https://doi.org/10.1017/9781108855532.018","url":null,"abstract":"","PeriodicalId":201822,"journal":{"name":"Sound and Literature","volume":"62 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115046183","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Dissonant Prosody","authors":"A. J. Carruthers","doi":"10.1017/9781108855532.013","DOIUrl":"https://doi.org/10.1017/9781108855532.013","url":null,"abstract":"","PeriodicalId":201822,"journal":{"name":"Sound and Literature","volume":"7 2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"113932679","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘Lost in Music’","authors":"P. Gilroy","doi":"10.1017/9781108855532.009","DOIUrl":"https://doi.org/10.1017/9781108855532.009","url":null,"abstract":"","PeriodicalId":201822,"journal":{"name":"Sound and Literature","volume":"109 3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126108075","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Feminism and Sound","authors":"E. Finer","doi":"10.1017/9781108855532.016","DOIUrl":"https://doi.org/10.1017/9781108855532.016","url":null,"abstract":"","PeriodicalId":201822,"journal":{"name":"Sound and Literature","volume":"97 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130499147","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Classical Music and Literature","authors":"Gemma M. Moss","doi":"10.1017/9781108855532.005","DOIUrl":"https://doi.org/10.1017/9781108855532.005","url":null,"abstract":"Laura Marcus argues in The Tenth Muse that literary modernism took on filmic devices. This chapter argues that it did the same with music. Newly conscious of forms, languages, systems, and somatic effects, modernist writers turned to music, particularly Wagner, as a paradigm of artistic expression. Wagner reappears in writing – especially by Joyce, Woolf, Eliot and Ford – that eschewed traditional narrative arcs and literary realism, attempting to re-interpret and re-represent human experience with attention to form and style. Reading Woolf’s Mrs Dalloway informed by Wagner’s conception of the leitmotif as an affective, temporal device, and taking into account what Tim Armstrong calls the modernist ‘preoccupation with the non-linear nature of human time’ , shows how Woolf’s characters are constructed by a complex of affects, contexts, and memories.","PeriodicalId":201822,"journal":{"name":"Sound and Literature","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130540678","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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