Journal of Film Music最新文献_第5页

Frank Lehman, Hollywood Harmony: Musical Wonder and the Sound of Cinema 弗兰克·雷曼，《好莱坞和谐:音乐奇迹与电影之声》

Journal of Film Music Pub Date : 2019-07-10 DOI: 10.1558/jfm.38981

E. Heine

引用次数: 6

Swiss Film Music: Anthology 1923–2012 瑞士电影音乐选集1923-2012

Journal of Film Music Pub Date : 2019-05-15 DOI: 10.1558/jfm.37917

Michael Baumgartner

引用次数: 0

James Buhler, Theories of the Soundtrack 詹姆斯·布勒，《原声理论》

Journal of Film Music Pub Date : 2019-05-07 DOI: 10.1558/jfm.38909

J. A. Smith

{"title":"James Buhler, Theories of the Soundtrack","authors":"J. A. Smith","doi":"10.1558/jfm.38909","DOIUrl":"https://doi.org/10.1558/jfm.38909","url":null,"abstract":"© Copyright the International Film Music Society, published by Equinox Publishing Ltd 2019, Office 415, The Workstation, 15 Paternoster Row, Sheffield, S1 2BX. Like proverbial showbiz stories of overnight success, the sudden rise of “sound studies” within academia is a development several decades in the making. The past fifteen years have seen the appearance of new journals, new scholarly interest groups, new professional organizations, and several new compendia of published research. Contributions to this field represent a wide range of different approaches drawn from a vast array of more established disciplines: linguistics, semiotics, psychology, musicology, narratology, and media studies. Its main areas of inquiry also run the gamut, displaying a concern with aesthetics, technology, and culture. The result of this intellectual ferment is an arena ever more difficult to navigate. Thankfully, Oxford University Press has published a new book that can help guide intrepid newcomers: James Buhler’s Theories of the Soundtrack, an ambitious survey of sound’s role within more than a century of media theory. Buhler notes in his acknowledgments that Theories of the Soundtrack was inspired by the work of two film theorists: Dudley Andrew and Francesco Casetti.1 Andrew’s and Casetti’s influence is palpable not only in the specific topics that Buhler covers, but also in the book’s overall design. Two chapters are dedicated to classical film theory, a framework that seeks to legitimate film as an art form by specifying the bases of its aesthetic potential. The remaining chapters","PeriodicalId":201559,"journal":{"name":"Journal of Film Music","volume":"151 ","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114003076","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Danielle Birkett and Dominic McHugh, eds., Adapting the Wizard of Oz: Musical Versions from Baum to MGM and Beyond 丹尼尔·伯基特和多米尼克·麦克休主编。改编《绿野仙踪:音乐版》，从鲍姆到米高梅和超越

Journal of Film Music Pub Date : 2019-05-07 DOI: 10.1558/jfm.38906

M. Woller

引用次数: 2

Hannah Lewis, French Musical Culture and the Coming of Sound Cinema 汉娜·刘易斯:《法国音乐文化与有声电影的到来》

Journal of Film Music Pub Date : 2019-05-04 DOI: 10.1558/jfm.38908

Colin T. Roust

引用次数: 0

Ron Rodman, Tuning In: American Narrative Television Music 罗恩·罗德曼，调谐:美国叙事电视音乐

Journal of Film Music Pub Date : 2019-03-25 DOI: 10.1558/jfm.31885

James Deaville

引用次数: 0

Michael Slowik, After the Silents: Hollywood Film Music in the Early Sound Era, 1926–1934 迈克尔·斯洛维克，《沉默之后:早期有声时代的好莱坞电影音乐，1926-1934》

Journal of Film Music Pub Date : 2019-03-25 DOI: 10.1558/jfm.30610

H. Lewis

引用次数: 0

Linda M. Koldau, Mythos U-Boot Linda M. Koldau, Mythos U-Boot

Journal of Film Music Pub Date : 2019-03-25 DOI: 10.1558/jfm.37777

Arndt Niebisch

引用次数: 0

The Industrial Soundscape between Fiction and Documentary Film in Italy’s Long 1960s 意大利漫长的20世纪60年代小说与纪录片之间的工业声景

Journal of Film Music Pub Date : 2018-09-27 DOI: 10.1558/JFM.37321

A. Cecchi

{"title":"The Industrial Soundscape between Fiction and Documentary Film in Italy’s Long 1960s","authors":"A. Cecchi","doi":"10.1558/JFM.37321","DOIUrl":"https://doi.org/10.1558/JFM.37321","url":null,"abstract":"During the long 1960s, which includes the culminating phase of the “economic miracle” and the beginning of the protest movement in 1968, the industrial imagination took forceful hold of the collective mind of the Italian people. While corporate films adopted the rhetoric of industrial progress, feature films offered a negative view of industrialization and underlined its problematic aspects: the exploitation of the working class, class struggle, alienation, pollution, the role of criminal enterprise. In both cases music and sound profoundly influenced the representation of the industrial contexts. Corporate films had a tendency to extol the virtues of labor and industrial production and used music extensively to this end. The wide circulation of these films in this period encouraged a critical approach to industrial contexts from feature film directors: in their films music and sound offered critical readings during the industrial sequences: they posed questions, encouraged ironic or tragic reflection, or gave the sequences grotesque or sinister overtones. This article analyzes film music and sound options in feature films against a backdrop of corporate film communication in order to trace the history of industrial imagination in Italian cinema.","PeriodicalId":201559,"journal":{"name":"Journal of Film Music","volume":"101 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114262441","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Italian Cinema’s Sound Archives: Foley Practices and Post-production Techniques, 1960–70 意大利电影的声音档案:福利实践和后期制作技术，1960-70

Journal of Film Music Pub Date : 2018-09-27 DOI: 10.1558/JFM.37323

I. Meandri

{"title":"Italian Cinema’s Sound Archives: Foley Practices and Post-production Techniques, 1960–70","authors":"I. Meandri","doi":"10.1558/JFM.37323","DOIUrl":"https://doi.org/10.1558/JFM.37323","url":null,"abstract":"This article presents a historiographical inquiry into the instruments and technologies employed in Italian Foley art during the 1960s, drawing on an ethnography of the manual techniques involved in sound post-production. It draws on extensive research based on oral accounts of technical directors, Foley artists, rerecording mixers, and sound technicians employed in post-production facilities in and around Rome since the late 1950s. The first section considers the Foley artist’s status and responsibilities within the industrial organization of sound post-production in the 1960s; the second analyzes a category of sound effects in which Foley artists specialized early on, the so-called rumori sala(“Foley stage sounds”). The third section examines how Foley artists progressively extended the scope of their work to include ambienti (“ambient sounds”) and so-called effetti sonori speciali (“special sound effects”), which had previously been the prerogative of fonici (“re-recording and production sound mixers”). The final section discusses the long-term consequences of these changes in the creation of ambient sounds. There is also brief consideration of the introduction and development of the so-called macchina per ambienti(“ambient sound machine”), which remained in vogue in post-production practices until the mid-1990s and was, as far as is known, used exclusively in Italy.","PeriodicalId":201559,"journal":{"name":"Journal of Film Music","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128159862","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0