发布求助
文献互助 智能选刊 最新文献

Journal of Popular Television, The最新文献

筛选
英文 中文
It’s a Sin: Introduction to a Special Issue 这是一种罪恶:特刊简介
Journal of Popular Television, The Pub Date : 2023-07-01 DOI: 10.1386/jptv_00097_2
Angelos Bollas
{"title":"It’s a Sin: Introduction to a Special Issue","authors":"Angelos Bollas","doi":"10.1386/jptv_00097_2","DOIUrl":"https://doi.org/10.1386/jptv_00097_2","url":null,"abstract":"This introduction to the journal’s Special Issue on the 2021 series It’s a Sin gives a brief overview of the show’s significance in popular culture and the rationale behind the selection of contributors.","PeriodicalId":191144,"journal":{"name":"Journal of Popular Television, The","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127435493","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘No matter when or where or who’: Iterations of It’s a Sin “无论何时、何地、何人”:《It’s a Sin》的反复演绎
Journal of Popular Television, The Pub Date : 2023-07-01 DOI: 10.1386/jptv_00098_1
Louis Shankar
{"title":"‘No matter when or where or who’: Iterations of It’s a Sin","authors":"Louis Shankar","doi":"10.1386/jptv_00098_1","DOIUrl":"https://doi.org/10.1386/jptv_00098_1","url":null,"abstract":"This article focuses on the significance of the title of Russell T. Davies’s 2021 TV show, It’s a Sin. Provisionally titled ‘Boys’, ‘It’s a Sin’ was chosen instead after the 1987 single by the Pet Shop Boys. What networks of meaning did this citation create, both intentional and incidental? This article traces narratives of sin and redemption from the Pet Shop Boys, via Derek Jarman, to Russell T. Davies and Years & Years – the music project of Olly Alexander, who starred in the series as one of its lead characters, Ritchie Tozer.","PeriodicalId":191144,"journal":{"name":"Journal of Popular Television, The","volume":"85 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126245119","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
HIV prevention and the impact of It’s a Sin in Scotland 爱滋病预防及爱滋病在苏格兰的影响
Journal of Popular Television, The Pub Date : 2023-07-01 DOI: 10.1386/jptv_00101_1
Chase Ledin
{"title":"HIV prevention and the impact of It’s a Sin in Scotland","authors":"Chase Ledin","doi":"10.1386/jptv_00101_1","DOIUrl":"https://doi.org/10.1386/jptv_00101_1","url":null,"abstract":"HIV prevention services across the United Kingdom received unprecedented requests for home testing kits following the airing of Russell T. Davies’s television series It’s a Sin (IAS) in January and February 2021. Professionals suggested a link between IAS’s retelling of AIDS crisis histories and people’s fears of ongoing HIV transmission, thus leading to increased online searches about HIV/AIDS. Little has been written about this impact of IAS on HIV health promotion practices specifically. Thus, in this article, I analyse a series of interviews with HIV health promoters in Scotland to detail how IAS has influenced HIV intervention techniques and health promotion strategies. I demonstrate how IAS provoked local and national dialogues about the contemporary context of HIV/AIDS in Scotland. I argue that it enabled conversations about the need for new media resources that accurately represent the specific and localized histories of HIV/AIDS. More directly, IAS in small part illuminated differences in intervention strategies between England and Scotland. Hence, it foregrounded the need for re-distributed institutional and material resources to streamline a Scottish agenda for ‘ending HIV’ by 2030.","PeriodicalId":191144,"journal":{"name":"Journal of Popular Television, The","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124251558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Stiff upper lips: British affect and habitus in It’s a Sin 僵硬的上嘴唇:《这是罪过》中英国人的情感和习惯
Journal of Popular Television, The Pub Date : 2023-07-01 DOI: 10.1386/jptv_00100_1
Ashley Morgan
{"title":"Stiff upper lips: British affect and habitus in It’s a Sin","authors":"Ashley Morgan","doi":"10.1386/jptv_00100_1","DOIUrl":"https://doi.org/10.1386/jptv_00100_1","url":null,"abstract":"Popular culture representations of the outbreak, impact of and responses to HIV/AIDS have tended to focus on America. British responses to the HIV/AIDS pandemic have been scarce, and when they have been present, have only occurred fleetingly. It’s a Sin (2021) is an unusual portrayal of HIV/AIDS in popular culture in its quintessential Britishness. Using the concept of stiff upper lip, as a stereotype of British affect, this article explores the ways in which different social classes in the series deal with the fact of homosexuality, and the growing threat of HIV/AIDS in the ten years between 1981 and 1991. The higher the social class, the more repressed and colder the characters are. This is further expressed through affect, and through the mise en scène of the family’s homes. The 1980s is often represented in popular culture as a decade of economic decline and poverty. Yet, It’s a Sin is a unique portrayal of life in 1980s London, which begins with confidence and freedom, and ends with a new strata of people who go on to transcend the social class exigencies of their families.","PeriodicalId":191144,"journal":{"name":"Journal of Popular Television, The","volume":"83 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128598425","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
‘You wish to follow your heart, and I wish to nurture my mind’: The figures of the spinster and widow in Bridgerton “你希望追随自己的心，而我希望培养自己的头脑”——布里奇顿的老处女和寡妇形象
Journal of Popular Television, The Pub Date : 2023-04-12 DOI: 10.1386/jptv_00092_1
Bethany Wyatt
{"title":"‘You wish to follow your heart, and I wish to nurture my mind’: The figures of the spinster and widow in Bridgerton","authors":"Bethany Wyatt","doi":"10.1386/jptv_00092_1","DOIUrl":"https://doi.org/10.1386/jptv_00092_1","url":null,"abstract":"As a romantic drama fictionalizing the Regency marriage mart, Bridgerton () is a series which privileges women’s experiences. From the debutantes entering society, to their ‘ambitious mamas’, feminine narratives play out across the two seasons which have aired to date. Warranting particular attention are the figures of the widow and the ‘spinster’, whose representations this article explores. Bridgerton’s widows are presented as dynamic characters at the centre of their families and the ‘bon ton’, embodying the freedoms elite widows could enjoy. In contrast, the spinster is a topic of (negative) discussion but absent physically, despite the many elite Georgian women who never married. Ideals of independence are explored in some of Bridgerton’s young protagonists, but these are ultimately limited in the constraints of the drama’s romanticized Regency world.","PeriodicalId":191144,"journal":{"name":"Journal of Popular Television, The","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114715559","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Reading will not find you a husband: Eloise Bridgerton, accomplishment and the ‘thinking woman’ in the early nineteenth-century period drama 阅读不会给你找到一个丈夫:埃洛伊丝·布里奇顿，成就和19世纪早期戏剧中的“思考女性”
Journal of Popular Television, The Pub Date : 2023-04-12 DOI: 10.1386/jptv_00091_1
Lizzie Rogers
{"title":"Reading will not find you a husband: Eloise Bridgerton, accomplishment and the ‘thinking woman’ in the early nineteenth-century period drama","authors":"Lizzie Rogers","doi":"10.1386/jptv_00091_1","DOIUrl":"https://doi.org/10.1386/jptv_00091_1","url":null,"abstract":"From the very opening scenes of Bridgerton (), Eloise Bridgerton, the second-eldest daughter, takes centre stage as a character entrenched in a Regency London world, yet immediately identifiable to a modern audience. Her desire to learn and live beyond a conventional path sets her apart in a way that provides hope to a viewing audience that desires from her a myriad of things, including the intertwining of her reticence to marry, her close friendship with Penelope Featherington and intellectual aspirations with longed-for queer representation. This article will explore how the building of Eloise’s character allows for the exploration of the gendering of intellectual freedom on-screen at a place where fact, fiction and audience desires meet. In examining the translation of the complicated nature of the ‘thinking woman’ and ‘accomplishment’ onto screen through the lens of Eloise, and the references and language used, in particular those to Wollstonecraft, as well as audience responses to and desires for Eloise, this article will demonstrate how a conflation of historical reference and modern outlook both re-energizes and often polarizes feminist tropes of the scholarly woman.","PeriodicalId":191144,"journal":{"name":"Journal of Popular Television, The","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123834157","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Primetime pathology: This Is Us and heteronormative ideals 黄金时段病理学:这就是我们和异性恋理想
Journal of Popular Television, The Pub Date : 2023-04-12 DOI: 10.1386/jptv_00095_1
Rachel Kunert-Graf
{"title":"Primetime pathology: This Is Us and heteronormative ideals","authors":"Rachel Kunert-Graf","doi":"10.1386/jptv_00095_1","DOIUrl":"https://doi.org/10.1386/jptv_00095_1","url":null,"abstract":"Despite its popularity with viewers, the television series This Is Us, which aired between 2016 and 2022, has received relatively little scholarly attention. Yet there is an emerging critical consensus that viewers’ self-image and behaviour is informed by the lessons they learn from the series. This article explores the series’ representation of gender as ideological precept, analysing the ways characters modify their behaviour to conform to gendered expectations at the same time as those ideological behaviours lead to relationship conflict. I argue that This Is Us sells viewers the fantasy of good intention and performative affection, whilst implicitly normalizing unhealthy behaviours: poor communication, impulsiveness and self-centred decision-making. That the characters in the show exhibit these traits – these pathologies – is justified in the logic of the show, which paints them as righteous protagonists. Reading the series against the grain reveals that these individual shortcomings can only be understood as pathologies, presented as they are in the series with no material base.","PeriodicalId":191144,"journal":{"name":"Journal of Popular Television, The","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115110059","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From private pleasure to erotic spectacle: Adapting Bridgerton to female audience desires 从私人愉悦到情色奇观:改编布里奇顿以满足女性观众的欲望
Journal of Popular Television, The Pub Date : 2023-04-12 DOI: 10.1386/jptv_00090_1
Amber Davisson, Kyra Hunting
{"title":"From private pleasure to erotic spectacle: Adapting Bridgerton to female audience desires","authors":"Amber Davisson, Kyra Hunting","doi":"10.1386/jptv_00090_1","DOIUrl":"https://doi.org/10.1386/jptv_00090_1","url":null,"abstract":"In this article, we look at how medium and genre shaped the Netflix adaptation of the first two Bridgerton novels and mediated the depictions of sex and desire to fit medium-specific expectations surrounding sexual content made for women. The showrunners for Netflix’s Bridgerton (2020–present) articulated a desire to depict sex from a female perspective, and with a ‘female gaze’, but the series is also instrumental in defining that perspective in ways that often differ from the approach of the novels’ female author. The contrast between the original and the adaptation reveals social norms and beliefs about content that excites women as well as stark differences in print and television norms. In attempting to use a female gaze, the adaptation also constructs the female gaze as distinctly separate from what is depicted in the novels and as limited to specific forms of ‘looking’. We first explore how this is implicated in choices that were made about the adaptation of violent or aggressive sex for the show. Bridgerton avoids depictions of aggression present in the novel and falls back on traditional depictions of appropriate feminine desire. Secondarily, we discuss depictions of sexual consent in the novel and the series with a particular emphasis on the implications colour-blind-casting has for the depiction of violations of consent.","PeriodicalId":191144,"journal":{"name":"Journal of Popular Television, The","volume":"78 3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131944664","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
After the duke: Reflections on how Bridgerton has changed the period drama conversation 在公爵之后:反思布里奇顿如何改变了历史剧的对话
Journal of Popular Television, The Pub Date : 2023-04-12 DOI: 10.1386/jptv_00094_1
{"title":"After the duke: Reflections on how Bridgerton has changed the period drama conversation","authors":"","doi":"10.1386/jptv_00094_1","DOIUrl":"https://doi.org/10.1386/jptv_00094_1","url":null,"abstract":"Academics and journalists alike have written extensively on how Bridgerton () has portrayed BIPOC characters and history in the Regency era. Few writers however have attempted to analyse these questions with both academic and non-academic readers in mind. This article is a self-reflection, based analysis of how the conversation around Bridgerton has evolved over the three years since it was first released.","PeriodicalId":191144,"journal":{"name":"Journal of Popular Television, The","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131192826","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Hazell (1978–80) and the disappearing detective: 1970s British television, a genre literature and the end of an era 哈泽尔(1978-80)与消失的侦探:20世纪70年代英国电视，一种类型文学与一个时代的终结
Journal of Popular Television, The Pub Date : 2023-04-12 DOI: 10.1386/jptv_00096_1
{"title":"Hazell (1978–80) and the disappearing detective: 1970s British television, a genre literature and the end of an era","authors":"","doi":"10.1386/jptv_00096_1","DOIUrl":"https://doi.org/10.1386/jptv_00096_1","url":null,"abstract":"This article considers links between 1970s British television and male-oriented detective fiction. It takes as its focus the eponymous protagonist of Thames Television’s Hazell (1978–80), whose first incarnation, in the ‘P. B. Yuill’ novel Hazell Plays Solomon, dates back to 1974. During the 1970s the investigator figure was to British television what the espionage adventurer had been in the 1960s – all but ubiquitous. Contemporaneous genre literature, often influenced by the US ‘hard-boiled’ tradition, played a pivotal role in establishing such a presence. Yet its relationship with television remains obscure. Why should this be the case? And what might be gained from looking at the changing world of the 1970s through the eyes of an obsolete archetype? In response to these questions, the article retrieves one cultural history (literature) on the back of, and while augmenting, another (television). Hazell, with its distinct ‘meta’ quality and end-of-era proximity, proves useful to this exercise.","PeriodicalId":191144,"journal":{"name":"Journal of Popular Television, The","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132079035","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
首页 上一页 下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：604180095
Book学术官方微信
小红书