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Frontmatter
Hollywood's Artists Pub Date : 2019-12-31 DOI: 10.7312/wexm19568-fm
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引用次数: 0
CHAPTER FIVE. Law: The DGA and Artists as Owners 第五章。法律:DGA和艺术家作为所有者
Hollywood's Artists Pub Date : 2019-12-31 DOI: 10.7312/wexm19568-007
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引用次数: 0
FILM AND CULTURE 电影与文化
Hollywood's Artists Pub Date : 2019-12-31 DOI: 10.7312/wexm19568-016
V. Wexman
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引用次数: 0
Appendix D: Chronology of the Artists Rights Foundation 附录D:艺术家权利基金会年表
Hollywood's Artists Pub Date : 2019-12-31 DOI: 10.7312/wexm19568-012
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引用次数: 0
Appendix C: Officers of the Directors Guild of America 附录C:美国导演协会官员
Hollywood's Artists Pub Date : 2019-12-31 DOI: 10.7312/wexm19568-011
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引用次数: 0
Appendix B: Chronology of the Directors Guild of America 附录B:美国导演协会年表
Hollywood's Artists Pub Date : 2019-12-31 DOI: 10.7312/wexm19568-010
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引用次数: 0
Conclusion 结论
Hollywood's Artists Pub Date : 2019-12-31 DOI: 10.7312/wexm19568-008
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引用次数: 0
CHAPTER TWO. Charisma and Competition: The DGA Stakes Its Claim 第二章。魅力与竞争:DGA的主张
Hollywood's Artists Pub Date : 2019-12-31 DOI: 10.7312/wexm19568-004
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引用次数: 0
Acknowledgments 致谢
Hollywood's Artists Pub Date : 2019-12-31 DOI: 10.7312/wexm19568-001
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引用次数: 0
CHAPTER THREE. Recognition: The DGA Takes Credit 第三章。认可:DGA功不可没
Hollywood's Artists Pub Date : 2019-12-31 DOI: 10.7312/wexm19568-005
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引用次数: 0
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