{"title":"The Transformation of Ion Perdicaris to Eden Perdicaris as a Retro Scenario and Orientalist Codes in Art","authors":"Gizem Parlayandemir","doi":"10.4018/978-1-7998-7180-4.CH049","DOIUrl":"https://doi.org/10.4018/978-1-7998-7180-4.CH049","url":null,"abstract":"Based on mainly the perspectives of three thinkers, Walter Benjamin, Edward Said, and Jean Baudrillard, in this study, beyond the general perception and “Barbarian” and “Berbers,” the film The Wind and The Lion, which was written and directed by John Milius in 1975 and inspired by a “real” life event that happened in 1904, and the transformation of the man kidnapped in real life, Ion Perdicaris, into a woman, Eden Pedecaris, in the film, and the relationship of this transformation with the “orient” perception, the economic and political infrastructures of this relationship, its roots in Orientalist painting will be discussed through intertextual reading and discourse analysis. The analysis of this film's discourse sustains its importance since not only film scholars but also audiences can receive the discourse of the film via new media presently.","PeriodicalId":186144,"journal":{"name":"Advances in Media, Entertainment, and the Arts","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133625394","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Feminist Reading of an Oriental Tale","authors":"Derya Çetin, Mevlüde Deveci","doi":"10.4018/978-1-7998-0128-3.CH005","DOIUrl":"https://doi.org/10.4018/978-1-7998-0128-3.CH005","url":null,"abstract":"Tales, which have an important place in the process of socialization, contain various ideological constructions like other narratives. This study aims to analyses an important tale of Turkey's tale corpus named “Crystal Manor and Diamond Ship” by the terms of feminist critics. This tale is considered among the tales of Anatolian field and is similar to some western tales such as Rapunzel. However, in terms of subject positions, which are one of the focal points of feminist criticism, the main female character, unlike most fairy tales, seems to be planning and implementing the actions that advance the plot, rather than waiting for a man to rescue her.","PeriodicalId":186144,"journal":{"name":"Advances in Media, Entertainment, and the Arts","volume":"74 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131800212","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Digital Storytelling as a Part of Participatory Culture in Communication and Public Relation Practices","authors":"Yeliz Kuşay","doi":"10.4018/978-1-5225-5357-1.CH014","DOIUrl":"https://doi.org/10.4018/978-1-5225-5357-1.CH014","url":null,"abstract":"The digital content that constitutes the main material of the participatory culture put the digital storytelling concept with the creation of digital stories to the agenda. Users exhibit digital narratives as part of participatory culture by combining their imagination skills, editing skills, problem solving skills, creators, ideas they want to tell or share, with the possibilities provided by digital media. In the scope of the study, the elements of digital storytelling, communication, and public relations which are used by different disciplines are emphasized. In the context of these elements, examples of communication and public relations in the world and in Turkey are being interpreted. As a result, the digital storytelling activities that are important in the participatory culture are evaluated in terms of their reflection on communication and public relations practices, contribution to the field, and the aspects that need to be considered.","PeriodicalId":186144,"journal":{"name":"Advances in Media, Entertainment, and the Arts","volume":"32 9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134579091","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Photojournalism Ethics","authors":"Kaanaeli Bariki Kaale, Mashaka Boniface Mgeta","doi":"10.4018/978-1-7998-0329-4.ch008","DOIUrl":"https://doi.org/10.4018/978-1-7998-0329-4.ch008","url":null,"abstract":"This study discusses photojournalism ethics in portraying photographs of children in Tanzanian media. The study is guided by gatekeeping and semiotic theories. The authors used both quantitative and qualitative approaches to examine photojournalism ethical practices with regard to how children's photos are presented in Tanzanian newspapers and readers' perceptions regarding how children's photos are portrayed in Tanzanian media. Content analysis was to examine Habari Leo, the Guardian. and Uwazi newspapers published photographs from 1st May, 2017 to 31st May, 2018. The results showed that 591 out of 12,316 photos published by all the three newspapers were photographs of children. The results revealed that some media outlets published children's photos contrary to the ethics of photojournalism, the United Nations Convention on the Rights of the Child, and the African Charter on the Rights and Welfare of the Child. In order to improve photojournalism ethical practices, the authors suggested the use an approach base in classical philosophy by photojournalists.","PeriodicalId":186144,"journal":{"name":"Advances in Media, Entertainment, and the Arts","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115220147","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Digital Transformation","authors":"Neslihan Yılmaz","doi":"10.4018/978-1-7998-1534-1.ch008","DOIUrl":"https://doi.org/10.4018/978-1-7998-1534-1.ch008","url":null,"abstract":"This chapter is a research on the effects of the concept of information literacy on the economic, social, economic, and digital epochs. When examining the information, the authors also examined the facts. In defining information, it was discussed within the framework of a national statement. While focusing on how information changes technology, the effects of knowledge on society are also examined. The authors socialized the information by showing the correlations between the types of information and society and units. By socializing, they have used the concept of renewing the process, re-using the process, to provide systematic coordination. The authors saw that the problem of knowledge and the solution phases emerged. In fact, information literacy has a characteristic that affects and supports other types of literacy. In other words, it is possible for an individual to develop other literacy skills with the help of information literacy skills.","PeriodicalId":186144,"journal":{"name":"Advances in Media, Entertainment, and the Arts","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115553882","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Media and Its Role in Protecting the Rights of Children in Africa","authors":"","doi":"10.4018/978-1-7998-0329-4","DOIUrl":"https://doi.org/10.4018/978-1-7998-0329-4","url":null,"abstract":"","PeriodicalId":186144,"journal":{"name":"Advances in Media, Entertainment, and the Arts","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122925606","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Popular Culture and Media Intellectuals","authors":"Emel Arik","doi":"10.4018/978-1-5225-8491-9.CH001","DOIUrl":"https://doi.org/10.4018/978-1-5225-8491-9.CH001","url":null,"abstract":"This chapter aims at investigating the relationship between popular culture, the recently dominant culture, and media intellectuals. Popular culture can be defined as daily practices preferred widely by the people. In fact, the term popular culture stems from the word, people, in English. Thus, it refers to a unification of supra-class experience of the majority. Due to its specific characteristics, popular culture stems from culture, mass, high, and folk culture, but it also reflects a more independent and common culture. It is modern, civic, entertaining, and close to consumption. It is also based on dominant values. Therefore, recent intellectuals, whom we cannot think apart from the media, play a significant role in the reproduction of popular culture. Those media intellectuals, a new and defining class, are fed from the popular culture and also contribute to widen this culture among masses. Media intellectuals are primary focal points affecting the system in terms of both consumption culture, daily life, and popular politics. Thus, one of the main actors of popular culture is media intellectuals. Such concepts and the relationships among them will be discussed in this study along with their daily examples, and the role of media intellectuals in reproducing popular culture will be analyzed by means of literature review.","PeriodicalId":186144,"journal":{"name":"Advances in Media, Entertainment, and the Arts","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123898885","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Reflection of Popular Culture on Calendar Photos","authors":"Zaliha Inci Karabacak","doi":"10.4018/978-1-5225-8491-9.CH010","DOIUrl":"https://doi.org/10.4018/978-1-5225-8491-9.CH010","url":null,"abstract":"In the consumer society, brands communicate with consumers by subjects and practices of popular culture. Photography is used as an effective medium in this process. This study that was made within the framework of consumer society and global brands aimed to analyze Lavazza calendar photos that were published between 1993-2012 in the context of popular culture. These photos were analyzed by taking into consideration non-verbal communication means (appearance, manner, activity, props, and settings) enumerated by Dyer. The findings show that non-verbal means of communication have changed in terms of popular culture according to the years in Lavazza's calendar photographs.","PeriodicalId":186144,"journal":{"name":"Advances in Media, Entertainment, and the Arts","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129839392","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Engaging Communities Through Civic Engagement in Art Museum Education","authors":"","doi":"10.4018/978-1-7998-7426-3","DOIUrl":"https://doi.org/10.4018/978-1-7998-7426-3","url":null,"abstract":"","PeriodicalId":186144,"journal":{"name":"Advances in Media, Entertainment, and the Arts","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130089351","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Collective Unconscious and the Media Sphere","authors":"M. A. Kazlev","doi":"10.4018/978-1-7998-8884-0.ch004","DOIUrl":"https://doi.org/10.4018/978-1-7998-8884-0.ch004","url":null,"abstract":"A synthesis of Marshall McLuhan's typology of media, Carl Jung's theory of the Collective Unconscious, Teilhard de Chardin's Evolution, and Rudolf Steiner's Anthroposophy is used to explain the current crisis of Western Civilisation, as well as suggest possible responses. McLuhan described the transition from print to electronic (and now digital) media. Jung explored the collective unconscious and the power of the archetypes. Teilhard posited three evolutionary spheres; here, a further stage is added, the Psychosphere, equated with the Jungian unconscious. And Steiner referred to a threefold polarity of spiritual hierarchies that influence human consciousness and society. Conspiracism and the disinformation crisis comes about through archetypes working through the lower psychecological zones. Orientation to positive epigenetic, imaginal, and divine realities, with their high degree of holism and mythopoetic creativity, offers an alternative to both the paranoia of conspiracism and the reductionism of materialism.","PeriodicalId":186144,"journal":{"name":"Advances in Media, Entertainment, and the Arts","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122101808","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}