{"title":"1. A Cinema of Poetry","authors":"","doi":"10.1515/9781474471466-004","DOIUrl":"https://doi.org/10.1515/9781474471466-004","url":null,"abstract":"","PeriodicalId":185820,"journal":{"name":"Contemporary Cinema","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117096173","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"5. The Camera as Double Vision: Blow-Up to La Belle Noiseuse","authors":"","doi":"10.1515/9781474471466-008","DOIUrl":"https://doi.org/10.1515/9781474471466-008","url":null,"abstract":"","PeriodicalId":185820,"journal":{"name":"Contemporary Cinema","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124903935","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"4. The Screen as Split Subject 2: Into the 1990s","authors":"","doi":"10.1515/9781474471466-007","DOIUrl":"https://doi.org/10.1515/9781474471466-007","url":null,"abstract":"","PeriodicalId":185820,"journal":{"name":"Contemporary Cinema","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125230212","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"8. The Road to Nowhere: 1990s Noir","authors":"","doi":"10.1515/9781474471466-011","DOIUrl":"https://doi.org/10.1515/9781474471466-011","url":null,"abstract":"","PeriodicalId":185820,"journal":{"name":"Contemporary Cinema","volume":"150 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116223391","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"2. The Sacrificial Unconscious: The Red Desert to Three Colours: Blue","authors":"","doi":"10.1515/9781474471466-005","DOIUrl":"https://doi.org/10.1515/9781474471466-005","url":null,"abstract":"","PeriodicalId":185820,"journal":{"name":"Contemporary Cinema","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121327543","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}