{"title":"„JUSTE DU DESIR CRU. . .“ BÜHNEN DER ARS EROTICA. ZUR THEATRALISIERUNG DER HEILSGESCHICHTE IN CATHERINE BREILLATS FILM ROMANCE","authors":"U. Felten","doi":"10.14361/9783839401811-010","DOIUrl":"https://doi.org/10.14361/9783839401811-010","url":null,"abstract":"","PeriodicalId":185548,"journal":{"name":"Theater und Schaulust im aktuellen Film","volume":"77 2-3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2004-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116582611","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"INTIMATE STRANGERS: VOM PATHOS DES ANDEREN SCHAUPLATZES (ZU PATRICE CHÉREAUS FILM INTIMACY/INTIMITÉ)","authors":"W. Hülk","doi":"10.14361/9783839401811-009","DOIUrl":"https://doi.org/10.14361/9783839401811-009","url":null,"abstract":"","PeriodicalId":185548,"journal":{"name":"Theater und Schaulust im aktuellen Film","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2004-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129559092","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Backmatter","authors":"","doi":"10.1515/9783839401811-bm","DOIUrl":"https://doi.org/10.1515/9783839401811-bm","url":null,"abstract":"","PeriodicalId":185548,"journal":{"name":"Theater und Schaulust im aktuellen Film","volume":"63 5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2004-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116754400","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"PARADOXE SUR AMÉLIE: JEAN-PIERRE JEUNETS KINOMÄRCHEN ALS MEDIALE COLLAGE","authors":"K. Hagen","doi":"10.14361/9783839401811-007","DOIUrl":"https://doi.org/10.14361/9783839401811-007","url":null,"abstract":"","PeriodicalId":185548,"journal":{"name":"Theater und Schaulust im aktuellen Film","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2004-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128691822","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"ZWISCHEN „FINGERE SEMPRE DI AVERE CAPITO“ UND „BELLE NUIT D’AMOUR“: THEATRALITÄT UND IMPROVISATION IN ROBERTO BENIGNIS FILM LA VITA È BELLA","authors":"Marijana Erstic","doi":"10.14361/9783839401811-003","DOIUrl":"https://doi.org/10.14361/9783839401811-003","url":null,"abstract":"","PeriodicalId":185548,"journal":{"name":"Theater und Schaulust im aktuellen Film","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2004-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133107769","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"TODO SOBRE MI MADRE – SCHAUSPIELE ZWISCHEN REALITÄT UND FIKTION","authors":"I. Queipo","doi":"10.14361/9783839401811-008","DOIUrl":"https://doi.org/10.14361/9783839401811-008","url":null,"abstract":"","PeriodicalId":185548,"journal":{"name":"Theater und Schaulust im aktuellen Film","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2004-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124347355","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"AKTUELLE THEATERFILME","authors":"V. Roloff","doi":"10.1515/9783839401811-001","DOIUrl":"https://doi.org/10.1515/9783839401811-001","url":null,"abstract":"","PeriodicalId":185548,"journal":{"name":"Theater und Schaulust im aktuellen Film","volume":"65 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2004-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127499624","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Frontmatter","authors":"","doi":"10.1515/9783839401811-fm","DOIUrl":"https://doi.org/10.1515/9783839401811-fm","url":null,"abstract":"","PeriodicalId":185548,"journal":{"name":"Theater und Schaulust im aktuellen Film","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2004-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114374953","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"ON NE BADINE PAS AVEC L’AMOUR","authors":"M. Lommel","doi":"10.1515/9783839401811-002","DOIUrl":"https://doi.org/10.1515/9783839401811-002","url":null,"abstract":"","PeriodicalId":185548,"journal":{"name":"Theater und Schaulust im aktuellen Film","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2004-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126902740","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"MNEMOSYNE UND MELANCHOLIE: ZUR THEATRALISIERUNG VON BEWUSSTSEINSINHALTEN I N MANOEL DE OLIVEIRAS VOU PARA CASA (JE RENTRE À LA MAISON)","authors":"G. Wild","doi":"10.14361/9783839401811-005","DOIUrl":"https://doi.org/10.14361/9783839401811-005","url":null,"abstract":"","PeriodicalId":185548,"journal":{"name":"Theater und Schaulust im aktuellen Film","volume":"73 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2004-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117166576","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}