Journal of Marlowe Studies最新文献

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Christopher Marlowe’s Lightborne and the Chester Mystery Cycle 克里斯托弗·马洛的《光之城和切斯特神秘循环
Journal of Marlowe Studies Pub Date : 2020-09-16 DOI: 10.7190/JMS.V1I0.88
Jennifer Lillian Lodine-Chaffey
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引用次数: 0
Powerful Looks in Tamburlaine 坦伯兰的强大外表
Journal of Marlowe Studies Pub Date : 1900-01-01 DOI: 10.7190/jms.v2i0.123
R. Snyder
{"title":"Powerful Looks in Tamburlaine","authors":"R. Snyder","doi":"10.7190/jms.v2i0.123","DOIUrl":"https://doi.org/10.7190/jms.v2i0.123","url":null,"abstract":"Several discussions of Tamburlaine have touched on the striking visual dimension of Marlowe's bombastic play—especially with regard to the theatricality of the titular conqueror himself, who, as David Thurn puts it, “steadfastly refuses to relinquish the power of sight.” At the same time, Tamburlaine has been put forth by scholars such as Joseph Khoury as a Machiavellian figure who embodies will-to-power without much impediment. While the larger-than-life Tamburlaine may seem in such readings a force unto himself, spinning victory out of an ultimately hollow rhetorical prowess and superior will, this article argues to the contrary that all major characters in the play, including Tamburlaine himself, operate within the same framework of princely glory as power. The play suggests, in other words, that looking the part and being the part of Machiavelli’s prince are not only directly entangled, but may be one in the same. Paying attention to the language of \"looks\" and looking within the play, the article thus situates Tamburlaine's visual rhetoric within this larger visual framework in order to argue that the secret of his success at conquest may be found not in a superior will but in the Machiavel's superior understanding of glory and how to manipulate it.","PeriodicalId":182286,"journal":{"name":"Journal of Marlowe Studies","volume":"70 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115826608","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Playing with Promethean Fire: Dido, Queen of Carthage and Tamburlaine the Great 与普罗米修斯之火玩耍:狄多,迦太基女王和坦伯伦大帝
Journal of Marlowe Studies Pub Date : 1900-01-01 DOI: 10.7190/jms.v2i0.94
Christopher Murray
{"title":"Playing with Promethean Fire: Dido, Queen of Carthage and Tamburlaine the Great","authors":"Christopher Murray","doi":"10.7190/jms.v2i0.94","DOIUrl":"https://doi.org/10.7190/jms.v2i0.94","url":null,"abstract":"This article attempts to consider Marlowe's Promethean imagination in the context of Denis Donoghue's Thieves of Fire (1973). It focuses on two plays Dido, Queen of Carthage and Tamburlaine the Great, but the project extends further to 'Marlowe's Journey', the working title of a book culminating in a new look at Doctor Faustus. The general idea is to link the plays with acting, the inbuilt histrionic style of Marlowe's characterization, with the concept of the Promethean, understood as subversion on the moral and political scales.","PeriodicalId":182286,"journal":{"name":"Journal of Marlowe Studies","volume":"64 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126623076","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Year's Work in Marlowe Studies: 2020 马洛研究的年度工作:2020
Journal of Marlowe Studies Pub Date : 1900-01-01 DOI: 10.7190/jms.v2i0.164
Jennifer Lillian Lodine-Chaffey
{"title":"The Year's Work in Marlowe Studies: 2020","authors":"Jennifer Lillian Lodine-Chaffey","doi":"10.7190/jms.v2i0.164","DOIUrl":"https://doi.org/10.7190/jms.v2i0.164","url":null,"abstract":"A review of scholarly work on Marlowe from the year 2020.","PeriodicalId":182286,"journal":{"name":"Journal of Marlowe Studies","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121153447","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Demonic Temporality in Marlowe’s Doctor Faustus 马洛的《浮士德博士》中恶魔的时间性
Journal of Marlowe Studies Pub Date : 1900-01-01 DOI: 10.7190/jms.v2i0.121
Katherine Walker
{"title":"Demonic Temporality in Marlowe’s Doctor Faustus","authors":"Katherine Walker","doi":"10.7190/jms.v2i0.121","DOIUrl":"https://doi.org/10.7190/jms.v2i0.121","url":null,"abstract":"“Demonic Temporality in Marlowe’s Doctor Faustus” argues that demonic beings and their temporal experiences serve as useful ways to conceptualize human beings existing in multiple timelines in Marlowe’s play. Plotting Satan’s histories in the Bible, demonology, and the ars moriendi tradition, the essay trace how early modern authors attempted to outline precisely how demonic temporality differed from humanity’s own constricted timescapes. Marlowe’s play, however, undercuts any confidence that early modern readers might have gained from these traditions, and I show how Mephistopheles furthers Faustus’s flawed conception of time as strictly earthly. Mephistopheles, too, is bound by certain temporal demands, particularly when he is forced to arrive upon the clowns Robin and Rafe’s ludic conjurations. Ultimately, Mephistopheles manipulates Faustus’s sense of temporality altogether, and the magus only learns at the very end of the play the true import of “everlasting” and Mephistopheles’s role, his experiences, within that sense of infinitude. In staging an aborted death scene that echoes the first half of ars moriendi texts, Marlowe’s disengagement from the genre rests on differences in understanding demonic temporality.","PeriodicalId":182286,"journal":{"name":"Journal of Marlowe Studies","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123917327","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Editorial note 编辑注意
Journal of Marlowe Studies Pub Date : 1900-01-01 DOI: 10.7190/jms.v1i0.112
Andrew Duxfield, Lisa Hopkins
{"title":"Editorial note","authors":"Andrew Duxfield, Lisa Hopkins","doi":"10.7190/jms.v1i0.112","DOIUrl":"https://doi.org/10.7190/jms.v1i0.112","url":null,"abstract":"","PeriodicalId":182286,"journal":{"name":"Journal of Marlowe Studies","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130182721","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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