{"title":"Long-Length Wordless Books: Frans Masereel, Milt Gross, Lynd Ward, and Beyond","authors":"Barbara Postema","doi":"10.1017/9781316759981.004","DOIUrl":"https://doi.org/10.1017/9781316759981.004","url":null,"abstract":"","PeriodicalId":174646,"journal":{"name":"The Cambridge History of the Graphic Novel","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122535360","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Postwar “Drawn Novel”","authors":"J. Baetens","doi":"10.1017/9781316759981.005","DOIUrl":"https://doi.org/10.1017/9781316759981.005","url":null,"abstract":"","PeriodicalId":174646,"journal":{"name":"The Cambridge History of the Graphic Novel","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121942344","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"From an Informed Fan Culture to an Academic Field","authors":"R. Duncan, M. Smith","doi":"10.1017/9781316759981.023","DOIUrl":"https://doi.org/10.1017/9781316759981.023","url":null,"abstract":"","PeriodicalId":174646,"journal":{"name":"The Cambridge History of the Graphic Novel","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125802770","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Harvey Kurtzman and the Influence ofMadMagazine","authors":"Dan Byrne-Smith","doi":"10.1017/9781316759981.006","DOIUrl":"https://doi.org/10.1017/9781316759981.006","url":null,"abstract":"This is a chapter in a significant new collection of essays which will be a key reference in the field of comics studies. The chapter came about through an invitation from the editors Jan Baetens, Hugo Frey and Stephen E. Tabachnick to explore the impact on Harvey Kurtzman, with a specific emphasis on the development of the graphic novel as a form. This is the first attempt to do so in an academic context. \u0000 \u0000From the publisher's website: \u0000The Cambridge History of the Graphic Novel provides the complete history of the graphic novel from its origins in the nineteenth century to its rise and startling success in the twentieth and twenty-first century. It includes original discussion on the current state of the graphic novel and analyzes how American, European, Middle Eastern, and Japanese renditions have shaped the field. Thirty-five leading scholars and historians unpack both forgotten trajectories as well as the famous key episodes, and explain how comics transitioned from being marketed as children's entertainment. Essays address the masters of the form, including Art Spiegelman, Alan Moore, and Marjane Satrapi, and reflect on their publishing history as well as their social and political effects. This ambitious history offers an extensive, detailed and expansive scholarly account of the graphic novel, and will be a key resource for scholars and students.","PeriodicalId":174646,"journal":{"name":"The Cambridge History of the Graphic Novel","volume":"65 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125019188","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Art Spiegelman’s Autobiographical Practice fromMaustoMetaMaus","authors":"E. McGlothlin","doi":"10.1017/9781316759981.013","DOIUrl":"https://doi.org/10.1017/9781316759981.013","url":null,"abstract":"","PeriodicalId":174646,"journal":{"name":"The Cambridge History of the Graphic Novel","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115365508","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Influence of Manga on the Graphic Novel","authors":"S. Grennan","doi":"10.1017/9781316759981.020","DOIUrl":"https://doi.org/10.1017/9781316759981.020","url":null,"abstract":"There is a noticeable, though imperfect, historic parallel between the increase in the readership of Anglophone manga since the early 1990s and the maturation of concepts of the graphic novel, as an “Anglophone” comics genre, since the 1980s. According to a number of approaches, this historic parallel offers opportunities to scrutinize relationships between the development of the two genres (Couch 2010, Hatfield 2005).In particular, this parallel offers the opportunity to historicize descriptions of the complex ways in which these emerging relationships revised diverse practices of visioning, producing and reading comics, in order either to entrench or transform specific markets and cultures, precipitating new types of product and creating new types of reading experience.","PeriodicalId":174646,"journal":{"name":"The Cambridge History of the Graphic Novel","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131558872","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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