Proceedings of the 16th International Audio Mostly Conference最新文献_第2页

It’s about Time: Adopting Theoretical Constructs from Visualization for Sonification 这是关于时间:采用视觉化的理论结构

Proceedings of the 16th International Audio Mostly Conference Pub Date : 2021-09-01 DOI: 10.1145/3478384.3478415

Kajetan Enge, A. Rind, Michael Iber, Robert Höldrich, W. Aigner

{"title":"It’s about Time: Adopting Theoretical Constructs from Visualization for Sonification","authors":"Kajetan Enge, A. Rind, Michael Iber, Robert Höldrich, W. Aigner","doi":"10.1145/3478384.3478415","DOIUrl":"https://doi.org/10.1145/3478384.3478415","url":null,"abstract":"Both sonification and visualization convey information about data by effectively using our human perceptual system, but their ways to transform the data could not be more different. The sonification community has demanded a holistic perspective on data representation, including audio-visual analysis, several times during the past 30 years. A design theory of audio-visual analysis could be a first step in this direction. An indispensable foundation for this undertaking is a terminology that describes the combined design space. To build a bridge between the domains, we adopt two of the established theoretical constructs from visualization theory for the field of sonification. The two constructs are the spatial substrate and the visual mark. In our model, we choose time to be the temporal substrate of sonification. Auditory marks are then positioned in time, such as visual marks are positioned in space. The proposed definitions allow discussing visualization and sonification designs as well as multi-modal designs based on a common terminology. While the identified terminology can support audio-visual analytics research, it also provides a new perspective on sonification theory itself.","PeriodicalId":173309,"journal":{"name":"Proceedings of the 16th International Audio Mostly Conference","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126855322","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 8

The IDMIL Digital Audio Workbench: An interactive online application for teaching digital audio concepts IDMIL数字音频工作台:用于教学数字音频概念的交互式在线应用程序

Proceedings of the 16th International Audio Mostly Conference Pub Date : 2021-09-01 DOI: 10.1145/3478384.3478397

M. Wanderley, Travis J. West, Josh Rohs, Eduardo A. L. Meneses, Christian Frisson

引用次数: 0

Composing the Network with Streams 用流组成网络

Proceedings of the 16th International Audio Mostly Conference Pub Date : 2021-09-01 DOI: 10.1145/3478384.3478416

Ian Clester, Jason Freeman

引用次数: 1

Sunflower: an environment for standardized communication of IoMusT 向日葵:IoMusT标准化交流环境

Proceedings of the 16th International Audio Mostly Conference Pub Date : 2021-09-01 DOI: 10.1145/3478384.3478414

Rômulo Vieira, F. Schiavoni

引用次数: 6

Similarity Analysis of Visual Sketch-based Search for Sounds 基于视觉草图的声音搜索相似度分析

Proceedings of the 16th International Audio Mostly Conference Pub Date : 2021-09-01 DOI: 10.1145/3478384.3478423

Lars Engeln, N. Le, M. Mcginity, Rainer Groh

引用次数: 3

A Technological and Methodological Ecosystem for Dynamic Virtual Acoustics in Telematic Performance Contexts 远程信息处理环境下动态虚拟声学的技术和方法生态系统

Proceedings of the 16th International Audio Mostly Conference Pub Date : 2021-09-01 DOI: 10.1145/3478384.3478425

Rory Hoy, D. Nort

{"title":"A Technological and Methodological Ecosystem for Dynamic Virtual Acoustics in Telematic Performance Contexts","authors":"Rory Hoy, D. Nort","doi":"10.1145/3478384.3478425","DOIUrl":"https://doi.org/10.1145/3478384.3478425","url":null,"abstract":"This paper presents the design and development of a technological ecosystem which facilitates research at the intersection of Virtual Acoustics, Networking, and Telematic Music. Building upon existing robust software packages, we integrate and extend this work in the context of exploring the effect of telematically-shared dynamic virtual acoustic spaces and expressive movement trajectories of player sound source positions upon live play contexts. Through analysis of impulse responses generated by a distributable measurement kit, remote players are able to share these spaces with their collaborators. Supplementary tools developed as part of this research also extend established telematic software solutions, allowing for easier use of network based musical communication systems for both performers and technicians. A network topology of interconnected telematic solutions is described, allowing flexibility between various internet based audio platforms. Applications which challenge and contain these developments are discussed, including a large-scale musical ensemble, web based musical performance, and an ongoing study into collaborative telematic improvisation.","PeriodicalId":173309,"journal":{"name":"Proceedings of the 16th International Audio Mostly Conference","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123680437","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Leveraging Compatibility and Diversity in Computational Music Mashup Creation 利用计算音乐混搭创作的兼容性和多样性

Proceedings of the 16th International Audio Mostly Conference Pub Date : 2021-09-01 DOI: 10.1145/3478384.3478424

Gonçalo Bernardo, Gilberto Bernardes

{"title":"Leveraging Compatibility and Diversity in Computational Music Mashup Creation","authors":"Gonçalo Bernardo, Gilberto Bernardes","doi":"10.1145/3478384.3478424","DOIUrl":"https://doi.org/10.1145/3478384.3478424","url":null,"abstract":"In this paper, we advance a multimodal optimization music mashup creation model for loop recombination at scale. The motivation to pursue such a model is to 1) tackle current scalability limitations in state-of-the-art (brute force) models while enforcing the 2) compatibility, i.e., recombination quality, of audio loops, and 3) a pool of diverse solutions that can accommodate personal user preferences or promote different musical styles. To this end, we adopt the Artificial Immune System (AIS) opt-aiNet algorithm to efficiently compute a population of compatible and diverse mashups from loop recombinations. Optimal mashups result from local minima in a feature space that objectively represents harmonic and rhythmic compatibility. We implemented our model as a prototype application named Mixmash-AIS, and conducted an objective evaluation that tackles three dimensions: loop recombination compatibility, mashups diversity, and computational model efficiency. The conducted evaluation compares the proposed system to a standard genetic algorithm (GA) and a brute force (BF) approach. While the GA stands as the most efficient algorithm, its poor results in terms of compatibility reinforce the primacy of the AIS opt-aiNet in efficiently finding optimal compatible loop mashups. Furthermore, the AIS opt-aiNet showed to promote a diverse mashup population, outperforming both GA or BF approaches.","PeriodicalId":173309,"journal":{"name":"Proceedings of the 16th International Audio Mostly Conference","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123451354","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Sonification of Planetary Orbits in Asteroid Belts 小行星带中行星轨道的声音化

Proceedings of the 16th International Audio Mostly Conference Pub Date : 2021-09-01 DOI: 10.1145/3478384.3478390

M. Quinton, I. Mcgregor, D. Benyon

{"title":"Sonification of Planetary Orbits in Asteroid Belts","authors":"M. Quinton, I. Mcgregor, D. Benyon","doi":"10.1145/3478384.3478390","DOIUrl":"https://doi.org/10.1145/3478384.3478390","url":null,"abstract":"This study investigates the design and evaluation of a sonification designed to detect any planets orbiting within an asteroid belt of an exosolar system. The interface was designed for an astronomer who studies this phenomenon. User centered design methods were applied to create an accurate sonification of the data that could allow the astronomer to perceive possible planetary movements within an asteroid belt. The sonification was developed over three stages: A requirements gathering exercise inquiring about the data that the astronomer uses in her work. A design and development stage based on the findings of the requirements gathering and the third stage, an evaluation of the sonification design. The sonification effectively allowed the astronomer to immediately detect a planet orbiting within an asteroid belt. Multiple parameter mappings provide richer auditory stimuli that are more semantical to the user. The use of more familiar, natural sounding sound design led to a clearer comprehension of the dataset. The use of spatial mapping and movement allowed for immediate identification and understanding of the planet's course through the asteroid belt.","PeriodicalId":173309,"journal":{"name":"Proceedings of the 16th International Audio Mostly Conference","volume":"107 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127670781","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

SOURCE: a Freesound Community Music Sampler 来源:自由声音社区音乐采样器

Proceedings of the 16th International Audio Mostly Conference Pub Date : 2021-09-01 DOI: 10.1145/3478384.3478388

F. Font

引用次数: 3

Atmosphéries and the poetics of the in situ: the role and impact of sensors in data-to-sound transposition installations 大气和现场的诗意:传感器在数据到声音转换装置中的作用和影响

Proceedings of the 16th International Audio Mostly Conference Pub Date : 2021-09-01 DOI: 10.1145/3478384.3478422

Anne Despond, Nicolas Reeves, Vincent Cusson

引用次数: 0