Music Scholarship / Problemy Muzykal'noj Nauki最新文献_第5页

Reflection of the Performance Practice of the Baroque Period in Figuration-Type Thematicism of the Solo Violin Urtext 巴洛克时期演奏实践在《小提琴独奏》具象式主题主义中的反映

Music Scholarship / Problemy Muzykal'noj Nauki Pub Date : 2019-09-01 DOI: 10.17674/1997-0854.2019.3.053-061

Irina V. Alexeyeva, F. B. Sitdikova

引用次数: 0

A Research Episode in Dubai, United Arab Emirates: The Echo of the 27th International Society For Music Education Research Commission Seminar О XXVII 第27届国际音乐教育研究委员会研讨会的回响:阿拉伯联合酋长国迪拜的一个研究片段О XXVII

Music Scholarship / Problemy Muzykal'noj Nauki Pub Date : 2019-09-01 DOI: 10.17674/1997-0854.2019.3.093-103

Efthymios Papatzikis

引用次数: 0

About the Dominating Role of One Pitch Structure in the Song Traditions of the Field (Sernur) Mari 论一个音高结构在田野(Sernur) Mari歌曲传统中的主导作用

Music Scholarship / Problemy Muzykal'noj Nauki Pub Date : 2019-09-01 DOI: 10.17674/1997-0854.2019.3.033-043

Alevtina A. Voytovich

引用次数: 1

Leonhard Euler’s Theory of Music: Its Present-Day Significance and Influence on Certain Fields of Musical Thought 欧拉音乐理论的现代意义及其对某些音乐思想领域的影响

Music Scholarship / Problemy Muzykal'noj Nauki Pub Date : 2019-09-01 DOI: 10.17674/1997-0854.2019.3.104-111

I. Gorbunova, Mikhail S. Zalivadny

引用次数: 10

Documentation Activities in the Opera Theater of the Turn of the 20th and 21st Centuries: Concerning the Issue of Formation 20世纪和21世纪之交的剧院文献活动:关于形成问题

Music Scholarship / Problemy Muzykal'noj Nauki Pub Date : 2019-09-01 DOI: 10.17674/1997-0854.2019.3.130-138

A. Shornikova

引用次数: 0

The Traditions of the St. Petersburg Compositional School in the Children’s Operas by Composer from the Urals Lubov Nikolskaya 乌拉尔作曲家卢博夫·尼古拉卡娅在儿童歌剧中的圣彼得堡作曲学派传统

Music Scholarship / Problemy Muzykal'noj Nauki Pub Date : 2019-09-01 DOI: 10.17674/1997-0854.2019.3.071-081

Maxim A. Basok, Alexander A. Ermakov

引用次数: 0

The World and the Human Being of the Beginning of the 20th Century Reflected by the Art of Music in Russia. Third Essay 从俄罗斯音乐艺术看20世纪初的世界与人类。第三篇文章

Music Scholarship / Problemy Muzykal'noj Nauki Pub Date : 2019-09-01 DOI: 10.17674/1997-0854.2019.3.007-020

A. Demchenko

引用次数: 0

From Richard Wagner to a Personal Style: The Operatic Legacy in the Articles of Camille Saint-Saëns 从理查德·瓦格纳到个人风格:卡米尔文章中的歌剧遗产Saint-Saëns

Music Scholarship / Problemy Muzykal'noj Nauki Pub Date : 2019-06-24 DOI: 10.17674/1997-0854.2019.2.155-165

Zoya N. Knyaz

{"title":"From Richard Wagner to a Personal Style: The Operatic Legacy in the Articles of Camille Saint-Saëns","authors":"Zoya N. Knyaz","doi":"10.17674/1997-0854.2019.2.155-165","DOIUrl":"https://doi.org/10.17674/1997-0854.2019.2.155-165","url":null,"abstract":"The articles about music published in France at the end of the 19th and the beginning of the 20th century present immense opportunities for research and analysis of this most abundant period of the history of musical culture. Of particular interest are the publications of Camille Saint-Saens, who imprinted the evaluations of his operatic compositions. On the one hand, they allow us to glance at the process of musical creativity from the position of the author, and on the other hand, they provide aid during an analysis of the formation of the composer’s aesthetic principles. The literary legacy of Saint-Saens is vast and consists of over 500 articles published during the course of fifty years of his artistic path. The present work examines the composer’s publications devoted to his operas in the context of the influence of Wagner and his system of leitmotifs. Fragments of the composer’s articles dealing with his operas “Samson et Dalila” (1877) and “Helene” (1904) are discussed. In his late works, Saint-Saens examines the limitations of Wagner’s system in connection with his opera works. He contemplates creating his personal style developing Wagner’s techniques but gravitating towards a lighter type of orchestration for the sake of highlighting the vocal part and giving it the most prominence. The reported study was funded by the Russian Foundation for Basic Research (RFBR) according to the research project No. 18-312-00195. Keywords: Camille Saint-Saens, Richard Wagner, the opera legacy of Saint-Saens, Wagner and Saint-Saens, “La Princesse jaune,” “Samson et Dalila,” “Helene.”","PeriodicalId":171243,"journal":{"name":"Music Scholarship / Problemy Muzykal'noj Nauki","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130566114","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Tendencies of Development of the Musical Trend Classical Crossover in the Performances of the Instrumental Duo “Igudesman & Joo” 器乐二重奏“伊古德斯曼与朱”演奏中音乐潮流古典交叉的发展趋势

Music Scholarship / Problemy Muzykal'noj Nauki Pub Date : 2019-06-24 DOI: 10.17674/1997-0854.2019.2.132-138

M. Zaitseva, Regina R. Вudagyan, Yankelika I. Sushkova-Irina

{"title":"Tendencies of Development of the Musical Trend Classical Crossover in the Performances of the Instrumental Duo “Igudesman & Joo”","authors":"M. Zaitseva, Regina R. Вudagyan, Yankelika I. Sushkova-Irina","doi":"10.17674/1997-0854.2019.2.132-138","DOIUrl":"https://doi.org/10.17674/1997-0854.2019.2.132-138","url":null,"abstract":"The performance artistry of the instrumental duo “Igudesman & Joo,” which has obtained popularity in 2004 after their presentation of the show “A Little Nightmare Music,” has demonstrated a new stage of development of the classical crossover trend in violin performance. Through the prism of the comic element the composers’ style of the past (Bach, Mozart, Rachmaninoff, etc.) become correlated with the experience of contemporary concert practice (“Bach vs Vanessa Mae”) with the realities of modern life – the necessity of bringing in the “code and password” for the opportunity for playing on the musical instrument, the recreation of the situation of a swift reconnoitering “surfing” on television and radio channels, internet websites, and the rubrics of discs (the show “Being Gidon Kremer”). Actively used by mass culture, the hedonism of laughter by means of diverse stylistic techniques of creation of comic effects (unusual juxtapositions in “Mozart Bond,” transformation of academic themes, etc.) obtains an intellectual foundation. The cognition of the concept-oriented field of compositions saturated with comical images alters the means of perception of musical compositions based not as much on mechanisms of feeling and empathy as on reflection. Understanding the stylistically heterogeneous artistic image (collage technique, comic devices) presumes an orientation on a broad musical and historical perspective on the part of the listener. Keywords: contemporary violin performance, classical crossover, the instrumental duo “Igudesman & Joo.”","PeriodicalId":171243,"journal":{"name":"Music Scholarship / Problemy Muzykal'noj Nauki","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121755514","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

The Process of Academization of the Art of Russian Folk Instrumental Music 俄罗斯民间器乐艺术的学术化进程

Music Scholarship / Problemy Muzykal'noj Nauki Pub Date : 2019-06-24 DOI: 10.17674/1997-0854.2019.2.029-037

D. I. Varlamov

{"title":"The Process of Academization of the Art of Russian Folk Instrumental Music","authors":"D. I. Varlamov","doi":"10.17674/1997-0854.2019.2.029-037","DOIUrl":"https://doi.org/10.17674/1997-0854.2019.2.029-037","url":null,"abstract":"The art of Russian folk instrumental music in the 20th century underwent an active stage of academization. Scholars have consentaneously interpreted it as the process of achievement of an academic level of performance and study. The author of the present article criticizes this kind of interpretation and proposes the conception of academization based on the theory of evolution. What is understood under the term academization here is the evolution of thinking and creative activity of humanity from authentic folklore to contemporary music of the academic type. Two types of academization are brought out: the natural and the artificial, demonstrating a single substance – the aspiration towards an ideal artistic paradigm. However, in the natural process the paradigm is formed spontaneously during the course of the artists’ creative search and the selective activity of society, and in the artificial it is borrowed from another culture, and so in the artificial process the reproductive function predominates over the creative. Both types are subjected to the “postacademic syndrome” – negative tendencies, which demonstrate themselves more acutely in the artificial process. Overcoming the “post-academic syndrome” is possible through the integration of academic art with the analogous tradition of the folklore variety, the development of the theory of national instrumentalism, removal of dualism of thinking from it and assertion of the integrity of the phenomenon of the folk trait of artistic creativity. Keywords: the art of folk instrumental music, the academization of art and education, the types of academization, evolutionary and synergetic natural laws.","PeriodicalId":171243,"journal":{"name":"Music Scholarship / Problemy Muzykal'noj Nauki","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126942723","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1