{"title":"Luka Sorgo – a Nobleman and Composer from Dubrovnik","authors":"V. Katalinić","doi":"10.14361/9783839435045-009","DOIUrl":"https://doi.org/10.14361/9783839435045-009","url":null,"abstract":"","PeriodicalId":162716,"journal":{"name":"Musicians' Mobilities and Music Migrations in Early Modern Europe","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122517667","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Frontmatter","authors":"","doi":"10.1515/9783839435045-fm","DOIUrl":"https://doi.org/10.1515/9783839435045-fm","url":null,"abstract":"","PeriodicalId":162716,"journal":{"name":"Musicians' Mobilities and Music Migrations in Early Modern Europe","volume":"196 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116524628","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Vienna Kärntnertortheater Singers in the Letters from Georg Adam Hoffmann to Count Johann Adam von Questenberg Italian Opera Singers in Moravian Sources c. 1720-1740 (Part II)","authors":"Jana Perutková","doi":"10.1515/9783839435045-015","DOIUrl":"https://doi.org/10.1515/9783839435045-015","url":null,"abstract":"","PeriodicalId":162716,"journal":{"name":"Musicians' Mobilities and Music Migrations in Early Modern Europe","volume":"242 2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133783235","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"From “Sonate a quattro” to “Concertos in Seven Parts” The Acclimatization of Two Compositions by Francesco Scarlatti","authors":"M. Talbot, Gesa zur Nieden, Berthold Over","doi":"10.14361/9783839435045-017","DOIUrl":"https://doi.org/10.14361/9783839435045-017","url":null,"abstract":"Among the musicians of the Scarlatti family Francesco (1666-1741 or later) has never enjoyed the highest reputation. Malcolm Boyd dismissed him as “third-rate”,1 and although recordings of some of his sacred vocal works have done a little to improve his standing, he remains a highly marginal igure. His biography marks him out as an abject failure in comparison with his elder brother Alessandro and his nephew Domenico. Like Alessandro born in Palermo, he studied in Naples in the early 1670s and in 1684 joined the viceregal court there as a violinist. In 1691 he returned to Sicily, where he remained until at least 1715, in which year he made an unsuccessful application to become Vice-Capellmeister at the imperial court. In 1719 he tried his luck in Britain, very possibly arriving there in the company of Domenico, whose long-doubted visit to London seems actually to have occurred in that year.2 Turning down the ofer of a position with the Duke of Chandos in 1720, Francesco remained in London, coming to public notice only rarely. It is very possible that in the period that followed he lived and worked for a while in the English provinces, to which the less successful among Italian immigrant musicians were apt sooner or later to gravitate. In 1733 he moved inally to","PeriodicalId":162716,"journal":{"name":"Musicians' Mobilities and Music Migrations in Early Modern Europe","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117123443","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“… und bißhero mein Glück in der Welt zu suchen …” – Notes on the Biography of Jonas Friederich Boenicke","authors":"Rashid-S. Pegah, G. Nieden, Berthold Over","doi":"10.14361/9783839435045-012","DOIUrl":"https://doi.org/10.14361/9783839435045-012","url":null,"abstract":"","PeriodicalId":162716,"journal":{"name":"Musicians' Mobilities and Music Migrations in Early Modern Europe","volume":"89 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122495776","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Aneta Markuszewska, Gesa zur Nieden, Berthold Over
{"title":"Spread of Italian Libretti Maria Clementina Sobieska Stuart – a Patron of Roman Operas","authors":"Aneta Markuszewska, Gesa zur Nieden, Berthold Over","doi":"10.14361/9783839435045-018","DOIUrl":"https://doi.org/10.14361/9783839435045-018","url":null,"abstract":"","PeriodicalId":162716,"journal":{"name":"Musicians' Mobilities and Music Migrations in Early Modern Europe","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121679779","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Roads “which are commonly wonderful for the musicians” – Early Modern Times Musicians’ Mobility and Migration","authors":"Gesa zur Nieden, Berthold Over","doi":"10.14361/9783839435045-002","DOIUrl":"https://doi.org/10.14361/9783839435045-002","url":null,"abstract":"The Early Modern Times musicians’ migration is often examined in its positive role in music and cultural history research:1 it is mostly considered as the motor for the development of European culture and identity carried by music and musicians, deined by processes of cultural communication and cultural exchange as well as the associated cultural interactions.2 However, the fact that the mobility pertaining to the distribution of repertoire and transregional repertoire development did not generally have a positive connotation for the players in Early Modern Times is strongly evident in research in the cultural history sector of music, which – far from the biographies of outstanding musicians and virtuosos, the history of extraordinary musical institutions or the so-called “elite migration” – systematically documents the movements in the local, regional and transregional area also of anonymous composers, instrumentalists and singers.3 Mobility for most of these musicians was not a self-deter-","PeriodicalId":162716,"journal":{"name":"Musicians' Mobilities and Music Migrations in Early Modern Europe","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134318811","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"From Munich to ‘Foreign’ Lands and Back Again Relocation of the Munich Court and Migration of Musicians (c. 1690-1715)","authors":"Berthold Over, Gesa zur Nieden","doi":"10.14361/9783839435045-006","DOIUrl":"https://doi.org/10.14361/9783839435045-006","url":null,"abstract":"","PeriodicalId":162716,"journal":{"name":"Musicians' Mobilities and Music Migrations in Early Modern Europe","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128647168","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Migrations of Musical Repertoire The Attems Music Collection from Around 1744","authors":"Metoda Kokole, Gesa zur Nieden, Berthold Over","doi":"10.14361/9783839435045-019","DOIUrl":"https://doi.org/10.14361/9783839435045-019","url":null,"abstract":"","PeriodicalId":162716,"journal":{"name":"Musicians' Mobilities and Music Migrations in Early Modern Europe","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116811645","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Musical Travels Sources of Musicians’ Tours and Migrations in the Seventeenth and Eighteenth Century","authors":"Norbert Dubowy, Gesa zur Nieden, Berthold Over","doi":"10.14361/9783839435045-011","DOIUrl":"https://doi.org/10.14361/9783839435045-011","url":null,"abstract":"","PeriodicalId":162716,"journal":{"name":"Musicians' Mobilities and Music Migrations in Early Modern Europe","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114892514","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}