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The Urdu Ghazal最新文献

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The Progressives 的进步
The Urdu Ghazal Pub Date : 2020-02-27 DOI: 10.1093/oso/9780190120795.003.0007
G. C. Narang
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引用次数: 1
The Neoclassicists 的形式
The Urdu Ghazal Pub Date : 2020-02-27 DOI: 10.1093/oso/9780190120795.003.0006
G. C. Narang
{"title":"The Neoclassicists","authors":"G. C. Narang","doi":"10.1093/oso/9780190120795.003.0006","DOIUrl":"https://doi.org/10.1093/oso/9780190120795.003.0006","url":null,"abstract":"By the early twentieth century, Urdu literature had grown in variety and richness—it consisted of not only divans of ghazals but novels, dramas, historical accounts, biographies, and even books on medicine and astronomy. However, the ghazal as a genre had suffered a reversal, first by a movement by some British educationists aimed at promoting poems, and then by the loss of master poets like Dagh, Hali, and Shibli, without any replacement by the poets of the same caliber. Under such circumstances, it was left to poets like Hasrat Mohani, Akbar Allahabadi, Allama Iqbal, Chakbast, and Yagana to take up the ghazal’s banner. All of them helped in its vigorous restoration and revival with a captivating lyrical touch.","PeriodicalId":161614,"journal":{"name":"The Urdu Ghazal","volume":"84 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-02-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127002852","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Concept of Self 自我的概念
The Urdu Ghazal Pub Date : 2020-02-27 DOI: 10.1093/oso/9780190120795.003.0004
G. C. Narang
{"title":"The Concept of Self","authors":"G. C. Narang","doi":"10.1093/oso/9780190120795.003.0004","DOIUrl":"https://doi.org/10.1093/oso/9780190120795.003.0004","url":null,"abstract":"One significant aspect of the Urdu ghazal is that it is not simply a lyrical accretion of feelings and emotions—it contains ideas, thoughts, and philosophical viewpoints. This chapter examines the Urdu ghazal in light of various streams of thought about human nature, about personal identity (self), and about human beings’ relationship with God. Besides being a source of enjoyment, the Urdu ghazal also served as a cohesive force for promoting pluralistic culture of India, while at the same time further bonding its intrinsic ethnic multiplicity.","PeriodicalId":161614,"journal":{"name":"The Urdu Ghazal","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-02-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122421709","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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