{"title":"Index","authors":"","doi":"10.2307/j.ctvx079fr.23","DOIUrl":"https://doi.org/10.2307/j.ctvx079fr.23","url":null,"abstract":"","PeriodicalId":157917,"journal":{"name":"Ceramics of Ancient America","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123803465","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Product Continuity and Change in Persistent Household Ceramic Production","authors":"A. Hirshman","doi":"10.5744/florida/9780813056067.003.0012","DOIUrl":"https://doi.org/10.5744/florida/9780813056067.003.0012","url":null,"abstract":"Theories regarding craft specialization and state emergence have long posited a relationship between the two, with state intervention expected in the production of elite culture. The Late Postclassic West Mexican Tarascan state (AD 1350–1525) seemed to be a perfect case in point, as fine wares are highly identifiable and provide a strong temporal marker for the emergence and duration of the state. Yet ethnographic data from the descendants of the Tarascan state (called the P’urépecha), along with archaeological and chemical evidence for the region indicates that ceramic production did not undergo a significant reorganization with state emergence and that even Tarascan fine wares were apparently made and used within commoner households. As household ceramic production is commonly characterized as technically and stylistically conservative, the “how” and “why” of the production of new ceramic Tarascan state markers indicates that the relationships between households and the state were far more complex than originally anticipated. ","PeriodicalId":157917,"journal":{"name":"Ceramics of Ancient America","volume":"60 3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130525673","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Intertextuality in Classic Maya Ceramic Art and Writing","authors":"Michael D. Carrasco, R. Wald","doi":"10.5744/FLORIDA/9780813056067.003.0007","DOIUrl":"https://doi.org/10.5744/FLORIDA/9780813056067.003.0007","url":null,"abstract":"Ceramic texts and imagery have been critically important tools in the study of Maya iconography and epigraphy. However, how these narratives coordinate with those in other media as coherent, media-specific compositions has been little explored. This chapter presents a single case study to address issues of intertextuality. In particular, it focuses on the iconography and textual composition of the Regal Rabbit Vase (K1398) with the imagery found on Naranjo Stela 22. That the royal house of Naranjo commissioned both objects makes this a useful comparison, because it provides historical links between the vessel and the stela. Taking advantage of this fortuitous pairing of contemporaneous objects, we look to the visual rhetoric through which K’ahk Tiliw Chan Chahk’s (688–726? A.D.) military and youth rites were presented in each medium. Then, these rites are placed in conversation with the extensive iconographic and textual record at Palenque to contextualize the pan-Maya significance of youth rites involving the deity B’olon Okte’ K’uh and their mythological underpinnings. Through this example, we explore why ceramics were a preferred medium for the presentation of certain genres of imagery (e.g. mythological narratives) that are rarely presented in the monuments and how this choice is itself meaningful.","PeriodicalId":157917,"journal":{"name":"Ceramics of Ancient America","volume":"112 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131808768","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Bodies in Both Worlds","authors":"Sarahh E. M. Scher","doi":"10.5744/florida/9780813056067.003.0006","DOIUrl":"https://doi.org/10.5744/florida/9780813056067.003.0006","url":null,"abstract":"The Moche people of northern coastal Peru (c. 100 B.C.E–850 C.E.) left behind a great deal of visual communication in their art, which is unusual in its relative naturalism and realistic portrayal of human and animal figures. Although their stylistic choices appear to allow for a close study of artistic imagery and its relationship to Moche life, the Moche were selective in what they included in their iconography; their art is not a comprehensive catalogue of their culture. Nevertheless, by comparing the results of a iconographic analysis of human costume in Moche ceramics with the work of scholars who have studied Moche supernatural representations in the same medium, it is possible to move toward a deeper understanding of mid- to late Moche culture and status as depicted in their art. By focusing mainly on art produced in the middle to late Moche periods (AD 200–550), this essay provides an inquiry into general ideas in Moche culture about the supernatural, ideas which of course would have varied in their details over time and space.","PeriodicalId":157917,"journal":{"name":"Ceramics of Ancient America","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122038767","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Naturalism and Contrapposto in the Ceramics of Ancient Ecuador:","authors":"J. Farmer","doi":"10.2307/j.ctvx079fr.9","DOIUrl":"https://doi.org/10.2307/j.ctvx079fr.9","url":null,"abstract":"","PeriodicalId":157917,"journal":{"name":"Ceramics of Ancient America","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129625365","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Emblems of Cultural Identity in Early Andean Art:","authors":"Y. Huntington","doi":"10.2307/j.ctvx079fr.12","DOIUrl":"https://doi.org/10.2307/j.ctvx079fr.12","url":null,"abstract":"","PeriodicalId":157917,"journal":{"name":"Ceramics of Ancient America","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128978128","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A New Approach to Pre-Columbian Pottery:","authors":"D. Arnold, Y. Huntington, Johanna Minich","doi":"10.2307/j.ctvx079fr.6","DOIUrl":"https://doi.org/10.2307/j.ctvx079fr.6","url":null,"abstract":"","PeriodicalId":157917,"journal":{"name":"Ceramics of Ancient America","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133332089","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A New Approach to Pre-Columbian Pottery","authors":"D. Arnold, Y. Huntington, Johanna Minich","doi":"10.5744/florida/9780813056067.003.0001","DOIUrl":"https://doi.org/10.5744/florida/9780813056067.003.0001","url":null,"abstract":"Clay is the most malleable raw material used by many cultures across the world. Its fired product, ceramics, are commonly studied by archaeologists, art historians, and anthropologists. This introductory chapter describes the various perspectives and how these disciplines study the ceramics of ancient America and the cultures that produced them. Bringing together a variety of approaches and terminologies used by these three disciplines, this chapter reveals the complementarity of the differences of these varied approaches. Since ceramic objects constitute part of the history and identity of a specific group of people, it is also important to consider the archaeological ethics of studying Pre-Columbian ceramics, especially how archaeologists and art historians perform authentication and respect cultural heritage. Summarizing the unique properties of ceramics, the operational sequences of their production, and considerations of both human and material agency, the chapter also shows how recognizing various ceramic production sequences (chaîn opératoire) enables reconstruction of ancient societies through different disciplines. This multidisciplinary approach provides a more comprehensive understanding of ceramics than possible with any single discipline.","PeriodicalId":157917,"journal":{"name":"Ceramics of Ancient America","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129519752","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Product Continuity and Change in Persistent Household Ceramic Production:","authors":"A. Hirshman","doi":"10.2307/j.ctvx079fr.21","DOIUrl":"https://doi.org/10.2307/j.ctvx079fr.21","url":null,"abstract":"","PeriodicalId":157917,"journal":{"name":"Ceramics of Ancient America","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131362367","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Emblems of Cultural Identity in Early Andean Art","authors":"Y. Huntington","doi":"10.5744/FLORIDA/9780813056067.003.0005","DOIUrl":"https://doi.org/10.5744/FLORIDA/9780813056067.003.0005","url":null,"abstract":"This chapter employs the traditional art historical methods of formal analysis and iconography to understand head motifs engraved on Cupisnique ceramics that were made between 1200 and 200 BCE. Rather than characterizing a small social group operating in isolation, these motifs and objects serve as indicators of cultural identity, affiliation, and transmission, expressing complex interactions between neighboring cultures. In other words, the head motifs on Cupisnique ceramics display the cultural networks inside of which the Cupisnique people saw themselves. Through conscious combination of various techniques and symbols appropriated from other cultures, Cupisnique artists created innovative objects unique to their own society. In particular, the Cupisnique people combined the post-firing engraving techniques of the Chorrera and Machalilla cultures of Ecuador with head motifs appropriated from the architectural friezes of Huaca de los Reyes, a public ritual space, to create small, personal items. These objects with imagery and techniques appropriated into a new, private context become a key distinction of the Cupisnique culture against its neighbors, antecedents, and trade partners.","PeriodicalId":157917,"journal":{"name":"Ceramics of Ancient America","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133176727","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}