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New York and the International Sound of Latin Music, 1940-1990最新文献

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Back Matter 回到问题
New York and the International Sound of Latin Music, 1940-1990 Pub Date : 2020-12-28 DOI: 10.2307/j.ctv1fkgc88.16
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引用次数: 0
LATIN MUSIC EDUCATION IN NEW YORK 纽约的拉丁音乐教育
New York and the International Sound of Latin Music, 1940-1990 Pub Date : 2020-12-28 DOI: 10.2307/j.ctv1fkgc88.5
B. Lapidus
{"title":"LATIN MUSIC EDUCATION IN NEW YORK","authors":"B. Lapidus","doi":"10.2307/j.ctv1fkgc88.5","DOIUrl":"https://doi.org/10.2307/j.ctv1fkgc88.5","url":null,"abstract":"This chapter details the longstanding formal and informal Latin music education settings and networks in New York City, as well as some of the ways in which the musicians benefited from them. It introduces three Puerto Rican women, from the 1920s through 1950s, who taught some of the greatest pianists to emerge from the New York scene. The chapter then presents a Panamanian pianist and a Cuban flautist who imparted musicianship, theory, and piano lessons to countless musicians who were influential performers, composers, and arrangers. The Afro-Latin folkloric music scene in New York was an incubator for musical innovation and preservation; musicians from across ethnic groups have studied, performed, and recorded ritual and folkloric genres. New York City, unlike sites within the Caribbean, offered a wide range of formal and informal study opportunities for musicians from throughout the Caribbean. It explores some of the institutions that served as meeting grounds for musicians, and provided both rehearsal and performance opportunities for aspiring musicians.","PeriodicalId":155380,"journal":{"name":"New York and the International Sound of Latin Music, 1940-1990","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123741223","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
ACKNOWLEDGMENTS 致谢。
New York and the International Sound of Latin Music, 1940-1990 Pub Date : 2020-12-28 DOI: 10.2307/j.ctv1fkgc88.3
{"title":"ACKNOWLEDGMENTS","authors":"","doi":"10.2307/j.ctv1fkgc88.3","DOIUrl":"https://doi.org/10.2307/j.ctv1fkgc88.3","url":null,"abstract":"","PeriodicalId":155380,"journal":{"name":"New York and the International Sound of Latin Music, 1940-1990","volume":"147 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114599893","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
CONCLUSION 结论
New York and the International Sound of Latin Music, 1940-1990 Pub Date : 2020-12-28 DOI: 10.2307/j.ctv1fkgc88.12
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引用次数: 0
“WHERE’S BARRY?” “巴里在哪儿?”
New York and the International Sound of Latin Music, 1940-1990 Pub Date : 2020-12-28 DOI: 10.2307/j.ctv1fkgc88.10
B. Lapidus
{"title":"“WHERE’S BARRY?”","authors":"B. Lapidus","doi":"10.2307/j.ctv1fkgc88.10","DOIUrl":"https://doi.org/10.2307/j.ctv1fkgc88.10","url":null,"abstract":"This chapter analyzes the understudied, multidimensional relationship of New York Jews with Latin music. Jewish engagement with Latin music took place throughout New York beyond the Palladium Ballroom, and the chapter presents the dance announcements in New York newspapers from 1947 to 1961 in order to show the extent of activities. It also details the historical depth of Jewish New Yorkers' involvement in Spanish Caribbean music by examining performance venues and events beyond the Catskills as well as the specific contributions of Eydie Gormé, Abbe Lane, Barry Rogers, and the dancer Ira Goldwasser. Ultimately, the chapter explores Jewish self-representations in Latin music and portrayals of Jews by non-Jews in Latin music. While there have been Jewish performers of Latin music throughout the Americas, Jewish New Yorkers' ongoing and nuanced relationship to Latin music has been unique and distinct.","PeriodicalId":155380,"journal":{"name":"New York and the International Sound of Latin Music, 1940-1990","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128312058","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
SONNY BRAVO, TÍPICA 73, AND THE NEW YORK SOUND 桑尼布拉沃，tÍpica 73，和纽约之声
New York and the International Sound of Latin Music, 1940-1990 Pub Date : 2020-12-28 DOI: 10.2307/j.ctv1fkgc88.7
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引用次数: 0
“THIS GUY DOES NOT LOOK LATIN” "这家伙看起来不像拉丁人"
New York and the International Sound of Latin Music, 1940-1990 Pub Date : 2020-12-28 DOI: 10.2307/j.ctv1fkgc88.8
B. Lapidus
{"title":"“THIS GUY DOES NOT LOOK LATIN”","authors":"B. Lapidus","doi":"10.2307/j.ctv1fkgc88.8","DOIUrl":"https://doi.org/10.2307/j.ctv1fkgc88.8","url":null,"abstract":"This chapter covers the overlooked legacy of the Panamanian musical community of Brooklyn and the greater New York metropolitan area. It explores how Panamanian musicians positioned themselves and were positioned both musically and socially by their Latino and non-Latino colleagues in New York. As Latinos of Black West Indian descent, the New York Panamanians encountered racism among both Latinos and African Americans, but worked with these groups of musicians and others in a variety of settings. The chapter presents numerous Panamanian musicians who successfully negotiated classical, jazz, Broadway, Caribbean, and Latin music scenes (often simultaneously) and created a considerable body of work that has not been previously analyzed or contextualized. Ultimately, the chapter demonstrates a number of the themes discussed in the introduction, including engagement with jazz, musical biculturalism, inter-ethnic collaboration, emphasis on music education, and family lineages of musicians.","PeriodicalId":155380,"journal":{"name":"New York and the International Sound of Latin Music, 1940-1990","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130489418","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
GLOSSARY 术语表
New York and the International Sound of Latin Music, 1940-1990 Pub Date : 2020-12-28 DOI: 10.2307/j.ctv1fkgc88.13
{"title":"GLOSSARY","authors":"","doi":"10.2307/j.ctv1fkgc88.13","DOIUrl":"https://doi.org/10.2307/j.ctv1fkgc88.13","url":null,"abstract":"","PeriodicalId":155380,"journal":{"name":"New York and the International Sound of Latin Music, 1940-1990","volume":"142 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121415934","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
STRINGS AND SKINS 绳子和皮肤
New York and the International Sound of Latin Music, 1940-1990 Pub Date : 2020-12-28 DOI: 10.2307/j.ctv1fkgc88.6
B. Lapidus
{"title":"STRINGS AND SKINS","authors":"B. Lapidus","doi":"10.2307/j.ctv1fkgc88.6","DOIUrl":"https://doi.org/10.2307/j.ctv1fkgc88.6","url":null,"abstract":"This chapter outlines the important history and role of craftsmen based in New York City who produced and repaired traditional instruments used in the performance of Latin music. It introduces individuals who came from Cuban, Puerto Rican, Dominican, and Jewish communities, and examines how their instruments physically represented the actual sound of Latin Music to New York and the world on widely disseminated recordings. Many of these instrument makers also sold their instruments beyond New York City and the United States. The chapter also discusses the work of builders and musicians in New York City to create and modify the tools used to forge the sound of Latin music and diffuse both the instruments and their aesthetic throughout the world. Ultimately, the chapter seeks to unify into one coherent narrative, the efforts of folklorists, journalists, and authors who paid attention to the origins of hand percussion instruments in New York, their subsequent mass production, and the people who built the instruments used to play Latin music in New York City.","PeriodicalId":155380,"journal":{"name":"New York and the International Sound of Latin Music, 1940-1990","volume":"88 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122127858","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
PUERTO RICAN ENGAGEMENT WITH JAZZ AND ITS EFFECTS ON LATIN MUSIC 波多黎各与爵士乐的接触及其对拉丁音乐的影响
New York and the International Sound of Latin Music, 1940-1990 Pub Date : 2020-12-28 DOI: 10.2307/j.ctv1fkgc88.9
B. Lapidus
{"title":"PUERTO RICAN ENGAGEMENT WITH JAZZ AND ITS EFFECTS ON LATIN MUSIC","authors":"B. Lapidus","doi":"10.2307/j.ctv1fkgc88.9","DOIUrl":"https://doi.org/10.2307/j.ctv1fkgc88.9","url":null,"abstract":"This chapter explores how Puerto Rican and Nuyorican (New York-born Puerto Rican) musicians in New York City used jazz harmony, arranging, improvisation, and musical aesthetics to broaden the sound of Latin popular music from the postwar period into the 1990s and beyond. It argues that the Puerto Rican connection to jazz was extensive and encompassed a variety of styles and eras. The chapter challenges the debate over salsa's patrimony and development, by demonstrating how particular Puerto Rican musicians in New York City were fluent in jazz and incorporated it into Latin music. Much discourse has unfortunately centered on pitting Puerto Rican against Cuban musicians or looking only at commercial or sociocultural considerations when considering Latin music in New York. Proficiency in both jazz and Latin music allowed Puerto Rican musicians to innovate in ways that did not happen in Puerto Rico or elsewhere. The chapter also explores other themes discussed in the introduction, such as the importance of clave, the impact and extent of music education among Puerto Rican musicians, family lineages, the importance of folklore, and inter-ethnic collaboration.","PeriodicalId":155380,"journal":{"name":"New York and the International Sound of Latin Music, 1940-1990","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129148112","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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