{"title":"CHAPTER TWO. Genre and Drama: The Historical and Theoretical Background","authors":"","doi":"10.7591/9781501720994-004","DOIUrl":"https://doi.org/10.7591/9781501720994-004","url":null,"abstract":"","PeriodicalId":148836,"journal":{"name":"All Theater Is Revolutionary Theater","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129349008","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"APPENDIX. How Buchner Uses and Conceives of Thomas Paine (Payne) in Dantons Tod","authors":"","doi":"10.7591/9781501720994-013","DOIUrl":"https://doi.org/10.7591/9781501720994-013","url":null,"abstract":"","PeriodicalId":148836,"journal":{"name":"All Theater Is Revolutionary Theater","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121253834","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"CHAPTER SEVEN. Diderot, Shaw, Beckett, and the Meaning of Plays","authors":"","doi":"10.7591/9781501720994-009","DOIUrl":"https://doi.org/10.7591/9781501720994-009","url":null,"abstract":"","PeriodicalId":148836,"journal":{"name":"All Theater Is Revolutionary Theater","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114690476","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"CHAPTER EIGHT. Performance and the Exposure of Hermeneutics","authors":"","doi":"10.7591/9781501720994-010","DOIUrl":"https://doi.org/10.7591/9781501720994-010","url":null,"abstract":"","PeriodicalId":148836,"journal":{"name":"All Theater Is Revolutionary Theater","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134453530","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"CHAPTER FOUR. Brecht, Artaud, Wedekind, Eliot: The Absence of the Subject","authors":"","doi":"10.7591/9781501720994-006","DOIUrl":"https://doi.org/10.7591/9781501720994-006","url":null,"abstract":"","PeriodicalId":148836,"journal":{"name":"All Theater Is Revolutionary Theater","volume":"1976 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131329383","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}