{"title":"Photographic Interaction as Dynamic Practice","authors":"J. Newton","doi":"10.1177/1522637918823263","DOIUrl":"https://doi.org/10.1177/1522637918823263","url":null,"abstract":"","PeriodicalId":147592,"journal":{"name":"Journalism & Mass Communication Monographs","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115089523","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Case for Empathy","authors":"Martin Smith-Rodden","doi":"10.1177/1522637918823262","DOIUrl":"https://doi.org/10.1177/1522637918823262","url":null,"abstract":"","PeriodicalId":147592,"journal":{"name":"Journalism & Mass Communication Monographs","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131401916","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"In Front of the Lens: The Expectations, Experiences, and Reactions of Visual Journalism’s Subjects","authors":"T. Thomson","doi":"10.1177/1522637918823261","DOIUrl":"https://doi.org/10.1177/1522637918823261","url":null,"abstract":"Visual journalism is a curious form of interaction usually involving strangers who have their private lives transformed—wittingly or not—into public objects of attention. Sometimes the interaction between journalist and subject is extended and in-depth, sometimes it is brief and shallow, and sometimes it is nonexistent. People are often reactive to cameras, and tension can exist between the idealized ways people want to be depicted and the ways journalists visually render them. Considering that visual media are “complex reflections of a relationship between maker and subject in which both play roles in shaping their character and content,” scholars have called for more research on journalists’ subjects and how they behave in front of the visual news media. This work answers that call and provides one of the first empirical glimpses into how people regard the experience of being photographed and video-recorded by journalists. As a primary arc of the work is concerned with the nature of experience, it adopts a phenomenological approach and seeks to identify (a) the expectations that news media subjects have of visual journalists, (b) how journalists’ subjects perceive the experience of being photographed and video-recorded in a news media context, and (c) how the subject’s identities and representational aspirations affect their perception of the imaging event. These questions are explored through a four-pronged approach: (a) nonparticipant observations, (b) word association exercises, (c) in-depth interviews, and (d) photo-elicitations. The findings suggest that subjects are more outcome- rather than process-focused; that technological changes and resulting behavior shifts are altering the nature of reality and experience, which has implications for privacy and consent; and that perception is quite fluid and can be affected by identity, habituation, and emotionally valenced experiences.","PeriodicalId":147592,"journal":{"name":"Journalism & Mass Communication Monographs","volume":"80 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134280769","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Influence-Network Model of the Photojournalistic Icon","authors":"N. Dahmen, Natalia Mielczarek, D. Perlmutter","doi":"10.1177/1522637918803351","DOIUrl":"https://doi.org/10.1177/1522637918803351","url":null,"abstract":"Iconic images are those that rise to the forefront of our collective, visual public consciousness to become the defining, enduring image of an event: a naked Vietnamese girl screaming out in pain following a napalm attack, U.S. Marines raising the American flag at Iwo Jima, and a German dirigible engulfed in flames and falling to the ground. Iconic images have a discursive value that helps citizens navigate and understand the political and social contexts of complex events. Traditionally, news photographs became iconic largely through their prominent placement on the front pages of elite newspapers across the globe. But, undeniably, in the age of digital news, mobile phones/tablets, and social media, the media component has changed the equation for the formation of iconic imagery and collective visual consciousness. With the speed, ease of access, and abundance of information sources available in the current age, a volume of images can now represent a significant (or not so significant) event. This monograph traces the development of iconic image literature and then proposes a model termed the “influence-network model of the photojournalistic icon,” which predicts how photographs of events become iconic (or not).","PeriodicalId":147592,"journal":{"name":"Journalism & Mass Communication Monographs","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129654003","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Predicting the Present: Iconic Photographs and Public Culture in the Digital Media Environment","authors":"R. Hariman, J. Lucaites","doi":"10.1177/1522637918803354","DOIUrl":"https://doi.org/10.1177/1522637918803354","url":null,"abstract":"","PeriodicalId":147592,"journal":{"name":"Journalism & Mass Communication Monographs","volume":"45 3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133262783","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Visual Images and Fields of Journalism, Cultural Production, and Power","authors":"Michael Griffin","doi":"10.1177/1522637918805501","DOIUrl":"https://doi.org/10.1177/1522637918805501","url":null,"abstract":"","PeriodicalId":147592,"journal":{"name":"Journalism & Mass Communication Monographs","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114244339","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Icons and Remakes","authors":"Marita Sturken","doi":"10.1177/1522637918803353","DOIUrl":"https://doi.org/10.1177/1522637918803353","url":null,"abstract":"","PeriodicalId":147592,"journal":{"name":"Journalism & Mass Communication Monographs","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123346109","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"I Con You Not: The Unexpected Discoveries of Icon Explorations","authors":"P. Lester","doi":"10.1177/1522637918803355","DOIUrl":"https://doi.org/10.1177/1522637918803355","url":null,"abstract":"","PeriodicalId":147592,"journal":{"name":"Journalism & Mass Communication Monographs","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121050841","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Why Do You Think They Call It Dope?”: Richard Nixon’s National Mass Media Campaign Against Drug Abuse","authors":"Stephen Siff","doi":"10.1177/1522637918787804","DOIUrl":"https://doi.org/10.1177/1522637918787804","url":null,"abstract":"This monograph explores how corporate, political, and public health concerns shaped the Nixon administration’s public service advertising campaign against drug abuse. Between 1970 and 1973, the Nixon administration worked with the nonprofit Advertising Council to orchestrate a national, “one-voice” mass media campaign to change Americans’ attitudes toward the use of drugs. Papers preserved in the archives of the Advertising Council and by Nixon administration officials expose behind-the-scenes conflicts over the government’s drug-abuse message among the White House, federal agency staff, and private partners in the campaign, including drug companies and the advertising and broadcasting industries. Controversies included whether to include alcohol, marijuana, legally marketed prescription drugs such as amphetamines, and dangerous retail drugs such as headache medicines and caffeine, and whether the campaign should promote safe drug use or only discourage “abuse.” Archival records reveal the president’s power to set the government’s message, despite bureaucratic and expert resistance. However, government control over the propaganda campaign was limited by reliance on the Ad Council and the voluntary participation of networks and broadcasters to distribute public service announcements (PSAs). Through the Ad Council’s process of reviewing and obtaining broadcast network clearances for individual PSAs, advertisements that disparaged alcohol and other legally advertised products were weeded from the national campaign. Ultimately, the White House’s vision of a mass media offensive against drug abuse in all its forms was implemented primarily as a campaign against the use of illegal drugs, particularly by youth. Although successful with broadcasters, the campaign was terminated in 1973 amid concerns it was actually stimulating illegal drug use.","PeriodicalId":147592,"journal":{"name":"Journalism & Mass Communication Monographs","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129560389","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"From Marrakesh Express to Midnight Express: Backpackers, Drug Culture, and Incarceration","authors":"R. K. Popp","doi":"10.1177/1522637918787817","DOIUrl":"https://doi.org/10.1177/1522637918787817","url":null,"abstract":"","PeriodicalId":147592,"journal":{"name":"Journalism & Mass Communication Monographs","volume":"98 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114506605","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}