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Authorship in Film Adaptation最新文献

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8 THE THREE FACES OF LOLITA, OR HOW I LEARNED TO STOP WORRYING AND LOVE THE ADAPTATION 8 .洛丽塔的三张脸，还是我如何学会了停止担忧和爱的适应
Authorship in Film Adaptation Pub Date : 2008-12-31 DOI: 10.7560/702851-010
Rebecca Bell-Metereau
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引用次数: 0
5 “STRANGE AND NEW . . .” Subjectivity and the Ineffable in The Sweet Hereafter “新奇而陌生……”《甜蜜的来世》中的主观性与不可言喻
Authorship in Film Adaptation Pub Date : 2008-12-31 DOI: 10.7560/702851-007
Ernesto R. Acevedo-Muñoz
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引用次数: 0
7 FROM OBTRUSIVE NARRATION TO CROSSCUTTING Adapting the Doubleness of John Fowles’s Th e French Lieutenant’s Woman 从突入式叙述到横切式改编——约翰·福尔斯《法国中尉的女人》的双重性
Authorship in Film Adaptation Pub Date : 2008-12-31 DOI: 10.7560/702851-009
R. Palmer
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引用次数: 0
12 “WHO’S YOUR FAVORITE INDIAN?” Th e Politics of Representation in Sherman Alexie’s Short Stories and Screenplay “你最喜欢的印度人是谁?”谢尔曼·阿列克谢短篇小说与剧本中的再现政治
Authorship in Film Adaptation Pub Date : 2008-12-31 DOI: 10.7560/702851-013
Elaine Roth
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引用次数: 1
1 MILDRED PIERCE A Troublesome Property to Script 米尔德里德·皮尔斯:写剧本很麻烦
Authorship in Film Adaptation Pub Date : 2008-12-31 DOI: 10.7560/702851-003
Albert J. LaValley
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引用次数: 2
3 FROM TRAUMNOVELLE (1927) TO SCRIPT TO SCREEN— EYES WIDE SHUT (1999) 从《创伤小说》(1927)到剧本再到银幕——《大开眼闭》(1999)
Authorship in Film Adaptation Pub Date : 2008-12-31 DOI: 10.7560/702851-005
J. Boozer
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引用次数: 1
2 HITCHCOCK AND HIS WRITERS Authorship and Authority in Adaptation 希区柯克和他的作家改编中的作者身份和权威
Authorship in Film Adaptation Pub Date : 2008-12-31 DOI: 10.7560/702851-004
Thomas M. Leitch
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引用次数: 2
ACKNOWLEDGMENTS 致谢。
Authorship in Film Adaptation Pub Date : 2008-12-31 DOI: 10.7560/702851-001
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引用次数: 0
6 ADAPTATION AS ADAPTATION From Susan Orlean’s The Orchid Thief to Charlie (and “Donald”) Kaufman’s Screenplay to Spike Jonze’s Film 从苏珊·奥尔良的《兰花贼》到查理·考夫曼(和“唐纳德”)的剧本，再到斯派克·琼斯的电影
Authorship in Film Adaptation Pub Date : 2008-12-31 DOI: 10.7560/702851-008
Frank P. Tomasulo
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引用次数: 0
Frontmatter
Authorship in Film Adaptation Pub Date : 2008-12-31 DOI: 10.7560/702851-fm
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引用次数: 0
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