{"title":"»… ich schreibe, also bin ich?!« Subjektivität im künstlerischen Schaffensprozess","authors":"Charlotte Seither","doi":"10.14361/9783839449387-016","DOIUrl":"https://doi.org/10.14361/9783839449387-016","url":null,"abstract":"","PeriodicalId":139720,"journal":{"name":"Musik und Subjektivität","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122548030","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Musik als Tätigsein oder: Was bedeutet Verantwortung von Subjekten in musikalischen Beziehungen?","authors":"Judith Siegmund","doi":"10.14361/9783839449387-010","DOIUrl":"https://doi.org/10.14361/9783839449387-010","url":null,"abstract":"","PeriodicalId":139720,"journal":{"name":"Musik und Subjektivität","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129777033","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Musik und Subjektivität. Einführung in eine interdisziplinäre Forschungsfrage","authors":"D. Feige, G. Nieden","doi":"10.1515/9783839449387-001","DOIUrl":"https://doi.org/10.1515/9783839449387-001","url":null,"abstract":"","PeriodicalId":139720,"journal":{"name":"Musik und Subjektivität","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121244367","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"»My mother was a piano teacher […]« Eine Rekonstruktion im Selbstgespräch","authors":"M. Schüttler","doi":"10.1515/9783839449387-017","DOIUrl":"https://doi.org/10.1515/9783839449387-017","url":null,"abstract":"","PeriodicalId":139720,"journal":{"name":"Musik und Subjektivität","volume":"199 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128610048","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Wer schreibt? Das Subjekt des Autors von Musikerbiographien","authors":"Melanie Unseld","doi":"10.14361/9783839449387-004","DOIUrl":"https://doi.org/10.14361/9783839449387-004","url":null,"abstract":"","PeriodicalId":139720,"journal":{"name":"Musik und Subjektivität","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116154756","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Inwiefern ist Musik als subjektiver Ausdruck zu begreifen?","authors":"G. Bertram","doi":"10.14361/9783839449387-008","DOIUrl":"https://doi.org/10.14361/9783839449387-008","url":null,"abstract":"Georg Bertram widmet sich in diesem Beitrag der Bestimmung von Musik als subjektivem Ausdruck. Dabei geht er von der Frage aus, was subjektiven Ausdruck überhaupt ausmacht, und macht von ihr her einen Vorschlag dazu, wie die Eigenständigkeit von Musik damit in Einklang gebracht werden kann, ihr einen Beitrag zum subjektiven Ausdruck zuzuschreiben. Daraus werden zuletzt einige programmatische Konsequenzen gezogen, die sowohl musik- als auch subjektphilosophische Aspekte betreffen.","PeriodicalId":139720,"journal":{"name":"Musik und Subjektivität","volume":"409 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116034500","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Über die Chancen einer gelungenen Jazzimprovisation","authors":"Martin Niederauer","doi":"10.14361/9783839449387-012","DOIUrl":"https://doi.org/10.14361/9783839449387-012","url":null,"abstract":"","PeriodicalId":139720,"journal":{"name":"Musik und Subjektivität","volume":"84 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131858881","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Zwischen »Ausdrucksscheu« und »Formgesetz«. Adornos kritische Evaluation der Subjektivität in Beethovens Spätwerk","authors":"H. Hinrichsen","doi":"10.1515/9783839449387-005","DOIUrl":"https://doi.org/10.1515/9783839449387-005","url":null,"abstract":"","PeriodicalId":139720,"journal":{"name":"Musik und Subjektivität","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123947153","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"»Do I have a voice?« Die Suche nach der eigenen Stimme: Personalstile im Jazz","authors":"Sebastian Sternal","doi":"10.14361/9783839449387-019","DOIUrl":"https://doi.org/10.14361/9783839449387-019","url":null,"abstract":"","PeriodicalId":139720,"journal":{"name":"Musik und Subjektivität","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130146859","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Selfie, Sujet, Soundjekt. Zum komponierenden Subjekt","authors":"Johannes Kreidler","doi":"10.14361/9783839449387-018","DOIUrl":"https://doi.org/10.14361/9783839449387-018","url":null,"abstract":"Meine kompositorische Arbeit bewegt sich zwischen Momenten des Ent-Subjektivierten und einer prononcierten Subjektivität. Ersteres zeigt sich durch Techniken der Collage, der Übernahme von Fremdanteilen in Material und Entstehung sowie in der von mir öfter genutzten Schwerkraft als objektiv-physikalische Kraft bei der Erzeugung von Klängen und Klangverbindungen. Zweiteres wird deutlich in Strategien der Performance als Fokus auf die Realität eines künstlerischen Subjekts als ausführender Körper sowie im Moment der Erfindung von Konzepten als Gegenpart beispielsweise zu den von mir oft herangezogenen Leistungen des Computers beim Komponieren. In beiden Bewegungsrichtungen manifestiert sich die Subjektivität des Künstlers in ihrer Dialektik, an der auch die Rezeption Anteil hat.","PeriodicalId":139720,"journal":{"name":"Musik und Subjektivität","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126339127","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}