Producing MusicPub Date : 2019-03-28DOI: 10.4324/9781315212241-19
K. Marie
{"title":"Conversations With Women in Music Production","authors":"K. Marie","doi":"10.4324/9781315212241-19","DOIUrl":"https://doi.org/10.4324/9781315212241-19","url":null,"abstract":"","PeriodicalId":138696,"journal":{"name":"Producing Music","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133841140","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Producing MusicPub Date : 2019-03-28DOI: 10.4324/9781315212241-9
Robert Lawrence
{"title":"Producing Music for Immersive Audio Experiences","authors":"Robert Lawrence","doi":"10.4324/9781315212241-9","DOIUrl":"https://doi.org/10.4324/9781315212241-9","url":null,"abstract":"","PeriodicalId":138696,"journal":{"name":"Producing Music","volume":"59 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125431954","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Producing MusicPub Date : 2019-03-19DOI: 10.4324/9781315212241-13
A. Moore
{"title":"Tracking With Processing and Coloring as You Go","authors":"A. Moore","doi":"10.4324/9781315212241-13","DOIUrl":"https://doi.org/10.4324/9781315212241-13","url":null,"abstract":"","PeriodicalId":138696,"journal":{"name":"Producing Music","volume":"75 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127192321","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Producing MusicPub Date : 2019-03-19DOI: 10.4324/9781315212241-10
Justin Paterson, G. Llewellyn
{"title":"Producing 3-D Audio","authors":"Justin Paterson, G. Llewellyn","doi":"10.4324/9781315212241-10","DOIUrl":"https://doi.org/10.4324/9781315212241-10","url":null,"abstract":"Arguably the most rapidly expanding market for audio production is that of 3-D audio – 360° spatial audio with representation of height. Such playback is becoming commonplace in cinemas, and multi-speaker home setups are following. As these mature, greater convenience and enhanced functionality will likely increase domestic uptake. \u0000In parallel, headphone-based 3D is experiencing an unprecedented rate of development. Headphones with spaced multiple drivers are emerging, accelerometers are being incorporated to facilitate head-tracking-driven audio panning, and binaural algorithms are steadily improving. The principal exponents of such playback are virtual and augmented reality. While gaming will lead this market, soon the applications will proliferate into many areas of daily life – from productivity to education, through social networking to music playback, and advertising will pervade these new media. \u0000All of these applications require the production of audio, and this chapter explores the associated implications for the music producer. 3D offers an exciting new paradigm for music, since the conventions associated with stereo and horizontal surround are increasingly outmoded by the greater options associated with perception of height. \u0000This chapter will consider relevant technologies and identify key production-practice, underpinned by a framework of scientific research to help define the emergent praxis of 3-D audio production. It will consider opportunities, applications and limitations, all of which combine to introduce and help define a new approach to music production that will increasingly pervade into the future.","PeriodicalId":138696,"journal":{"name":"Producing Music","volume":"275 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133196599","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Producing MusicPub Date : 2019-03-19DOI: 10.4324/9781315212241-4
Mark Marrington
{"title":"The DAW, Electronic Music Aesthetics, and Genre Transgression in Music Production","authors":"Mark Marrington","doi":"10.4324/9781315212241-4","DOIUrl":"https://doi.org/10.4324/9781315212241-4","url":null,"abstract":"Research at York St John (RaY) is an institutional repository. It supports the principles of open access by making the research outputs of the University available in digital form. Copyright of the items stored in RaY reside with the authors and/or other copyright owners. Users may access full text items free of charge, and may download a copy for private study or non-commercial research. For further reuse terms, see licence terms governing individual outputs. Institutional Repository Policy Statement","PeriodicalId":138696,"journal":{"name":"Producing Music","volume":"266 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124330135","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Producing MusicPub Date : 2018-05-25DOI: 10.4324/9781315212241-15
Robert Wilsmore
{"title":"Coproduction","authors":"Robert Wilsmore","doi":"10.4324/9781315212241-15","DOIUrl":"https://doi.org/10.4324/9781315212241-15","url":null,"abstract":"This chapter sets out a framework for the study of collaborative practices in music production by identifying a series of types of practice that occur from the operations of a few individuals working closely together, to the contribution of the whole world to the entirety of produced music. It begins by discussing the dominance of the singular producer in the literature and iconography of recorded music and progresses to suggest four overarching types of collaborative practices (types of coproduction) that break with this ideology of the singular producer and demonstrates the various ways in which joint authorship operates. \u0000 \u0000The theoretical frameworks encompass collaborative typologies developed by Vygotskyan theorist Vera John-Steiner and the postmodern milieu of Deleuzian rhizomatics. In this way the chapter aims to move between a grounded and pragmatic approach to the observation of collaborative practices in recorded music and a philosophical reframing of the ground itself, where the territory is in a state of destabilizing and restabilizing up to a hypothetical point where production itself must cease.","PeriodicalId":138696,"journal":{"name":"Producing Music","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-05-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115718217","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
求助内容：
应助结果提醒方式：