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Compositional Solutions(in the double sense of the word) 组合解决方案(在这个词的双重意义上)
Theological Stains Pub Date : 2020-12-17 DOI: 10.1093/oso/9780197504642.003.0005
Assaf Shelleg
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引用次数: 0
Horizontal Realizations 水平实现
Theological Stains Pub Date : 2020-12-17 DOI: 10.1093/oso/9780197504642.003.0003
Assaf Shelleg
{"title":"Horizontal Realizations","authors":"Assaf Shelleg","doi":"10.1093/oso/9780197504642.003.0003","DOIUrl":"https://doi.org/10.1093/oso/9780197504642.003.0003","url":null,"abstract":"If the actualization of biblical sovereignty in the Zionist present rendered eighteen centuries of exile a nocturnal existence, art music of the 1950s and 1960s interfered with such linearity using the linear properties of non-Western Jewish musical traditions and serial compositional devices. Such a convergence rendered the objectification of non-Western Jewish musical traditions obsolete and consequently severed the exotic and territorial functions they served. By utilizing the linear properties of Arab Jewish musical traditions to animate inner semiotic occurrences, composers suspended extrovert exotic signifiers and invalidated their objectification. With no visible exoteric earmarks to transmit peripherality and Otherness, the binaries by which non-European Jewish immigrants had been perceived (primitivism/modernism, religion/secularism) were deemed progressively inoperative. Through a study on the agency of non-European Jewish musical traditions, chapter 2 uncovers the network that connects the theological grammar of Zionism with the Zionist pecking order, whose lower rungs were allocated to North African and Near Eastern Jews.","PeriodicalId":137512,"journal":{"name":"Theological Stains","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129318839","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Broken Hebrewist Vessels 破碎的希伯来器皿
Theological Stains Pub Date : 2020-12-17 DOI: 10.1093/oso/9780197504642.003.0004
Assaf Shelleg
{"title":"Broken Hebrewist Vessels","authors":"Assaf Shelleg","doi":"10.1093/oso/9780197504642.003.0004","DOIUrl":"https://doi.org/10.1093/oso/9780197504642.003.0004","url":null,"abstract":"Whereas the music Mordecai Seter wrote in 1966 embodies a clash between his unsignified semiotic procedures and the national redemptive trajectories that animated them, Andre Hajdu’s music in 1970 knowingly staged unwanted sonic adjacencies of the Jewish Eastern European soundscape alongside Christian music from late medieval Europe. Both composers sought de-signification—either by eschewing ethnographic imports in the form of folk or liturgical music (Seter), or through violent deconstructions of seemingly opposing musical markers of Jews and Christians (Hajdu). The works of both therefore disclose meaningful disharmonie: both manifest the disabling of Zionist tropes and the concomitant reclaiming of the ethnic specificity of diasporic Ashkenazi culture. This chapter also reads the late music of Seter and Ben-Haim against the background of their notebooks and diaries, in addition to two seminal literary works—Past Continuous (1977) by Yaakov Shabtai and Unto Death (1969) by Amos Oz—that record admixtures of diasporic Jewish subcultures and the fallouts of a post-ideological age.","PeriodicalId":137512,"journal":{"name":"Theological Stains","volume":"245 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133878533","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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