{"title":"JailHead.com","authors":"R. Peraza","doi":"10.1145/3072940.3080506","DOIUrl":"https://doi.org/10.1145/3072940.3080506","url":null,"abstract":"That Which Contains Emptiness is a series of multimedia works by Rodolfo Peraza exploring the interiors of abandoned historical spaces designed for social engineering and control. From this series, JailHead.com (2009/2017) is an ongoing web-based project that recreates in virtual reality the Cuban Presidio Modelo, an abandoned prison built after Bentham's Panopticon penitentiary model. The jail is located on the former Isla los Pinos---an island southwest of Cuba, now named Isla de la Juventud---and was considered a definitive example of efficient prisoner control. It became emblematic for housing historical figures both pre- and post-Cuban Revolution, including Fidel and Raúl Castro.","PeriodicalId":135021,"journal":{"name":"ACM SIGGRAPH 2017 Art Gallery","volume":"121 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115606348","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Milpa Polímera","authors":"M. Armas, Arcángelo Constantini","doi":"10.1145/3072940.3080501","DOIUrl":"https://doi.org/10.1145/3072940.3080501","url":null,"abstract":"Milpa Polímera (Polymer Cornfield) (2013) is a 3D open-source printer modified to function as a tractor that plows seeds made out of polylactic acid (PLA), a thermoplastic biopolymer made from corn. The printer-tractor is fixed by an axis to a closed cycle in which the machine is only able to perform a single repetitive and absurd task: print artificial corn seeds and sow them into the soil.","PeriodicalId":135021,"journal":{"name":"ACM SIGGRAPH 2017 Art Gallery","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124908454","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Octópodos sisíficos","authors":"Mariela Yeregui, M. Grassi","doi":"10.1145/3072940.3080505","DOIUrl":"https://doi.org/10.1145/3072940.3080505","url":null,"abstract":"Developed by the Artes Electrónicas group at the Universidad Nacional de Tres de Febrero in Argentina, directed by Mariela Yeregui, Octópodos Sisífcos (Sisyphean Octopods) (2010) is an installation comprised of six mobile robots that carry LCD screens displaying endoscopic videos with images that resemble internal body organs.","PeriodicalId":135021,"journal":{"name":"ACM SIGGRAPH 2017 Art Gallery","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123904753","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Dispersiones","authors":"L. Nunez","doi":"10.1145/3072940.3080509","DOIUrl":"https://doi.org/10.1145/3072940.3080509","url":null,"abstract":"Dispersiones (Dispersions) (2012/2017) is a site-specific physical network comprised of a series of interconnected relays that produce an artificial and interactive soundscape. The work appears to be a messy web of hundreds of tangled wires through which sounds travel, following an algorithm of artificial life. Using only the metallic clicking sound of the relays, the network behaves as a complex system of electromagnetic actuators that interact with the viewer.","PeriodicalId":135021,"journal":{"name":"ACM SIGGRAPH 2017 Art Gallery","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128294029","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"drumCircle[]","authors":"Christian Oyarzún","doi":"10.1145/3072940.3080508","DOIUrl":"https://doi.org/10.1145/3072940.3080508","url":null,"abstract":"drumCircle[] (2015) is an autonomous percussion and light instrument composed of an ensemble of eight connected den-den drums mounted to LED spotlights that create a temporal and spatial network of interactions between these machines and the viewer. Arranged in a circle pointing inward toward the center of the installation, these modules project light and sound patterns bidirectionally, creating an immersive and ritualistic technological experience that brings to light connections between technology, corporeality, and time.","PeriodicalId":135021,"journal":{"name":"ACM SIGGRAPH 2017 Art Gallery","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125764177","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Anti-horário","authors":"G. Motta, Leandro Lima","doi":"10.1145/3072940.3080507","DOIUrl":"https://doi.org/10.1145/3072940.3080507","url":null,"abstract":"Anti-Horário (Counterclockwise) (2011) is a video installation, and a \"wall-clock,\" that addresses the cyclical movement of human existence and the poetics of duration and perception. Anti-Horário combines several layered elements (the earth, a child, an adult couple, and the sky) moving at distinct cadences, registered from the same point of view that results in a disorienting analogic clock. While the child covers a circular movement like the clock's second hand, the adults represent the minute hand. With each revolution, the child causes the couple to move foward, representing the passage of time as well as the cycle of life.","PeriodicalId":135021,"journal":{"name":"ACM SIGGRAPH 2017 Art Gallery","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121900866","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The andean pavilion","authors":"Paul Rosero Contreras","doi":"10.1145/3072940.3080503","DOIUrl":"https://doi.org/10.1145/3072940.3080503","url":null,"abstract":"The Andean Pavilion (2015/2017) is a video installation composed of a series of fictional videos and 3D-printed sculptures, which are the material outcome of the seismic activity in four active volcanoes in the highlands of Ecuador and the Galápagos Islands. This project is part of an experimental inquiry speculating on the possibility of emergent relations between the environment, humans, and technology in settings that are heavily defined by natural phenomena.","PeriodicalId":135021,"journal":{"name":"ACM SIGGRAPH 2017 Art Gallery","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115924833","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Imaginario inverso","authors":"Astrovandalistas","doi":"10.1145/3072940.3080504","DOIUrl":"https://doi.org/10.1145/3072940.3080504","url":null,"abstract":"Imaginario Inverso (Reverse Imaginary) (2015/2017) is part of Astrovandalistas's ongoing investigation into the industrialization of our social imaginary through the commercialization of scientifc knowledge. Through a series of workshops, talks, and exhibitions using conceptual prototyping, futurecasting, reappropriations, and micronarratives, Imaginario Inverso proposes different frameworks for reflecting on the geopolitics of technology development and the reinterpretation of technologies for more personal uses.","PeriodicalId":135021,"journal":{"name":"ACM SIGGRAPH 2017 Art Gallery","volume":"174 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122294086","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Echolocalizator","authors":"Hamilton Mestizo","doi":"10.1145/3072940.3080502","DOIUrl":"https://doi.org/10.1145/3072940.3080502","url":null,"abstract":"Echolocalizator (2015) is a wearable device that aims to change or augment our human way of interacting with the environment. Using \"sound spatialization,\" this technological helmet simulates the echolocation sonar used by animals like bats and dolphins, highlighting the essential role of technology in the coevolution of humans and animals.","PeriodicalId":135021,"journal":{"name":"ACM SIGGRAPH 2017 Art Gallery","volume":"136 2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120926912","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"BioSoNot 1.2","authors":"Gilberto Esparza","doi":"10.1145/3072940.3080500","DOIUrl":"https://doi.org/10.1145/3072940.3080500","url":null,"abstract":"BioSoNot 1.2 (2014--2016) is a musical synthesizer that translates biological activity into sound while cleaning contaminated water samples. A hybrid bio-sound instrument, this sonic device generates music and noise from the biological activity of different living microorganisms.","PeriodicalId":135021,"journal":{"name":"ACM SIGGRAPH 2017 Art Gallery","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115338264","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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