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St.Tikhons' University Review. Series V. Christian Art最新文献

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Leonid Uspensky. The path from atheism to theology 列昂尼德•Uspensky。从无神论到神学的道路
St.Tikhons' University Review. Series V. Christian Art Pub Date : 2021-03-31 DOI: 10.15382/STURV202141.96-108
S. Fokina
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引用次数: 0
On the musical reading of liturgical texts in the concerto cycle by V. S. Khodosh "Chants of the Liturgy of st. John Chrysostom" 论v·s·霍多什《圣若望金口圣礼咏歌》协奏曲循环中礼仪文本的音乐解读
St.Tikhons' University Review. Series V. Christian Art Pub Date : 2021-03-31 DOI: 10.15382/STURV202141.109-131
L. Malatsay, Ianna Moshkovskaia
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引用次数: 0
The Assumption Cathedral of the Pühtitsa monastery in Estonia as a monument of the russian retrospective style, its builders and benefactors 爱沙尼亚p<s:1>赫提察修道院的圣母升天大教堂，作为俄罗斯回顾风格的纪念碑，它的建设者和捐助者
St.Tikhons' University Review. Series V. Christian Art Pub Date : 2021-03-31 DOI: 10.15382/STURV202141.132-152
Alexander Bertash
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引用次数: 0
Features of the practice of liturgical singing at the turn of the XIX–XX centuries in the Middle Volga region, on the example of Syzran district Simbirsk province 十九至二十世纪初伏尔加河中部地区的礼仪歌唱实践特征，以辛比尔斯克省的Syzran地区为例
St.Tikhons' University Review. Series V. Christian Art Pub Date : 2021-03-31 DOI: 10.15382/STURV202141.60-75
Juliya Tyuryakova
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引用次数: 0
Imitation and americanization of christian cultural discourse in mormon art 摩门教艺术中基督教文化话语的模仿与美国化
St.Tikhons' University Review. Series V. Christian Art Pub Date : 2021-03-31 DOI: 10.15382/STURV202141.76-95
Maksym V. Kirchanov
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引用次数: 0
Signature as a sign of the individualization of the artist's personality in Florence at the end of the 13th – beginning of the 14th century 签名是13世纪末至14世纪初佛罗伦萨艺术家个性个性化的标志
St.Tikhons' University Review. Series V. Christian Art Pub Date : 2021-03-31 DOI: 10.15382/STURV202141.9-18
E. Parfenova
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引用次数: 0
Musical palaeography in the works of bishop Porphyry (Uspensky) (1804–1885) 主教波菲利(Uspensky)(1804-1885)作品中的音乐古学
St.Tikhons' University Review. Series V. Christian Art Pub Date : 2021-03-31 DOI: 10.15382/STURV202141.32-59
I. Shekhovtsova
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引用次数: 0
The plot of “Adam’s expulsion from Paradise” in part-song concertos of the late 17th — first quarter of the 18th centuries: liturgical texts and author’s interpretations 17世纪末至18世纪上半叶半曲协奏曲中“亚当被驱逐出天堂”的情节:礼仪文本与作者解读
St.Tikhons' University Review. Series V. Christian Art Pub Date : 2020-12-31 DOI: 10.15382/STURV202040.100-131
I. Gerasimova
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引用次数: 0
The initial in the prayer "Vere Dignum" in latin liturgical scrolls of Southern Italy: its typology and evolution 意大利南部拉丁礼仪卷中祈祷词“Vere Dignum”的首字母:其类型学与演变
St.Tikhons' University Review. Series V. Christian Art Pub Date : 2020-12-31 DOI: 10.15382/STURV202040.34-53
S. Kovalevskaya
{"title":"The initial in the prayer \"Vere Dignum\" in latin liturgical scrolls of Southern Italy: its typology and evolution","authors":"S. Kovalevskaya","doi":"10.15382/STURV202040.34-53","DOIUrl":"https://doi.org/10.15382/STURV202040.34-53","url":null,"abstract":"","PeriodicalId":134507,"journal":{"name":"St.Tikhons' University Review. Series V. Christian Art","volume":"406 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126682393","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Moscow school today: «Echoes of a bygone age» by Iraida Yusupova 今天的莫斯科学校:伊莱达·尤苏波娃的《旧时代的回声》
St.Tikhons' University Review. Series V. Christian Art Pub Date : 2020-12-31 DOI: 10.15382/STURV202040.166-181
E. Nikolaeva
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引用次数: 0
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