Killer ShowPub Date : 2012-08-08DOI: 10.4324/9781315122342-2
T. Boland
{"title":"THE SOUND AND THE FURY","authors":"T. Boland","doi":"10.4324/9781315122342-2","DOIUrl":"https://doi.org/10.4324/9781315122342-2","url":null,"abstract":"2. In The Sound and the Fury Faulkner makes use of the stream of consciousness technique, which was also used earlier in the 1920s in such experimental works as James Joyce's Ulysses and Virginia Woolf's Mrs. Dalloway. He further complicates matters for the reader by scrambling, as it were, the time frames referred to by the narrating consciousness of the opening section of the novel. How do you learn to find your way in Benjy's chapter? How many time periods are interspersed? What are some of the events Benjy is remembering? If Benjy is the \"idiot\" of Macbeth's speech, in what ways can he be seen, nonetheless, as both a sensitive and sentient observer of his family?","PeriodicalId":124440,"journal":{"name":"Killer Show","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2012-08-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133285596","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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