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Journal of the African Literature Association最新文献

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Morrison, Mambéty, and missing limbs: an Afrocentric reading of Sula, Hyenas , and Dürrenmatt’s The Visit 莫里森、曼贝蒂和残缺的肢体：对《苏拉》、《乡巴佬》和迪伦马特《拜访》的非洲中心主义解读
Journal of the African Literature Association Pub Date : 2024-04-08 DOI: 10.1080/21674736.2024.2329439
Kate M. Bonin
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引用次数: 0
Queer Bodies in African Films (African Humanities Series) Queer Bodies in African Films (African Humanities Series), by Gibson Ncube, Makhanda, South Africa: African Humanities Association, 2022, xvii + 159 pp, 325 ZAR. 非洲电影中的同性恋身体（非洲人文丛书 非洲电影中的同性恋身体（非洲人文丛书），吉布森-恩库比著，南非马坎达：非洲人文协会，2022 年，xvii + 159 页，325 南非兰特。
Journal of the African Literature Association Pub Date : 2024-02-26 DOI: 10.1080/21674736.2024.2315759
Adriaan van Klinken
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引用次数: 0
Mimetic designs in Helon Habila’s Oil on Water 海龙-哈比拉《水上油画》中的拟物设计
Journal of the African Literature Association Pub Date : 2024-02-14 DOI: 10.1080/21674736.2024.2312308
Okwudiri Anasiudu
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引用次数: 0
Shackling (im)morality: religious tropes, religious figures and marginalizing politics in queer Nigerian creative texts 桎梏（不）道德：尼日利亚同性恋创作文本中的宗教套路、宗教人物和边缘化政治
Journal of the African Literature Association Pub Date : 2024-02-14 DOI: 10.1080/21674736.2024.2307736
P. Onanuga
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引用次数: 0
Shackling (im)morality: religious tropes, religious figures and marginalizing politics in queer Nigerian creative texts 桎梏（不）道德：尼日利亚同性恋创作文本中的宗教套路、宗教人物和边缘化政治
Journal of the African Literature Association Pub Date : 2024-02-14 DOI: 10.1080/21674736.2024.2307736
P. Onanuga
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引用次数: 0
Mimetic designs in Helon Habila’s Oil on Water 海龙-哈比拉《水上油画》中的拟物设计
Journal of the African Literature Association Pub Date : 2024-02-14 DOI: 10.1080/21674736.2024.2312308
Okwudiri Anasiudu
{"title":"Mimetic designs in Helon Habila’s\u0000 Oil on Water","authors":"Okwudiri Anasiudu","doi":"10.1080/21674736.2024.2312308","DOIUrl":"https://doi.org/10.1080/21674736.2024.2312308","url":null,"abstract":"","PeriodicalId":116895,"journal":{"name":"Journal of the African Literature Association","volume":"7 12","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139778927","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Picaros and shapeshifters: the postcolonial picaresque style in GauZ’s Standing Heavy 皮卡洛斯与变形金刚：GauZ 的《沉重的站立》中的后殖民主义皮卡风格
Journal of the African Literature Association Pub Date : 2024-01-02 DOI: 10.1080/21674736.2024.2313827
Minna Niemi
{"title":"Picaros and shapeshifters: the postcolonial picaresque style in GauZ’s\u0000 Standing Heavy","authors":"Minna Niemi","doi":"10.1080/21674736.2024.2313827","DOIUrl":"https://doi.org/10.1080/21674736.2024.2313827","url":null,"abstract":"","PeriodicalId":116895,"journal":{"name":"Journal of the African Literature Association","volume":"48 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140515041","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Narratives of Ujamaa and the constitution of the Tanzanian nation through the verbal art of Euphrase Kezilahabi and Marijani Rajabu 通过 Euphrase Kezilahabi 和 Marijani Rajabu 的语言艺术讲述 Ujamaa 和坦桑尼亚民族的构成
Journal of the African Literature Association Pub Date : 2024-01-02 DOI: 10.1080/21674736.2024.2318114
Aaron Louis Rosenberg
{"title":"Narratives of\u0000 Ujamaa\u0000 and the constitution of the Tanzanian nation through the verbal art of Euphrase Kezilahabi and Marijani Rajabu","authors":"Aaron Louis Rosenberg","doi":"10.1080/21674736.2024.2318114","DOIUrl":"https://doi.org/10.1080/21674736.2024.2318114","url":null,"abstract":"","PeriodicalId":116895,"journal":{"name":"Journal of the African Literature Association","volume":"14 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140515131","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Visual counternarratives: trans-embodiments in Zanele Muholi’s Beulah and Akwaeke Emezi’s The Death of Vivek Oji 视觉反叙事：Zanele Muholi 的《Beulah》和 Akwaeke Emezi 的《Vivek Oji 之死》中的反式体现
Journal of the African Literature Association Pub Date : 2024-01-02 DOI: 10.1080/21674736.2024.2318099
Rocío Cobo-Piñero
{"title":"Visual counternarratives: trans-embodiments in Zanele Muholi’s\u0000 Beulah\u0000 and Akwaeke Emezi’s\u0000 The Death of Vivek Oji","authors":"Rocío Cobo-Piñero","doi":"10.1080/21674736.2024.2318099","DOIUrl":"https://doi.org/10.1080/21674736.2024.2318099","url":null,"abstract":"","PeriodicalId":116895,"journal":{"name":"Journal of the African Literature Association","volume":"40 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140515086","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Subversive text as dystopian negative: speculative gesture, prophetic rhetoric, and Helon Habila’s Oil on Water 作为反面教材的颠覆性文本：推测姿态、预言修辞和赫隆-哈比拉的《水上石油
Journal of the African Literature Association Pub Date : 2024-01-02 DOI: 10.1080/21674736.2024.2312635
Michael C. Montesano
{"title":"Subversive text as dystopian negative: speculative gesture, prophetic rhetoric, and Helon Habila’s\u0000 Oil on Water","authors":"Michael C. Montesano","doi":"10.1080/21674736.2024.2312635","DOIUrl":"https://doi.org/10.1080/21674736.2024.2312635","url":null,"abstract":"","PeriodicalId":116895,"journal":{"name":"Journal of the African Literature Association","volume":"36 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140514853","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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