The European philosophical and historical discourse最新文献_第4页

TO THE QUESTION OF THE MORAL RESPONSIBILITY OF GERMANY IN KARL JASPERS’ PHILOSOPHY 论雅斯贝尔斯哲学中德国的道德责任问题

The European philosophical and historical discourse Pub Date : 1900-01-01 DOI: 10.46340/ephd.2021.7.4.6

Andrii Pykalo

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ANTINOMY OF WRITING – VOICE IN “THREE MOMENTS” BY LESYA UKRAINKA 乌克兰卡“三个时刻”的写作二律背反

The European philosophical and historical discourse Pub Date : 1900-01-01 DOI: 10.46340/ephd.2022.8.3.3

O. Haidamachuk

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THE ROLE OF LITHUANIA IN STRUGGLE OF UKRAINE FOR A EUROPEAN FUTURE AND TERRITORIAL INTEGRITY IN 2013-2021 2013-2021年立陶宛在乌克兰争取欧洲未来和领土完整的斗争中的作用

The European philosophical and historical discourse Pub Date : 1900-01-01 DOI: 10.46340/ephd.2023.9.1.2

Lesia Kotsur

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MUSIC FESTIVAL AS AN OPEN SYSTEM OF COGNITION 音乐节作为一个开放的认知系统

The European philosophical and historical discourse Pub Date : 1900-01-01 DOI: 10.46340/ephd.2022.8.2.6

Oleksandra Kuzmina

{"title":"MUSIC FESTIVAL AS AN OPEN SYSTEM OF COGNITION","authors":"Oleksandra Kuzmina","doi":"10.46340/ephd.2022.8.2.6","DOIUrl":"https://doi.org/10.46340/ephd.2022.8.2.6","url":null,"abstract":"associated the performance of masterpieces and past present, performances of eminent and talents. The article offers a new understanding of the socio-cultural functions of the international music festival. The current established practice testifies to the fact that festivals cease to be events closed in the system of “musicians – listeners”. During the festivals, there is an exchange of professional experience and knowledge, more broadly – traditions; such events contribute to the emergence of new musical trends, artistic and aesthetic performances, and creative projects. Festival activities at the present stage are similar to such a phenomenon as school, since not only educational and enlightening tasks are solved, but also professional experience, knowledge, and national traditions are exchanged. In this article, the concept of “school” implies a creative hierarchical system of energy-information exchange. Since creativity is a state of dynamic constancy inherent in musical art and its components, the school is in continuous development and transformation. Another indisputable manifestation of the initial principle is openness to both the results of creativity and new, more perfect knowledge. The systematic nature of these processes, their hierarchical subordination contributes to the emergence of the school. The gradual build-up of a kind of energy-informational network leads to the creation of a multi-level structure in it. The approach chosen by the authors is supported by factual material.","PeriodicalId":115449,"journal":{"name":"The European philosophical and historical discourse","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122234958","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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DECOLONIZATION AS INITIATION: THE HERO’S PATH TO FREEDOM THROUGH THE DESERT OF THE EMPIRE IN THREE GENERATIONAL NOVELS BY SERHIY ZHADAN 作为启蒙的非殖民化:谢伊·扎丹三代小说中英雄穿越帝国沙漠的自由之路

The European philosophical and historical discourse Pub Date : 1900-01-01 DOI: 10.46340/ephd.2021.7.1.11

Hanna Kostenko

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ROBERT PIPPIN AND REACTUALIZATION OF THE HEGEL’S CONCEPT OF ACTION 罗伯特·皮平和黑格尔行为概念的再实现

The European philosophical and historical discourse Pub Date : 1900-01-01 DOI: 10.46340/ephd.2021.7.4.7

Yuliia Tereshchenko

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EDUCATIONAL AND UPBRINGING WORK AT THE VOLYN THEOLOGICAL SEMINARY OF THE UOC OF THE KYIV PATRIARCHATE (1990–2011) 在基辅宗主教区uoc的volyn神学院从事教育和养育工作(1990-2011)

The European philosophical and historical discourse Pub Date : 1900-01-01 DOI: 10.46340/ephd.2021.7.1.5

M. Tsap

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THE CONFLICT OF CO-EXISTENCE: CHURCH VERSION OF THE HISTORY AND TEACHING OF ARCHEOLOGY & HISTORY OF PRIMITIVE SOCIETY IN KHARKIV UNIVERSITY (XIX – BEGINNING OF XX CENTURY) 共存的冲突:哈尔科夫大学考古与原始社会史的教会版历史与教学(十九世纪至二十世纪初)

The European philosophical and historical discourse Pub Date : 1900-01-01 DOI: 10.46340/ephd.2021.7.1.1

Oleh Kaluhin

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SOCIOCULTURAL APPROACH IN THE STUDY OF THE URBAN ENVIRONMENT. ON THE EXAMPLE OF THE CITY OF UMAN 城市环境研究中的社会文化方法。以人类城市为例

The European philosophical and historical discourse Pub Date : 1900-01-01 DOI: 10.46340/ephd.2022.8.2.5

Nataliia Voitsiakh

{"title":"SOCIOCULTURAL APPROACH IN THE STUDY OF THE URBAN ENVIRONMENT. ON THE EXAMPLE OF THE CITY OF UMAN","authors":"Nataliia Voitsiakh","doi":"10.46340/ephd.2022.8.2.5","DOIUrl":"https://doi.org/10.46340/ephd.2022.8.2.5","url":null,"abstract":"The purpose of the article is to substantiate the theoretical and methodological features of the socio-cultural approach in the study of urban environments, to conduct a socio-cultural analysis of the city of Uman, and to deepen the value and semantic integration of its cultural environment. The research methodology is related to the development of sources for the analysis of sociocultural resources of the city, and also involves the use of a structural method for the development of strategies for urban modernization. The scientific novelty of the work is in the application of a socio-cultural approach to study the problems of modern polyethnic urban spaces and a biotic-cultural model of development of the Ukrainian city of Uman. Conclusions were made that a sociocultural analysis of the city of Uman is focused on the development of pilgrimage tourism of Bratslav Hasids. The analytical model includes three factors: 1) the concept of the multicore city of C. Garris and E. Ullman; 2) analysis of biotic and cultural resources of the urban environment according to R. Park; 3) the concept of F. Jamison, which highlights the trends of \"cultural production\" of the postmodern era of 20th-21st centuries. Their consideration allowed us to comprehensively assess the attractive tourist resources of the city. We analyzed the biotic and cultural characteristics of the city of Uman, which is characterized by a significant seasonal influx of Hasidic pilgrims and a decline in tourist demand during the rest of the year. To solve the problem of low level of service in the season of high supply, we propose to strengthen the biotic (infrastructure component), and to maintain year-round high tourist demand and return on infrastructure investment – to strengthen other cultural and semantic cores of the city, such as Sofiyivka Park or an excursion map of modern Uman architecture of the early 20th century.","PeriodicalId":115449,"journal":{"name":"The European philosophical and historical discourse","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134304475","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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UKRAINIAN MODEL OF POSTDRAMATIC THEATRE: CONTEXT AND PRAXIS 乌克兰后戏剧戏剧模式:语境与实践

The European philosophical and historical discourse Pub Date : 1900-01-01 DOI: 10.46340/ephd.2022.8.2.7

Olga Lachko

{"title":"UKRAINIAN MODEL OF POSTDRAMATIC THEATRE: CONTEXT AND PRAXIS","authors":"Olga Lachko","doi":"10.46340/ephd.2022.8.2.7","DOIUrl":"https://doi.org/10.46340/ephd.2022.8.2.7","url":null,"abstract":"The article characterizes the Ukrainian model of the postdramatic theater in the framework of global culture of modern times. As new historical realities prescribe changes in artistic pathways of modern art development, the issue related to processing of the specific features of postdramatic stage business becomes relevant. The author defined the particular characteristics of the Ukrainian postdramatic theater as illustrated by artistic experiments of such Ukrainian directors as O. Apchel, O. Seredin, A. Mai, R. Sarkisian, S. Brama, A. Vusyk. The result of the research conducted is the disclosure of the specific features that the Ukrainian postdramatic performance acquires: total hybridization with the dominated visual component; understanding of the text as a multivariable use of signs; deconstruction, deformation, multi-code nature and pluralism as a communicative space; the audience as a co-author of the performance etc. It is established that the postdramatic theater as a cultural phenomenon of the postmodern era is the newest form of stage representation and an intermediate between the permanent institution of the classic Ukrainian theater and theatrical practices of the twentieth century. According to the art history analysis the author proved that in the postdramatic theater there was a permanent hybridization: from types and genres to template formations, causing transformation of the morphological theatrical system into autonomous theatrical practices. Generation of the textual basis of the postdramatic theater during the very performance ensures an availability of the interactive system, a frame in which the personality of the performer, being a “performative” representative, is actualized. The relevance of the article has emerged due to a need in advanced study of the very Ukrainian model of the postdramatic theater.","PeriodicalId":115449,"journal":{"name":"The European philosophical and historical discourse","volume":"49 11","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133454190","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0