{"title":"¿Vampiros mexicanos o vampiros en México?","authors":"José Luis Martínez Morales","doi":"10.24029/lejana.2012.4.40","DOIUrl":"https://doi.org/10.24029/lejana.2012.4.40","url":null,"abstract":"","PeriodicalId":114655,"journal":{"name":"Lejana. Revista Crítica de Narrativa Breve","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123493664","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Los viajeros mexicanos contemporáneos y sus intervenciones políticas en el paisaje neoliberal: Juan Villoro y Luis Arturo Ramos","authors":"Miguel A. Cabañas","doi":"10.24029/lejana.2012.5.48","DOIUrl":"https://doi.org/10.24029/lejana.2012.5.48","url":null,"abstract":": Two contemporary Mexican travel chroniclers, Juan Villoro and Luis Arturo Ramos, analyze globalization and neoliberalism, especially through recreating the borders and/or sites of global consumption. Their post-tourist trips reveal what they think of the place of neoliberalism and its effects on Mexicanness. These cosmopolitan travelers position the genre of the travel chronicle along the lines of the political commentary, they also show, explicitly or implicitly, the limitations of their perspectives.","PeriodicalId":114655,"journal":{"name":"Lejana. Revista Crítica de Narrativa Breve","volume":"87 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128580589","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Resurrección de la infancia y literalidad discursiva en Viaje olvidado de Silvina Ocampo. Un abordaje transdisciplinario de lo fantástico desde la psicología cognitiva","authors":"Marisa Martínez Pérsico","doi":"10.24029/lejana.2012.4.41","DOIUrl":"https://doi.org/10.24029/lejana.2012.4.41","url":null,"abstract":"","PeriodicalId":114655,"journal":{"name":"Lejana. Revista Crítica de Narrativa Breve","volume":"62 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131503466","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La dualidad fantástica: el Anillo de Moebius de Julio Cortázar","authors":"Ilinca Ilian Ţăranu","doi":"10.24029/lejana.2012.4.39","DOIUrl":"https://doi.org/10.24029/lejana.2012.4.39","url":null,"abstract":"The reform of the fantastic discourse due to Julio Cortazar’s storytelling is a palpable evidence of the literary studies and this makes a reanalysis his work in the framework of fantastic literature almost compulsory. This paper aims at analysing the story Moebius strip included in the book We love Glenda so much (1980) for underlining one of the most disconcerting solutions that Cortazar proposes in his last texts for a philosophical issue he has been dealing with ever since youth: the duality. In his case, the issue has been inherited from the surrealist circles, which also were in a bitter war against the antithetic and, instead of a synthetical Hegelian solution, were postulating for an exaggeration of the tension between contraries. Cortazar will respect this program up to a certain point, but he will seek unprecedented solutions in his maturity texts, among these the one represented by the Moebius strip, to which he alludes in many of his texts after 1970. Duality is illustrated in the story Moebius strip with the Eros/Tanatos Freudian binomial and the writer aims at investigating this philosophical problem with the support of the concept aforementioned in the title, the Moebiusian strip, which, through the introduction of the local / global difference, seems to deny duality and to introduce the idea of continuity between contraries.","PeriodicalId":114655,"journal":{"name":"Lejana. Revista Crítica de Narrativa Breve","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132383713","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Viajes y escritura: recorrido y reflexión sobre la escritura de viajes y la tradición latinoamericana de la literatura de viajes","authors":"Susana Cerda Montes de Oca","doi":"10.24029/lejana.2012.5.47","DOIUrl":"https://doi.org/10.24029/lejana.2012.5.47","url":null,"abstract":"","PeriodicalId":114655,"journal":{"name":"Lejana. Revista Crítica de Narrativa Breve","volume":"307 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129493870","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Compromiso intelectual y olvido en dos cuentos fantásticos de José Emilio Pacheco","authors":"J. Rodero","doi":"10.24029/lejana.2012.4.43","DOIUrl":"https://doi.org/10.24029/lejana.2012.4.43","url":null,"abstract":"","PeriodicalId":114655,"journal":{"name":"Lejana. Revista Crítica de Narrativa Breve","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130967190","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"El Osario de Dios de Alfredo Armas Alfonzo: la casa de la memoria","authors":"Eva Guerrero Guerrero","doi":"10.24029/lejana.2011.3.32","DOIUrl":"https://doi.org/10.24029/lejana.2011.3.32","url":null,"abstract":"","PeriodicalId":114655,"journal":{"name":"Lejana. Revista Crítica de Narrativa Breve","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126387593","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Espectrografías: minificción y silencio","authors":"Francisca Noguerol","doi":"10.24029/lejana.2011.3.28","DOIUrl":"https://doi.org/10.24029/lejana.2011.3.28","url":null,"abstract":"The present work examines the essential role played by silence in literary micro fictions. They can be defined by the value that the void reaches as a sign inside them, their defense of the erasure, and the different data restriction and subtraction techniques handled by them. This phenomenon leads to texts marked by expressive intensity and ellipsis where readers’ participation turns out to be cardinal for full interpretation.","PeriodicalId":114655,"journal":{"name":"Lejana. Revista Crítica de Narrativa Breve","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133096430","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Diario de un pintor. Viaje y escritura cotidiana de Ramón Gaya","authors":"Juan Pascual Gay","doi":"10.24029/lejana.2012.5.51","DOIUrl":"https://doi.org/10.24029/lejana.2012.5.51","url":null,"abstract":"","PeriodicalId":114655,"journal":{"name":"Lejana. Revista Crítica de Narrativa Breve","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117014438","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Estéticas y poéticas del jardín en la literatura fantástica argentina (J. L. Borges, A. Bioy Casares, J. Cortázar y S. Ocampo)","authors":"Maria Amalia Barchiesi","doi":"10.24029/lejana.2012.4.36","DOIUrl":"https://doi.org/10.24029/lejana.2012.4.36","url":null,"abstract":"This paper analyzes the textual construction processes of some famous gardens of Argentine fantastic narrative, in stories of J. L. Borges, A. Bioy Casares, J. Cortazar and S. Ocampo. The work focuses on the poetics and aesthetics of the art of gardening that inspired these literary scenes. Some of the unusual and libertarian narrative plots involving these Argentine fantastic gardens derive mainly from the complex iconography of the 18th century English garden, whose central axis consisted of replacing reality with its imitation, to give rise to fantastic visions.","PeriodicalId":114655,"journal":{"name":"Lejana. Revista Crítica de Narrativa Breve","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130892774","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}