Volume 60 · 2019最新文献

{"title":"La poétique du premier monologue amoureux de Lavine: éléments de versification (Énéas, v. 8082–8334)","authors":"James-Raoul Danièle","doi":"10.3790/ljb.60.1.37","DOIUrl":"https://doi.org/10.3790/ljb.60.1.37","url":null,"abstract":"The study of the first love monologue of the Eneas, entrusted to Lavine, highlights how the musicality of the octosyllabic in this proto-novel is both traditio­nal and innovative. The purpose of this study is to clarify and reconsider the art of the anonymous versifier and to reposition it in literary history: the often regular and measured scansion 4-4 of the octosyllable, the small number of discrepancies between meter and Syntax, the low proportion of rich and leonine rhymes or even feminine rhymes are all signs of a still young, evolving versification. The frequency with which the writer breaks the verse, however, similar to that observed a few decades later in Chrétien de Troyes, is a real innovation that should be restored.","PeriodicalId":114283,"journal":{"name":"Volume 60 · 2019","volume":"95 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131232662","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Das ›Goldene Zeitalter‹ im modernen Spanien","authors":"Stefan Schreckenberg","doi":"10.3790/ljb.60.1.255","DOIUrl":"https://doi.org/10.3790/ljb.60.1.255","url":null,"abstract":"Speaking of a ›Golden Age‹ or a Siglo de Oro in reference to Spanish history, culture and literature transforms an ancient myth into a historiographical concept, which seems rather problematical, even contradictory, and at the same time, seen in a wider European context, exceptional. Nevertheless, the Siglo de Oro is still being used not only as a key term in contemporary academic works – inside and outside Spain – on the Early Modern period, but also as a highly controversial idea in political and ideological debates, especially on behalf of what may or may not be Spanish identity.\u0000 This article seeks to give a brief overview of the discussions that try to define the concept of the Siglo de Oro and to present the literary canon as well as the ideological implications linked to it. Starting in the aftermath of the epoch itself, in other words the 18th century, it focuses on the convergence of the political and aesthetical discussions that oppose the ›Two Spains‹ during the 20th century in terms of how to choose and interpret their ›classics‹. Finally, it tries to give a (necessarily incomplete) view on the actual situation, where the Golden Age myth still interferes not only in literary but also in socio-political debates.","PeriodicalId":114283,"journal":{"name":"Volume 60 · 2019","volume":"60 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129943884","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Zum Aufbruch der Frühmittelaltergermanistik","authors":"G. Mierke","doi":"10.3790/ljb.60.1.9","DOIUrl":"https://doi.org/10.3790/ljb.60.1.9","url":null,"abstract":"The article builds on current discussions about the status of the Early Middle Ages German philology and demonstrates on the basis of various thematic areas the research perspectives for the Old High German literature. Along three subject areas (historical narratology, interdisciplinarity, mediation of Old High German in school and college), currently discussed topics such as coherence, speech scenes, figures, sound studies as well as the tradition of early literature are outlined and their relevance is illustrated through selected text examples.","PeriodicalId":114283,"journal":{"name":"Volume 60 · 2019","volume":"134 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123163201","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Stimmungen, Spannungen, Visionen","authors":"Max Graff","doi":"10.3790/ljb.60.1.339","DOIUrl":"https://doi.org/10.3790/ljb.60.1.339","url":null,"abstract":"Wilhelm Klemm, Expressionist poet and military surgeon on the Western front during World War I, published approximately 60 war poems, both in his collection Gloria! (1915) and in several literary magazines such as Franz Pfemfert’s Aktion. Some of them were soon hailed as eminently critical of common, glorifying poetic visions of war. This is certainly adequate; a closer scrutiny of the entire corpus of Klemm’s war poems, however, reveals a peculiar diversity which requires an awareness for their ambivalences. The article therefore considers three fields of inquiry: the poems’ depiction of the human body, their relation to lyrical paradigms focussed on nature and Stimmung, and ways of transcending both these paradigms and naturalistic representations of war and its effects. It thus identifies Klemm’s different modes of perceiving, interpreting and processing the experience of the Great War.","PeriodicalId":114283,"journal":{"name":"Volume 60 · 2019","volume":"30 9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124448417","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Vom Adamsspiel zur Adamsoper","authors":"Christian Seebald","doi":"10.3790/ljb.60.1.205","DOIUrl":"https://doi.org/10.3790/ljb.60.1.205","url":null,"abstract":"The thesis of the birth of opera as a result of late humanistic reception of anti­quity at the turn of the 17th century has been a commonplace idea within the discussion of dramatic genres. Yet the dominant narrative of change or renewal tends to obscure phenomena of continuity and anachronism which are nonetheless relevant for the tradition of premodern theatre. Those residues of an outlasting dramatic tradition are the focus of this paper which is especially concerned with the transitions between the broad stream of medieval liturgical drama and early modern opera. It is to be shown how close the ties in particular are between the new genre of music theatre and the older theatrical models and their continuities. At the same time the specific achievements and innovations of the younger operatic genre can be accentuated even more distinctly. This paper will concentrate on a paradigmatic case from the early times of German music theatre, the Hamburg inaugural opera Adam from 1678, to demonstrate the characteristic links as well as transformations between the traditions of the medieval liturgical and early modern protestant drama and the operatic genre of the 17th century.","PeriodicalId":114283,"journal":{"name":"Volume 60 · 2019","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127731841","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Dye lewynne stalte groß iamer","authors":"Susanne Schul","doi":"10.3790/ljb.60.1.123","DOIUrl":"https://doi.org/10.3790/ljb.60.1.123","url":null,"abstract":"From the beginning of Herzog Herpin the young protagonist seems to be chosen for the extraordinary as he is separated from his parents right after his birth and must survive in the wilderness. This is accomplished by getting him involved in relationships with animals or otherworldly figures. Guarded by three fairies and a lion, the protagonist of this infancy story experiences motherhood not from his biological mother. Motherhood is rather attributed to several different figures that look after him. Thus a multidimensional matrix of care-relationships emerges that is characterized by the interacting categories of gender, species, descent, religion, age and social positioning. The paper explores them as forms of emotionalization between animals and humans in text-image-arrangements of three versions of the Herzog Herpin by applying theoretical concepts of the Cultural Animal Studies.","PeriodicalId":114283,"journal":{"name":"Volume 60 · 2019","volume":"104 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133524930","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"»Se voues nous volés oïr et entendre, nous vos mosterrons par droite raison […] que vostre lois est noiens«","authors":"Matthias Bürgel","doi":"10.3790/ljb.60.1.87","DOIUrl":"https://doi.org/10.3790/ljb.60.1.87","url":null,"abstract":"The encounter between Francis of Assisi and sultan Malik al-Kamil in 1219 became in its immediate aftermath object of several historiographic, hagiographic and literary accounts. One can see that a common, yet variously developed element of all these reports is the record of the future saint surprising his audience by the frankness of his preaching of the Christian faith. This continuity stretches from the Old French Chronique d’Ernoul, which firstly introduced this aspect, to Dante’s Commedia. Actually, in the light of the eye-witness account of Thomas of Split, an enthusiastic speech of Francis at the Egyptian court could well respond to the facts: following the model of the contemporary political concionatori and their biblical archetype, Salomon, Francis surely preached in a simple but theologically profound way the Truth of Christian relevation, trusting that Divine wisdom in humility is superior to an approach which is grounded exclusively in human knowledge.","PeriodicalId":114283,"journal":{"name":"Volume 60 · 2019","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130436106","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Erzählend erinnern","authors":"Selena Rhinisperger","doi":"10.3790/ljb.60.1.63","DOIUrl":"https://doi.org/10.3790/ljb.60.1.63","url":null,"abstract":"This paper analyses how Heinrich von dem Türlin creates a metadiscourse about generic issues and conventions of Arthurian tales in his Romance Diu Crône by outlining the importance of narration itself for the Arthurian court. Based on two scenes where first the Arthurian court and than Gawein as main character of the tale are on the verge of forgetting themselves, the anaysis shows how processes of telling one’s own story are crucial not only for memoria but even for one’s own existence. By shifting these observations from the level of the narrated world to the narration itself the close connections between telling and being can be understood as an implicit theory of performative narration.","PeriodicalId":114283,"journal":{"name":"Volume 60 · 2019","volume":"72 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115958328","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Inhaltsverzeichnis","authors":"","doi":"10.3790/ljb.60.1.toc","DOIUrl":"https://doi.org/10.3790/ljb.60.1.toc","url":null,"abstract":"Gesine Mierke (Chemnitz), Zum Aufbruch der Frühmittelaltergermanistik ... 9\u0000Danièle James-Raoul (Bordeaux), La poétique du premier monologue amoureux\u0000de Lavine: éléments de versification (Énéas, v. 8082–8334) ........... 37\u0000Selena Rhinisperger (Zürich), Erzählend erinnern. Erzählen als performativer\u0000Akt in der Crône Heinrichs von dem Türlin ........................... 63\u0000Matthias Bürgel (Venedig), »Se voues nous volés oïr et entendre, nous vos\u0000mosterrons par droite raison […] que vostre lois est noiens«. Franz von\u0000Assisi als Prediger vor Malik al-Kamil ................................ 87\u0000Susanne Schul (Kassel), Dye lewynne stalte groß iamer. Prozesse der Emotionalisierung\u0000zwischen Tieren und Menschen im spätmittelalterlichen Prosaepos\u0000Herzog Herpin ................................................ 123\u0000Florian Mehltretter (München), Herrscherlob als schöne Kunst betrachtet.\u0000Überlegungen zu Boiardo, Ariost und Josquin Desprez ................. 159\u0000Steffen Schneider (Graz), Urteil und Komödie in der italienischen Renaissance\u0000und in Giordano Brunos Candelaio. .................................. 181\u0000Christian Seebald (Köln), Vom Adamsspiel zur Adamsoper. Zu den Übergängen\u0000zwischen mittelalterlichem geistlichen Spiel und frühem deutschen\u0000Musiktheater am Beispiel der Hamburger Oper ........................ 205\u0000Carmen Rivero (Münster), »Lope, Réactionnaire ou révolutionnaire ?« Fuenteovejuna\u0000face à l’Institution de la réligion chrétienne ................... 227\u0000Jan-Henrik Witthaus (Kassel), Provecho e interés. El pensamiento económico\u0000entre las narrativas picarescas y la Ilustración. Aproximación a una historia\u0000conceptual continuada desde el Siglo de Oro hasta la Ilustración ......... 243\u0000Stefan Schreckenberg (Paderborn), Das ›Goldene Zeitalter‹ im modernen Spanien.\u0000Zur Wirkmächtigkeit und Problematik eines kulturellen und literarischen\u0000Kanons ...................................................... 255\u0000Mirjam Haas (Mainz) und Leonie Kirchhoff (Tübingen), Genre Maketh Dog?,\u0000Francis Coventry’s Pompey the Little and Virginia Woolf’s Flush ......... 277\u0000Angelika Zirker (Tübingen), Huckleberry Finn: Aktuelle Zensur eines Klassikers?.\u0000............................................................. 299\u0000Nicolas Detering (Bern), Heroischer Fatalismus. Denkfiguren des ›Durchhaltens‹\u0000von Nietzsche bis Seghers ...................................... 317\u0000Max Graff (Heidelberg), Stimmungen, Spannungen, Visionen. Beobachtungen\u0000zur Kriegslyrik Wilhelm Klemms ..................................... 339\u0000Eduard R. Müller (Seelisberg, CH), Bajla Gelblung und Johannes Bobrowskis\u0000Gedicht BERICHT. ................................................ 373\u0000Carsten Dutt (Notre Dame, USA), Phantasmatisches Erinnern als Dimension\u0000lyrischer Memoria. Zur Meditationsfunktion eines Gedichts von Günter\u0000Eich .............................................................. 389\u0000BUCHBESPRECHUNGEN","PeriodicalId":114283,"journal":{"name":"Volume 60 · 2019","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116815918","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Provecho e interés. El pensamiento económico entre las narrativas picarescas y la Ilustración. Aproximación a una historia conceptual continuada desde el Siglo de Oro hasta la Ilustración","authors":"Jan-Henrik Witthaus","doi":"10.3790/ljb.60.1.243","DOIUrl":"https://doi.org/10.3790/ljb.60.1.243","url":null,"abstract":"The category of interest has formed part of the economic discourse since the 17th century and in this context adopts a variety of meanings, for instance the interest of credits or the individual advantages of a business or a contract. Conceptual history, however, points out that this concept has a strategic function within the introduction of economic sciences in the Enlightenment: the sublimation of passions which turns them into economic interests and which helps to improve the mutual treatment of human beings in society. The following article provides a short overview showing the evolution of the category of interest from the picaresque literature to the treaties and articles published in the context of the first liberalism in Spain that is to say the second half of the 18th century.","PeriodicalId":114283,"journal":{"name":"Volume 60 · 2019","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117099159","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}