The Perpetuation of Site-Specific Installation Artworks in Museums最新文献

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Ernesto Neto’s Célula Nave
The Perpetuation of Site-Specific Installation Artworks in Museums Pub Date : 2021-12-09 DOI: 10.2307/j.ctv25wxbgr.7
Tatja Scholte
{"title":"Ernesto Neto’s Célula Nave","authors":"Tatja Scholte","doi":"10.2307/j.ctv25wxbgr.7","DOIUrl":"https://doi.org/10.2307/j.ctv25wxbgr.7","url":null,"abstract":"Célula Nave. It happens in the body of time, where truth dances (2004) by\u0000 the Brazilian artist Ernesto Neto is an interactive installation artwork,\u0000 commissioned by the Museum Boijmans Van Beuningen in Rotterdam.\u0000 The artwork consists of a spacious construction of turquoise fabric – the\u0000 “nave” – hanging on a series of aluminium poles. Visitors are allowed to\u0000 enter the nave and touch the fabric with their hands and feet. The spatial\u0000 design of Célula Nave is intertwined with the museum’s Bodon Gallery, for\u0000 which the artwork was created. The size of the installation has been adapted\u0000 to its large-scale dimensions; the colour of the fabric matches the greenish\u0000 floor of the gallery, and the daylight falling into the room enhances the\u0000 fabric’s translucency.","PeriodicalId":103627,"journal":{"name":"The Perpetuation of Site-Specific Installation Artworks in Museums","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129130279","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Site-Specific Installation Art in Historical Perspective 历史视角下的特定场所装置艺术
The Perpetuation of Site-Specific Installation Artworks in Museums Pub Date : 2021-12-09 DOI: 10.2307/j.ctv25wxbgr.5
T. Scholte
{"title":"Site-Specific Installation Art in Historical Perspective","authors":"T. Scholte","doi":"10.2307/j.ctv25wxbgr.5","DOIUrl":"https://doi.org/10.2307/j.ctv25wxbgr.5","url":null,"abstract":"The argument in this chapter starts with a discussion of the art historical\u0000 discourse on site-specific installation art. Artists as well as critics have\u0000 explored various notions of site specificity, usually in concordance with\u0000 successive art historical periods: the first “wave” of site-specific installations\u0000 created during the late 1960s and early 1970s, and a second period, from the\u0000 1980s and early 1990s until today. The chapter elucidates several art historical\u0000 perspectives on both periods and the shifts occurring in the relationship\u0000 between artists and museum institutions, between the artwork and the\u0000 site. Furthermore, it is important to realize that site-specific installation\u0000 artworks are highly diverse in form, content, and meaning. For the current\u0000 purpose of developing a model with an eye to the artworks’ perpetuation,\u0000 a chronological approach is only partly effective. A further abstraction in\u0000 categorization is needed, focusing on the network of site-specific functions\u0000 and their changes over time. To this end, a selection of relevant notions\u0000 elucidate the extended lives of site-specific installations, which I derive\u0000 from case studies and observations made by artists and art historians in this respect. The discussion is a prelude to chapter 3, in which I take\u0000 the vocabulary for site-specific installation artworks one step further by\u0000 employing a triadic set of spatial functions, which I derive from Henri\u0000 Lefebvre’s theory on space.","PeriodicalId":103627,"journal":{"name":"The Perpetuation of Site-Specific Installation Artworks in Museums","volume":"94 12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124802156","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Problem of the Perpetuation of Site-Specific Installation Art 特定场所装置艺术的永续问题
The Perpetuation of Site-Specific Installation Artworks in Museums Pub Date : 2021-12-09 DOI: 10.2307/j.ctv25wxbgr.4
T. Scholte
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引用次数: 0
Conclusion and Further Discussion 结论及进一步讨论
The Perpetuation of Site-Specific Installation Artworks in Museums Pub Date : 2021-12-09 DOI: 10.5117/9789463723763_ch07
T. Scholte
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引用次数: 0
Index 指数
The Perpetuation of Site-Specific Installation Artworks in Museums Pub Date : 2021-12-09 DOI: 10.2307/j.ctv25wxbgr.15
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引用次数: 0
Appendix 附录
The Perpetuation of Site-Specific Installation Artworks in Museums Pub Date : 2021-12-09 DOI: 10.2307/j.ctv25wxbgr.13
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引用次数: 0
Jason Rhoades’s SLOTO Jason Rhoades的SLOTO
The Perpetuation of Site-Specific Installation Artworks in Museums Pub Date : 2021-12-09 DOI: 10.2307/j.ctv25wxbgr.8
Tatja Scholte
{"title":"Jason Rhoades’s SLOTO","authors":"Tatja Scholte","doi":"10.2307/j.ctv25wxbgr.8","DOIUrl":"https://doi.org/10.2307/j.ctv25wxbgr.8","url":null,"abstract":"This chapter is dedicated to Jason Rhoades’s SLOTO. The Secret Life of the\u0000 Onion (2003), a complex, multilayered, site-specific installation artwork\u0000 in the collection of the Van Abbemuseum. [Figure 20] It introduces\u0000 the problem of perpetuating a site-specific installation that includes\u0000 processes of growth and transformation, not only in content but also\u0000 in form. Museum professionals are often confronted with profound\u0000 questions in order to keep processual artworks alive and sometimes\u0000 need to make radical decisions when reinstalling the work in different\u0000 contexts than foreseen by the artist. Comparative examples are Dieter\u0000 Roth’s Garden Sculpture (1968–1996) and Jason Rhoades’s P.I.G. (Piece in\u0000 Ghent) (1994).","PeriodicalId":103627,"journal":{"name":"The Perpetuation of Site-Specific Installation Artworks in Museums","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122033233","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Drifting Producers 漂流生产商
The Perpetuation of Site-Specific Installation Artworks in Museums Pub Date : 2021-12-09 DOI: 10.2307/j.ctv25wxbgr.9
T. Scholte
{"title":"Drifting Producers","authors":"T. Scholte","doi":"10.2307/j.ctv25wxbgr.9","DOIUrl":"https://doi.org/10.2307/j.ctv25wxbgr.9","url":null,"abstract":"Drifting Producers (2004) is an installation artwork built around three large\u0000 urban models representing a utopian city. [Figure 27] The installation is\u0000 created by a group of South Korean artists, designers, and curators who call\u0000 themselves Flying City. The installation is part of a larger project which the\u0000 artists carried out in an old neighbourhood in Seoul. The project and the\u0000 installation of Drifting Producers (they bear the same title) are interconnected,\u0000 although the project lasted for many years (2003–2009) and took\u0000 many different forms, such as art-and-community workshops, performances,\u0000 publications, and yet another installation artwork (no longer existent).","PeriodicalId":103627,"journal":{"name":"The Perpetuation of Site-Specific Installation Artworks in Museums","volume":"172 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131631374","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
A Conceptual Model for the Analysis of Site-Specific Installations 特定场所装置分析的概念模型
The Perpetuation of Site-Specific Installation Artworks in Museums Pub Date : 2021-12-09 DOI: 10.2307/j.ctv25wxbgr.6
T. Scholte
{"title":"A Conceptual Model for the Analysis of Site-Specific Installations","authors":"T. Scholte","doi":"10.2307/j.ctv25wxbgr.6","DOIUrl":"https://doi.org/10.2307/j.ctv25wxbgr.6","url":null,"abstract":"In the previous chapter, I argued for a broader notion of site specificity than\u0000 the connectivity between the artwork and the physical location of display.\u0000 The institutional and sociocultural contexts of production and reception\u0000 were also identified as parameters for a site-specific installation, leading\u0000 to my suggestion to conceive site specificity as a network of site-specific\u0000 functions.\u0000 In the current chapter, I develop a conceptual model for the analysis of\u0000 site-specific installation artworks to understand how this network is formed\u0000 and transforms over time. The model consists of two parts, one focusing\u0000 on a categorization of the various functions of site specificity; the other\u0000 proposing a methodology to compare successive iterations of the artwork\u0000 and to analyse which “factors of influence” cause changes at a particular\u0000 biographical stage.","PeriodicalId":103627,"journal":{"name":"The Perpetuation of Site-Specific Installation Artworks in Museums","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131404456","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
List of Interviews Conducted by the Author 作者进行的访谈清单
The Perpetuation of Site-Specific Installation Artworks in Museums Pub Date : 2021-12-09 DOI: 10.2307/j.ctv25wxbgr.12
Ernesto Neto’s, W. Braber, Jaqueline Rapmund, Ernesto Neto, Alexander Goekjian
{"title":"List of Interviews Conducted by the Author","authors":"Ernesto Neto’s, W. Braber, Jaqueline Rapmund, Ernesto Neto, Alexander Goekjian","doi":"10.2307/j.ctv25wxbgr.12","DOIUrl":"https://doi.org/10.2307/j.ctv25wxbgr.12","url":null,"abstract":"Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible.","PeriodicalId":103627,"journal":{"name":"The Perpetuation of Site-Specific Installation Artworks in Museums","volume":"71 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124622181","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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