{"title":"Drifting Producers","authors":"T. Scholte","doi":"10.2307/j.ctv25wxbgr.9","DOIUrl":null,"url":null,"abstract":"Drifting Producers (2004) is an installation artwork built around three large\n urban models representing a utopian city. [Figure 27] The installation is\n created by a group of South Korean artists, designers, and curators who call\n themselves Flying City. The installation is part of a larger project which the\n artists carried out in an old neighbourhood in Seoul. The project and the\n installation of Drifting Producers (they bear the same title) are interconnected,\n although the project lasted for many years (2003–2009) and took\n many different forms, such as art-and-community workshops, performances,\n publications, and yet another installation artwork (no longer existent).","PeriodicalId":103627,"journal":{"name":"The Perpetuation of Site-Specific Installation Artworks in Museums","volume":"172 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Perpetuation of Site-Specific Installation Artworks in Museums","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctv25wxbgr.9","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 3
Abstract
Drifting Producers (2004) is an installation artwork built around three large
urban models representing a utopian city. [Figure 27] The installation is
created by a group of South Korean artists, designers, and curators who call
themselves Flying City. The installation is part of a larger project which the
artists carried out in an old neighbourhood in Seoul. The project and the
installation of Drifting Producers (they bear the same title) are interconnected,
although the project lasted for many years (2003–2009) and took
many different forms, such as art-and-community workshops, performances,
publications, and yet another installation artwork (no longer existent).