The Korean Society of Calligraphy最新文献

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Philosophical Background of Development of the Theories of SeoHwaDongChe, SeoHwaDongChul and SeoHwaDongWon 西化东策、西化东策、西化东源理论发展的哲学背景
The Korean Society of Calligraphy Pub Date : 2022-09-30 DOI: 10.19077/tsoc.2022.41.07
Eun-A Kim
{"title":"Philosophical Background of Development of the Theories of SeoHwaDongChe, SeoHwaDongChul and SeoHwaDongWon","authors":"Eun-A Kim","doi":"10.19077/tsoc.2022.41.07","DOIUrl":"https://doi.org/10.19077/tsoc.2022.41.07","url":null,"abstract":"This article is to reveal the meaning of the thoughts of SeoHwaDongChe (書畵同體: Calligraphy and drawing are same as each other), SeoHwaDongChul (書畵同出: Calligraphy and drawing are beginning together) and SeoHwaDongWon (書畵同源: Calligraphy and drawing sprout from same root) focusing on the understanding of the correlation between Seo (Calligraphy) and Hwa (Painting) that appeared on the stream of the aesthetics of Seo and Hwa flowing through such eras as Tang, Song and Yuan dynasties in China. The transition process of the relation between Seo and Hwa from DongChe to DongChul that finally went to DongWon embraces such art-philosophical leveled question as ‘Where did Seo and Hwa come from’, which shows the art spirit and aesthetic goal of the literary noblemen who approached the creation of Seo and Hwa. Such thoughts also contain the idea that painting works must be expressed with YongPil (用筆: ways of brushing) and PilEui (筆意: intention of brushing) of calligraphy in order to fully realize the art world sought for by the literary noblemen. First of all, in this aspect, it is required to analyze what kind of art calligraphy is in aesthetic and philosophical viewpoints in order to correctly understand the thoughts of DongChe, DongChul, DongWon and DongBeop (書畵: Calligraphy and painting are same in rules of creating works). \u0000In the Chinese history of SeoHwa (Calligraphy and Painting), creation of every piece of work begins from drawing a stroke. The commonness between Seo and Hwa and SeoHwaHyoNeungIlCheSeol (書畫效能一體說: the theory that Seo and Hwa have same effect) argued by Shí Tāo (石濤) based on his IlHoikRon (一劃論: the theory of one stroke) emphasized that every painter must learn the calligraphic principle for actual art creation activity. Looking into the relation between calligraphy and painting with consideration of such emphasis, it is desirable to create painting pieces using PilHoik (brush and stroke) of calligraphy. That is, the thoughts of DongChe, DongChul, DongWon and DongBeop are thought to be as same as the philosophical thoughts related with use of one stroke. \u0000In the tendency of art creation, calligraphy has CheeDoSeol (取道說: the theory of taking truth) leveled art spirit with which the artist must take the principle of truth in metaphysical aspect and set such truth as the base of calligraphy. Such CheeDoSeol based calligraphic forms are related with the thought of GwanMulCheeSangRon (觀物取象論: the theory of taking forms by viewing things), which causes artists to give painting leveled meaning to the character forms and fonts simply showing why painting must take PilBeop (rules of brushing) and PilEui of calligraphy. \u0000In such aspects set forth above, therefore, this article looks into how the theories of Seo and Hwa have been established and transited in relation with the perception of calligraphy and painting in the Chinese history of Seo and Hwa in the viewpoints of IlHoikRon, SeoHwaHyoNeungIlCheSeol, CheeDoSeol, metaphysical perception of call","PeriodicalId":103412,"journal":{"name":"The Korean Society of Calligraphy","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130509020","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
楚亭 朴齊家의 書藝觀 一考 楚亭 朴齐家의 书艺观 一考
The Korean Society of Calligraphy Pub Date : 2022-03-28 DOI: 10.19077/tsoc.2022.40.02
Myungsu Lim
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引用次数: 0
조선시대 17세기 한글 간본문헌의 서체특징과 서예사적 고찰 朝鲜时代17世纪韩文间正文轩的书体特征和书艺史考察
The Korean Society of Calligraphy Pub Date : 2022-03-28 DOI: 10.19077/tsoc.2022.40.01
J. Park
{"title":"조선시대 17세기 한글 간본문헌의 서체특징과 서예사적 고찰","authors":"J. Park","doi":"10.19077/tsoc.2022.40.01","DOIUrl":"https://doi.org/10.19077/tsoc.2022.40.01","url":null,"abstract":"","PeriodicalId":103412,"journal":{"name":"The Korean Society of Calligraphy","volume":"81 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123649017","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
吴大澂东北边务书法遗迹考论 吴大澂东北边务书法遗迹考论
The Korean Society of Calligraphy Pub Date : 2022-03-28 DOI: 10.19077/tsoc.2022.40.06
Jian Xu
{"title":"吴大澂东北边务书法遗迹考论","authors":"Jian Xu","doi":"10.19077/tsoc.2022.40.06","DOIUrl":"https://doi.org/10.19077/tsoc.2022.40.06","url":null,"abstract":"","PeriodicalId":103412,"journal":{"name":"The Korean Society of Calligraphy","volume":"264 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123693743","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
명 말 기녀 서화가 마수진의 난죽화에 관한 연구 明末妓女书画家马秀珍的兰花研究
The Korean Society of Calligraphy Pub Date : 2022-03-28 DOI: 10.19077/tsoc.2022.40.04
Heui-yeon Sur
{"title":"명 말 기녀 서화가 마수진의 난죽화에 관한 연구","authors":"Heui-yeon Sur","doi":"10.19077/tsoc.2022.40.04","DOIUrl":"https://doi.org/10.19077/tsoc.2022.40.04","url":null,"abstract":"","PeriodicalId":103412,"journal":{"name":"The Korean Society of Calligraphy","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129166399","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
김충현의『槿域書譜』에 반영된 20세기 서예미학의 특성에 관한 연구 金忠贤《20世纪书法美学特征的研究》
The Korean Society of Calligraphy Pub Date : 2022-03-28 DOI: 10.19077/tsoc.2022.40.03
Jung-Ja Moon
{"title":"김충현의『槿域書譜』에 반영된 20세기 서예미학의 특성에 관한 연구","authors":"Jung-Ja Moon","doi":"10.19077/tsoc.2022.40.03","DOIUrl":"https://doi.org/10.19077/tsoc.2022.40.03","url":null,"abstract":"","PeriodicalId":103412,"journal":{"name":"The Korean Society of Calligraphy","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128547395","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
略论褚遂良对初唐楷书审美风格形成的贡献 略论褚遂良对初唐楷书审美风格形成的贡献
The Korean Society of Calligraphy Pub Date : 2022-03-28 DOI: 10.19077/tsoc.2022.40.05
Yi-wei Zhang
{"title":"略论褚遂良对初唐楷书审美风格形成的贡献","authors":"Yi-wei Zhang","doi":"10.19077/tsoc.2022.40.05","DOIUrl":"https://doi.org/10.19077/tsoc.2022.40.05","url":null,"abstract":"","PeriodicalId":103412,"journal":{"name":"The Korean Society of Calligraphy","volume":"120 5","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"113940338","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Mixed comments on Zhang Bi s cursive script 对张弼草书的褒贬不一
The Korean Society of Calligraphy Pub Date : 2021-09-28 DOI: 10.19077/tsoc.2021.39.09
Yan Liu
{"title":"Mixed comments on Zhang Bi s cursive script","authors":"Yan Liu","doi":"10.19077/tsoc.2021.39.09","DOIUrl":"https://doi.org/10.19077/tsoc.2021.39.09","url":null,"abstract":"","PeriodicalId":103412,"journal":{"name":"The Korean Society of Calligraphy","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126324640","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Study on the Calligraphy of Goodwill in Missionary Ambassador 传教士亲善书法研究
The Korean Society of Calligraphy Pub Date : 2021-09-28 DOI: 10.19077/tsoc.2021.39.02
Han-bin Son
{"title":"A Study on the Calligraphy of Goodwill in Missionary Ambassador","authors":"Han-bin Son","doi":"10.19077/tsoc.2021.39.02","DOIUrl":"https://doi.org/10.19077/tsoc.2021.39.02","url":null,"abstract":"","PeriodicalId":103412,"journal":{"name":"The Korean Society of Calligraphy","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132019886","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Study on the Construction of auspicious Implication in Jian zhi(剪纸) of Folk Art 民间艺术简志中吉祥寓意的建构研究
The Korean Society of Calligraphy Pub Date : 2021-09-28 DOI: 10.19077/tsoc.2021.39.10
zhi-chun xu
{"title":"A Study on the Construction of auspicious Implication in Jian zhi(剪纸) of Folk Art","authors":"zhi-chun xu","doi":"10.19077/tsoc.2021.39.10","DOIUrl":"https://doi.org/10.19077/tsoc.2021.39.10","url":null,"abstract":"","PeriodicalId":103412,"journal":{"name":"The Korean Society of Calligraphy","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125677657","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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