{"title":"Social Relations, Space Travel, and the Body of the Astronaut","authors":"P. Dickens","doi":"10.1108/S1571-504320190000025019","DOIUrl":"https://doi.org/10.1108/S1571-504320190000025019","url":null,"abstract":"Space tourism is often represented as an extended version of tourism on the Earth, with tourists experiencing relaxed and trouble-free experiences. But parallels between travel on the Earth and in outer space are misleading. The latter raises major issues concerning power-relations between passengers, pilots, and ground control. Who has the power in space tourism and how is this power exercised? The literature underestimates potential dangers to the human body. These include short- and long-term risks stemming from microgravity, exposure to radiation, and rapidly changing switches between day and night. These problems further undermine the popular image of space tourism as a wholesome and joyous practice. Space tourism may well be a very expensive way of achieving ill health.","PeriodicalId":102038,"journal":{"name":"Tourism Social Science Series","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125474382","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Regulation of Space Tourism","authors":"F. V. D. Dunk","doi":"10.1108/S1571-504320190000025010","DOIUrl":"https://doi.org/10.1108/S1571-504320190000025010","url":null,"abstract":"Space tourism has to be regulated as a subset of private spaceflight activities, whereby humans are sent to outer space in a fundamentally private context. In addition to space law, air law would be relevant for addressing private spaceflight, but neither regime has at the international level regulated relevant activities to any appreciable extent. They provide little more than a set of guiding overarching principles. Much of the onus of future regulation will fall on the shoulders of individual states, most notably the United States. In the more distant future, this may result in a special international regime, using elements of both space and air law.","PeriodicalId":102038,"journal":{"name":"Tourism Social Science Series","volume":"198 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114556882","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Authenticating the Wilderness: Power, Politics, Performance","authors":"Elizabeth S. Vidon","doi":"10.1108/S1571-504320180000024014","DOIUrl":"https://doi.org/10.1108/S1571-504320180000024014","url":null,"abstract":"Abstract \u0000This chapter focuses on the authentication of wilderness and the mechanisms of power and agency through which the wilderness has come to assume its patina of authenticity, often associated with masculinity, challenge, self-(re)creation, pristine landscapes, and, perhaps above all, authenticity. Rather than examining the concept of authenticity, this chapter focuses on its process; using notions of “hot” and “cool” authentication, it attends to the ways individuals and groups navigate social terrain through discourse and performance to construct authenticity in wilderness landscapes. It examines the various mechanisms through which authenticity in wilderness is constructed, measured, and assessed, attending to the “hot” and “cool” authentication of the American wilderness.","PeriodicalId":102038,"journal":{"name":"Tourism Social Science Series","volume":"93 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122966305","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“See You in Iran” on Facebook: Assessing User-Generated Authenticity","authors":"Nicholas Wise, F. Farzin","doi":"10.1108/S1571-504320180000024001","DOIUrl":"https://doi.org/10.1108/S1571-504320180000024001","url":null,"abstract":"Abstract Iran is considered an emerging destination that remains largely under-toured, even as the recent lifting of strict economic sanctions and new international agreements is making it easier to obtain a visa-on-arrival. The Facebook page “See You in Iran” is used to promote the destination and communicate the “real” image of Iran (with numerous updates daily), with semblances of authenticity portrayed through user-generated content (UGC). UGC allows people to post and explore new places, and to interact with those who have just visited. This chapter assesses UGC using an interpretative framework: authentic inquiry (the need for unknown insight into a new awareness), authentic encounter (through relationships, connections, communitas, and belonging), and authentic production (based on feelings, emotions, and sensations).","PeriodicalId":102038,"journal":{"name":"Tourism Social Science Series","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129519753","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Hyperreal Light Simulacra: Performing Heritage Buildings","authors":"J. Lovell","doi":"10.1108/S1571-504320180000024012","DOIUrl":"https://doi.org/10.1108/S1571-504320180000024012","url":null,"abstract":"Abstract \u0000This chapter explores the multiple levels of authenticity involved in son et lumiere and projection mapping. Light shows are increasingly staged at historic sites, using monumental buildings as canvases. The use of light allows the buildings to communicate, giving them a performative, additional dimension, generating multiplicity, where the same architectural structure or place is encountered simultaneously in both its light and physical forms. The effect is hyperreal, transforming buildings into simulacra, versions of distorted reality, where no original exists. As the building appears to move, the mind simultaneously informs the viewer that it is static, evoking a co-created tourist experience. Light shows, arguably staged by “imagineers”, reflect the increasing move toward the spectacle essential for creative and experience economies.","PeriodicalId":102038,"journal":{"name":"Tourism Social Science Series","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125085640","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Afterword: Authenticity and Life","authors":"D. Knudsen","doi":"10.1108/s1571-504320180000024016","DOIUrl":"https://doi.org/10.1108/s1571-504320180000024016","url":null,"abstract":"","PeriodicalId":102038,"journal":{"name":"Tourism Social Science Series","volume":"68 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114674354","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Authenticity of a National Icon: The Trinidad Steelpan as a Tourism Resource","authors":"J. Coomansingh","doi":"10.1108/S1571-504320180000024006","DOIUrl":"https://doi.org/10.1108/S1571-504320180000024006","url":null,"abstract":"Abstract \u0000Approximately 70 years ago, descendants of Trinidadian enslaved Africans created an instrument from steel drums discarded by the US Navy. Since then, the steelpan has attracted entrepreneurs from around the world because of its unique sound, and, as the quintessential instrument for the pre-Lenten Trinidad Carnival, it also entices tourists. Its production did not stay under the “breadfruit tree”; however, as they are now mass produced and even patented abroad. Some argue this amounts to cultural piracy, as the steelpan is more than an artifact but is the mentifactual property of a people. Thus, the question remains whether the authenticity of the steelpan is lost when not crafted within the landscape of Trinidad.","PeriodicalId":102038,"journal":{"name":"Tourism Social Science Series","volume":"144 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116071797","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Authenticity in Portugal’s Interior Rural Areas","authors":"J. A. Moutela, V. Carreira, F. Martínez-Roget","doi":"10.1108/S1571-504320180000024007","DOIUrl":"https://doi.org/10.1108/S1571-504320180000024007","url":null,"abstract":"Abstract \u0000This chapter focuses on the territory of Schist Villages Network, located in Central Portugal, which has become the target of sustainable development projects. These projects aim at conservation of natural and cultural landscapes, the valorization of heritage, boosting of socioeconomic parameters, and promotion of excellence in tourism with emphasis on hospitality. Empirical research applied different questionnaires to four stakeholders: local population, local decisionmakers, economic agents, and tourists and visitors. The data obtained were used to analyze stakeholders’ perceptions of cultural heritage and traditional roots, seen as essential elements of the territory’s authenticity, both from the point of view of tourism motivation and satisfaction with lived experiences, as well as to evaluate their loyalty to and image of the network as a destination.","PeriodicalId":102038,"journal":{"name":"Tourism Social Science Series","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127849540","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Digital Revolution or Plastic Gimmick? Authenticity in 3D Souvenirs","authors":"Constantia Anastasiadou, Samantha Vettese","doi":"10.1108/S1571-504320180000024011","DOIUrl":"https://doi.org/10.1108/S1571-504320180000024011","url":null,"abstract":"Abstract \u0000Mass-market production of souvenirs, their disposability and their mixed up, interpretive styling may detach the tourist from the actual experience. Conversely, it is the personal relationship that is formed between the tourist and the souvenir that makes the object authentic. The personalization of souvenirs, through 3D printing, offers opportunities for a different approach to manufacturing that influences notions of authenticity. In this way, it is possible to escape the serial reproduction of culture, engage tourists in the creation of meaning, and (re)frame the connections among them, their visited places, and their souvenirs. This chapter considers how the personalization of souvenirs through 3D printing technologies challenges and redefines existing notions of authenticity in touristic consumption.","PeriodicalId":102038,"journal":{"name":"Tourism Social Science Series","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116737627","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}