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Resilience in the Finnish-Russian Border Region and Russia’s War against Ukraine: From the Perspective of Locally Engaged People 芬兰-俄罗斯边境地区的复原力与俄罗斯对乌克兰的战争：从当地居民的视角出发
The Soviet and Post-Soviet Review Pub Date : 2024-04-08 DOI: 10.30965/18763324-bja10095
Katarzyna Stokłosa, Jussi Laine
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引用次数: 0
Indifference in Recent Russian Films: The Gulag Face of Cruelty Returns 俄罗斯近期电影中的冷漠：古拉格的残酷面孔再次出现
The Soviet and Post-Soviet Review Pub Date : 2024-04-08 DOI: 10.30965/18763324-bja10096
Irina Dzero
{"title":"Indifference in Recent Russian Films: The Gulag Face of Cruelty Returns","authors":"Irina Dzero","doi":"10.30965/18763324-bja10096","DOIUrl":"https://doi.org/10.30965/18763324-bja10096","url":null,"abstract":"\u0000Several recent Russian films show victimizers become victims, and victims— victimizers. This random division into victimizers and victims was forced on society by Stalin, who enjoyed sending his intimate friends-victims (and their wives, children, and relatives) to torture and death. Millions of innocent Russians were captured, killed, or sent to the Gulag, but in an unprecedented way, they were also made to implicate their own intimate friends and family members and become victimizers in their turn. Alternatively, the NKVD torturers were also turned into victims, periodically killed off and replaced by new recruits. Testimonies of Shalamov, Ginsburg, and Dovlatov show that when intimate relationships shrink to command-compliance, both victimizers and victims shed emotions, including shame and guilt, and aggression becomes the only socially meaningful action and the last available entertainment. I identify the visual metaphor of this dynamic, the always identical indifferent face of cruelty, in the films Burnt by the Sun, The Return, Elena, Loveless, and Captain Volkonogov Escaped.","PeriodicalId":518037,"journal":{"name":"The Soviet and Post-Soviet Review","volume":"224 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140730525","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Outlaw Music in Russia: The Rise of an Unlikely Genre, written by Anastasia Gordienko 俄罗斯的非法音乐：一个不可能的流派的崛起》，作者 Anastasia Gordienko
The Soviet and Post-Soviet Review Pub Date : 2024-01-02 DOI: 10.30965/18763324-bja10091
Elizabeth Abosch
{"title":"Outlaw Music in Russia: The Rise of an Unlikely Genre, written by Anastasia Gordienko","authors":"Elizabeth Abosch","doi":"10.30965/18763324-bja10091","DOIUrl":"https://doi.org/10.30965/18763324-bja10091","url":null,"abstract":"","PeriodicalId":518037,"journal":{"name":"The Soviet and Post-Soviet Review","volume":"31 3-4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140532847","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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