{"title":"SEA BROUGHT ONTO LAND: SEASCAPE IMAGERY IN THE CYCLADIC POTTERY FROM PHYLAKOPI (MELOS) IN THE NATIONAL ARCHAEOLOGICAL MUSEUM, ATHENS","authors":"Christopher Nuttall","doi":"10.1017/s0068245424000017","DOIUrl":"https://doi.org/10.1017/s0068245424000017","url":null,"abstract":"This study examines seascape depictions on pottery, including seafaring and sea creature scenes, from the 1896–9 excavations at Phylakopi on Melos, held in the National Archaeological Museum of Athens. This analysis demonstrates that seascape scenes varied in character through time and were typically associated with vessel shapes connected to the pouring of liquids between Early Cycladic (EC) III and Middle Cycladic late and were later focused on basins. A focus on seafaring is evident in EC III, while later the iconographic focus on the sea concentrates on sea creatures. An iconographic interest in the sea, alongside that of birds and floral depictions, is suggestive of an interest in living forms that inhabit different places to humans (i.e., non-domestic) with different corporeality to humans. This research contributes further to the growing debate on human–animal/plant relationships and ontologies in the Aegean Bronze Age.","PeriodicalId":517651,"journal":{"name":"The Annual of the British School at Athens","volume":"5 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140285524","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"ARCHAIC KNOSSOS, ARCHAEOLOGICAL NARRATIVES, AND CONSERVATISM IN CRETAN MATERIAL CULTURE","authors":"Grace Erny","doi":"10.1017/s0068245424000029","DOIUrl":"https://doi.org/10.1017/s0068245424000029","url":null,"abstract":"This study addresses a longstanding historical and archaeological problem at the central Cretan urban centre of Knossos. This is the so-called ‘Archaic gap’, an apparent dearth of evidence for sixth-century BCE material culture across the extensively excavated city. The concept of a pronounced Knossian decline or recession at this time has been reaffirmed in recent years, with widespread repercussions for Cretan archaeology. By reconsidering ceramics from the Royal Road North and Unexplored Mansion excavations, as well as situating these deposits within their urban and regional contexts, I question the epistemological foundations of the Knossian gap and provide new directions for identifying sixth-century Knossian material culture. I propose that the apparent ‘gap’ is a product of several factors: (1) a relative disinterest in imports in sixth-century Knossos, (2) a dispersed, rather than densely nucleated, urban settlement pattern, and (3) a previously unrecognised conservatism in Knossian ceramics, where some of the ‘Orientalising’ styles traditionally dated to the seventh century were retained into the sixth. This phenomenon of conservatism differs in important ways from the ‘restraint’ or ‘austerity’ that has been previously proposed as characteristic of Archaic and Classical Crete.","PeriodicalId":517651,"journal":{"name":"The Annual of the British School at Athens","volume":"71 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140444747","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"MULTIMEDIA AT MINOAN MYRTOS–PYRGOS, CRETE","authors":"Judith Weingarten, Silvia Ferrara, Gerald Cadogan","doi":"10.1017/s0068245423000114","DOIUrl":"https://doi.org/10.1017/s0068245423000114","url":null,"abstract":"The Minoan settlement of Myrtos–Pyrgos on the south coast of Crete has produced five seals (and one unfinished seal), 11 seal impressions on clay vessels, two roundels and one nodulus, as well as two Linear A tablets and two inscriptions on clay vessels. Dating between Early Minoan II and Late Minoan IB, these documents form valuable evidence for the development of sealing, marking and writing practices at a small but important rural settlement, including a penchant for using antique seals for stamping jars. They contribute too to understanding the regional hierarchical and, probably, political cultures of Crete throughout this long period, especially in the late Protopalatial phase of Middle Minoan IIB, when there seems to have been a special relationship with Malia on the north coast, and again in Late Minoan IB, when there was a relationship with Knossos. Finally, the paper discusses a pithos fragment from Tel Haror in Israel, which appears to have an inscription in Cretan Hieroglyphic or Linear A, and may well have been a product of Myrtos or nearby.","PeriodicalId":517651,"journal":{"name":"The Annual of the British School at Athens","volume":"11 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140494664","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"THE EARLY BRONZE AGE CEMETERY AT ÇEŞME–BOYALIK IN COASTAL WESTERN ANATOLIA","authors":"Vasıf Şahoğlu","doi":"10.1017/s0068245423000102","DOIUrl":"https://doi.org/10.1017/s0068245423000102","url":null,"abstract":"Early Bronze Age burial practices in western Anatolia have been much discussed, and the general developmental stages of these traditions have been defined by scholars over the course of years. The first half of the third millennium sees the use of a variety of grave types, namely, stone cist, pithos and simple pit burials; meanwhile, during the second half of the millennium, pithos burials seem to predominate. Short-term rescue excavations at Boyalık, in Çeşme District, Izmir Province, reveal the presence of a new type of burial tradition in coastal western Anatolia dating to the middle of the third millennium BC. The cemetery revealed the use of rock-cut chamber tombs for the first time in this region. This paper presents the unique graves and their finds from Boyalık cemetery and discusses the implications of this new tradition for the third-millennium archaeology of the wider Aegeo-Anatolian region.","PeriodicalId":517651,"journal":{"name":"The Annual of the British School at Athens","volume":"126 7","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140493540","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"THE SWORD IS A PLOUGHSHARE? INTERPRETING THE ‘ARMED WOMAN’ IN LATE BRONZE AGE AEGEAN ART","authors":"Stephen O'Brien","doi":"10.1017/s0068245423000126","DOIUrl":"https://doi.org/10.1017/s0068245423000126","url":null,"abstract":"Despite Late Bronze Age Aegean art containing a number of depictions of armed women, unacknowledged preconceptions about gender continue to divert thoughts away from past women exercising violent or coercive power, and thus affecting significantly our understanding of Late Bronze Age Aegean societies in general. This paper examines the depiction of armed women in the art of the Late Bronze Age Aegean and considers how previous generations of researchers have chosen to interpret it. The author then uses recent developments in gender theory and political theory to suggest that the connection of women to power needs to be reassessed.","PeriodicalId":517651,"journal":{"name":"The Annual of the British School at Athens","volume":"5 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140493933","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}