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Early Sound Recordings: Academic Research and Practice. Eva Moreda Rodríguez and Inja Stanović 早期录音：学术研究与实践。伊娃-莫雷达-罗德里格斯和因贾-斯坦诺维奇
Music & Letters Pub Date : 2024-07-04 DOI: 10.1093/ml/gcae051
Adam Behan
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引用次数: 0
Mahler’s Symphony No. 1 in the Centre and on the Periphery 马勒第一交响曲的中心与边缘
Music & Letters Pub Date : 2024-04-03 DOI: 10.1093/ml/gcae026
Leah Batstone
{"title":"Mahler’s Symphony No. 1 in the Centre and on the Periphery","authors":"Leah Batstone","doi":"10.1093/ml/gcae026","DOIUrl":"https://doi.org/10.1093/ml/gcae026","url":null,"abstract":"\u0000 Following the end of his tenure with the Vienna Philharmonic in 1901, Gustav Mahler conducted more concerts than ever outside the imperial capital, including two performances of his Symphony No. 1 as part of the Philharmonic Society of Lemberg’s first season in 1903. In Lemberg, today the city of Lviv in western Ukraine, the symphony received an overall favourable and, perhaps unknowingly, perceptive critical reception, in contrast to the notoriously harsh reviews penned by critics in Vienna three years earlier. As a means of exploring such different responses in the centre and on the periphery of the Habsburg empire, I suggest that a common language of pluralities, which Mahler shared with the region of Galicia’s quotidian heterogeneity and emerging modernist movements, allowed the Leopolitan public to be ahead of Vienna in their openness to the early modernist modes of expression that would soon dominate European culture.","PeriodicalId":508035,"journal":{"name":"Music & Letters","volume":"282 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140750664","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
George Herbert and Early Modern Musical Culture. Jackson Simon 乔治-赫伯特与早期现代音乐文化杰克逊-西蒙
Music & Letters Pub Date : 2024-02-17 DOI: 10.1093/ml/gcae018
Peter Walls
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引用次数: 0
Music in Twentieth-Century Oxford: New Directions. Robin Darwall-Smith and Susan Wollenberg 二十世纪牛津的音乐：新方向》。罗宾-达沃尔-史密斯和苏珊-沃伦伯格
Music & Letters Pub Date : 2024-02-16 DOI: 10.1093/ml/gcae019
David C H Wright
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引用次数: 0
Genealogies of Music and Memory: Gluck in the 19th-Century Parisian Imagination. Mark Everist 音乐与记忆的谱系：19 世纪巴黎想象中的格鲁克。马克-埃弗里斯特
Music & Letters Pub Date : 2024-02-16 DOI: 10.1093/ml/gcae014
William Gibbons
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引用次数: 0
The Music of Frederick Delius: Style, Form and Ethos. Jeremy Dibble 弗雷德里克-德柳斯的音乐：风格、形式与伦理杰里米-迪布尔
Music & Letters Pub Date : 2024-02-16 DOI: 10.1093/ml/gcae012
A. Gritten
{"title":"The Music of Frederick Delius: Style, Form and Ethos. Jeremy Dibble","authors":"A. Gritten","doi":"10.1093/ml/gcae012","DOIUrl":"https://doi.org/10.1093/ml/gcae012","url":null,"abstract":"","PeriodicalId":508035,"journal":{"name":"Music & Letters","volume":"58 21","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139960935","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Madama Butterfly/Madamu Batafurai: Transpositions of a ‘Japanese Tragedy’. Arthur Groos 蝴蝶夫人》/《巴塔弗莱夫人》：日本悲剧 "的转述。阿瑟-格鲁斯
Music & Letters Pub Date : 2024-02-16 DOI: 10.1093/ml/gcae017
W. A. Sheppard
{"title":"Madama Butterfly/Madamu Batafurai: Transpositions of a ‘Japanese Tragedy’. Arthur Groos","authors":"W. A. Sheppard","doi":"10.1093/ml/gcae017","DOIUrl":"https://doi.org/10.1093/ml/gcae017","url":null,"abstract":"","PeriodicalId":508035,"journal":{"name":"Music & Letters","volume":"30 43","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139962392","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Music and Musicians at the Collegiate Church of St Omer: Crucible of Song, 1350–1550. Andrew Kirkman 圣奥马尔学院教堂的音乐和音乐家：歌曲的熔炉，1350-1550 年。安德鲁-柯克曼
Music & Letters Pub Date : 2024-02-15 DOI: 10.1093/ml/gcae016
Grantley McDonald
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引用次数: 0
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