{"title":"On the use of the local reflection coefficient to assess the diffuse field sound absorption coefficient of a porous material","authors":"F. Sgard, N. Atalla, Olivier Robin","doi":"10.3389/facou.2024.1414356","DOIUrl":"https://doi.org/10.3389/facou.2024.1414356","url":null,"abstract":"The diffuse field sound absorption coefficient (SAC) of a sound absorber can be obtained from an average over the incidence angles of the oblique incidence plane wave SAC. The plane wave SAC can be derived from the plane wave complex-valued reflection coefficient defined as the ratio of the reflected sound pressure at a given point on the material surface to the incident sound pressure at the same point. In practice, the material is excited by a monopole, and the reflection coefficient becomes a local quantity which is a function of the source height and the radial distance from the source. This local reflection coefficient obtained at various points on the material surface is commonly used to approximate the oblique incidence plane wave reflection coefficient. The error in estimating the diffuse field SAC introduced by this approximation has not been explored in the literature. This paper investigates this error as a function of the material extent, thickness, and source height using an analytical approach to calculate the local reflection coefficient. The calculation is based on Allard’s model which describes the sound propagation above an infinite lateral extent porous material backed by a rigid wall and excited by a monopole. Using finite element simulations as a reference, the analytical model is shown to provide a good approximation of the diffuse field sound absorption performance of sufficiently large material areas. The diffuse field SAC calculated from plane wave reflection coefficients and local reflection coefficient are compared. The limitations inherent in deriving diffuse field SACs from local reflection measurements obtained with a monopole are highlighted.","PeriodicalId":507253,"journal":{"name":"Frontiers in Acoustics","volume":"26 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141799451","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Mara Münder, Gregor-Johannes Müller, Marius Raab, C. Carbon
{"title":"Unfolding dynamics in the perception of interior vehicle acoustics via continuous evaluation procedure (CEP)","authors":"Mara Münder, Gregor-Johannes Müller, Marius Raab, C. Carbon","doi":"10.3389/facou.2024.1423168","DOIUrl":"https://doi.org/10.3389/facou.2024.1423168","url":null,"abstract":"The evaluation of a soundscape is a challenging task as the object of study is not a stationary event of sensation but rather a dynamic and complex scene stretching over a specific period. To do justice to the time dimension in such acoustic scenes, we utilized the Continuous Evaluation Procedure (CEP). Extending common standard instruments asking participants for a singular integral at the end of the sound experience (e.g., on a rating scale), the participants in this study were enabled to continuously evaluate the evolving acoustic scene of accelerating electrified vehicles (EVs) using CEP. With the increasing electrification of powertrains in the automotive industry, acoustic engineers face the challenge of defining innovative sounds using the availabilities of now low-noise emission platforms of EVs that deviate in their noise profiles from familiar but technologically outdated internal combustion engine vehicles (ICEVs), which have defined the general sound schemes for more than a century. To capture dynamic aspects in the quality perception of powertrain noise in EVs, we asked 37 participants to evaluate acoustic recordings of different vehicles in varying acceleration modes in a high-quality three-dimensional (3D) acoustic simulator. Thereby, we revealed much more detailed and time-dependent quality aspects, which do not come forth in an integral singular measure (ISM) where all impressions experienced during the ongoing acoustic scene are blended together. We, therefore, propagate the systematic application of the CEP method when it comes to the qualitative evaluation of transient acoustic scenes. CEP opens the great opportunity to unfold, detect, and analyze dynamic effects in soundscapes and noise profiles, but of any kind of acoustic signal.","PeriodicalId":507253,"journal":{"name":"Frontiers in Acoustics","volume":"112 40","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141666859","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}