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A Discursive Engagement of Ideological Issues in Ilaje Zionist Gospel Songs: Lekan Remilekun-Amos and Debo Ojubuyi as Exemplars Ilaje 犹太复国主义福音歌曲中意识形态问题的话语参与：以 Lekan Remilekun-Amos 和 Debo Ojubuyi 为范例
Muziki Pub Date : 2024-04-29 DOI: 10.1080/18125980.2024.2318462
Temitope Michael Ajayi, Temidayo Akinrinlola
{"title":"A Discursive Engagement of Ideological Issues in Ilaje Zionist Gospel Songs: Lekan Remilekun-Amos and Debo Ojubuyi as Exemplars","authors":"Temitope Michael Ajayi, Temidayo Akinrinlola","doi":"10.1080/18125980.2024.2318462","DOIUrl":"https://doi.org/10.1080/18125980.2024.2318462","url":null,"abstract":"The ideological practices of Christian groups in Nigeria and beyond, as evident in their songs, have received considerable attention from scholars across disciplines, including linguists. However, ...","PeriodicalId":501338,"journal":{"name":"Muziki","volume":"38 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141502556","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Visually Challenged Visionary: Paul Matavire and the Love Song in Zimbabwe 一位视觉障碍的远见卓识者：保罗-马塔维尔与津巴布韦情歌
Muziki Pub Date : 2024-04-19 DOI: 10.1080/18125980.2024.2323053
Benjamin Mudzanire, Justice Musingarimi
{"title":"A Visually Challenged Visionary: Paul Matavire and the Love Song in Zimbabwe","authors":"Benjamin Mudzanire, Justice Musingarimi","doi":"10.1080/18125980.2024.2323053","DOIUrl":"https://doi.org/10.1080/18125980.2024.2323053","url":null,"abstract":"Arguably, no artiste in Zimbabwe has deployed more energy, expressive eloquence, and controversy on the theme of love than the verbally pyrotechnic Paul Matavire. Self-christened Dr Love, courtesy ...","PeriodicalId":501338,"journal":{"name":"Muziki","volume":"9 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140628966","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Traditional Senegalese Music: Its Significance and the Need to Preserve It 塞内加尔传统音乐：其意义和保护的必要性
Muziki Pub Date : 2024-04-19 DOI: 10.1080/18125980.2024.2317931
Brett D. Molter
{"title":"Traditional Senegalese Music: Its Significance and the Need to Preserve It","authors":"Brett D. Molter","doi":"10.1080/18125980.2024.2317931","DOIUrl":"https://doi.org/10.1080/18125980.2024.2317931","url":null,"abstract":"This qualitative study applied ethnographic and grounded theory methods to answer the central research question: How do participants understand and explain the significance of music within various ...","PeriodicalId":501338,"journal":{"name":"Muziki","volume":"83 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140624610","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Orchestral Conductors as Transformational Leaders: Preferences of Professional Instrumentalists in South Africa 管弦乐队指挥作为变革型领导者：南非专业乐器演奏家的偏好
Muziki Pub Date : 2024-04-19 DOI: 10.1080/18125980.2024.2317933
Michael Barrett, Schalk van der Merwe
{"title":"Orchestral Conductors as Transformational Leaders: Preferences of Professional Instrumentalists in South Africa","authors":"Michael Barrett, Schalk van der Merwe","doi":"10.1080/18125980.2024.2317933","DOIUrl":"https://doi.org/10.1080/18125980.2024.2317933","url":null,"abstract":"This article explores the preferences of professional South African instrumentalists concerning the transformational leadership behaviours displayed by orchestral conductors. Quantitative and quali...","PeriodicalId":501338,"journal":{"name":"Muziki","volume":"3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140624763","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“The Girl Next Door”: A Semantic Lyrical Analysis of Zahara’s Songs “Destiny” and “Rise Again” "邻家女孩扎哈拉歌曲 "命运 "和 "再次崛起 "的语义抒情分析
Muziki Pub Date : 2024-04-19 DOI: 10.1080/18125980.2024.2337643
Mlamli Diko
{"title":"“The Girl Next Door”: A Semantic Lyrical Analysis of Zahara’s Songs “Destiny” and “Rise Again”","authors":"Mlamli Diko","doi":"10.1080/18125980.2024.2337643","DOIUrl":"https://doi.org/10.1080/18125980.2024.2337643","url":null,"abstract":"This article applies semantic lyrical evaluation to two songs by the South African singer and songwriter, Bulelwa Mkutukana, popularly known as Zahara. The choice of these two songs is driven by he...","PeriodicalId":501338,"journal":{"name":"Muziki","volume":"26 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140624824","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“I Am Not a Church Person!” Gendered Cultural Politics in the Portrayal of Fungisai Zvakavapano-Mashavave on Social Media in Zimbabwe "我不是教会的人！津巴布韦社交媒体上对 Fungisai Zvakavapano-Mashavave 的描述中的性别文化政治
Muziki Pub Date : 2024-04-19 DOI: 10.1080/18125980.2024.2321334
Wonder Maguraushe
{"title":"“I Am Not a Church Person!” Gendered Cultural Politics in the Portrayal of Fungisai Zvakavapano-Mashavave on Social Media in Zimbabwe","authors":"Wonder Maguraushe","doi":"10.1080/18125980.2024.2321334","DOIUrl":"https://doi.org/10.1080/18125980.2024.2321334","url":null,"abstract":"Women musicians in Zimbabwe continue to be subjugated because there are residual patriarchal attitudes driven by religion and cultural norms and values. This article discusses the nexus between cul...","PeriodicalId":501338,"journal":{"name":"Muziki","volume":"16 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140628976","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Exploring Music Performance Practices in the Zimbabwe Republic Police 探索津巴布韦共和国警察的音乐表演实践
Muziki Pub Date : 2024-04-18 DOI: 10.1080/18125980.2024.2317929
Patson Manyame, Richard Muranda
{"title":"Exploring Music Performance Practices in the Zimbabwe Republic Police","authors":"Patson Manyame, Richard Muranda","doi":"10.1080/18125980.2024.2317929","DOIUrl":"https://doi.org/10.1080/18125980.2024.2317929","url":null,"abstract":"The study explored the music performance practices in the Zimbabwe Republic Police (ZRP). The authors examined musical practices envisioned in the ZRP from colonial times to date. The ZRP music sec...","PeriodicalId":501338,"journal":{"name":"Muziki","volume":"87 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140624823","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reading Praise, Protest, and Subversion in Thomas Wasonga's Tawala Kenya Tawala 阅读托马斯·瓦松加的《塔瓦拉》中的赞美、抗议与颠覆
Muziki Pub Date : 2023-11-28 DOI: 10.1080/18125980.2023.2265071
Ernest Patrick Monte
{"title":"Reading Praise, Protest, and Subversion in Thomas Wasonga's Tawala Kenya Tawala","authors":"Ernest Patrick Monte","doi":"10.1080/18125980.2023.2265071","DOIUrl":"https://doi.org/10.1080/18125980.2023.2265071","url":null,"abstract":"Throughout Kenya's history, patriotic music has created and fostered community, and continues to sensitise people's needs, hopes, aspirations, and fears. Patriotic music is often evident and popula...","PeriodicalId":501338,"journal":{"name":"Muziki","volume":"42 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138523461","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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