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Parada Erika Satiego w perspektywie intermedialnej według teorii Wernera Wolfa 韦尔纳-沃尔夫理论中的跨媒体视角下的埃里克-萨蒂阅兵式
Kwartalnik Młodych Muzykologów UJ Pub Date : 2023-11-01 DOI: 10.4467/23537094kmmuj.22.016.18105
Anna Rusin
{"title":"Parada Erika Satiego w perspektywie intermedialnej według teorii Wernera Wolfa","authors":"Anna Rusin","doi":"10.4467/23537094kmmuj.22.016.18105","DOIUrl":"https://doi.org/10.4467/23537094kmmuj.22.016.18105","url":null,"abstract":"Erik Satie’s Parade in the Perspective of Intermediality as per Werner Wolf’s Theory: Parade by Erik Satie, Jean Cocteau, and Pablo Picasso created in 1917 was pro- claimed the first surrealistic ballet, the cubist manifesto and succès de scandale. The article aims to examine the intermedial relations between the media that constitute the oeuvre regarding Werner Wolf’s typology of intermediality. The context of the analysis is provided by avant-garde movements that emerged in arts at the turn of the 20th century and determined the phenomena occurring within particular media. As a result, in the transmedial dimension, the impact of metalepsis can be observed. It leads to the disturbance in the narrative structure arising from the assumptions in a ballet scenario.","PeriodicalId":475031,"journal":{"name":"Kwartalnik Młodych Muzykologów UJ","volume":"48 6","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135566708","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Jan Rakowski (1898–1962) – spiritus movens violi d’amore w Polsce 扬-拉科夫斯基（Jan Rakowski，1898-1962 年）--波兰 spiritus movens 中提琴演奏家
Kwartalnik Młodych Muzykologów UJ Pub Date : 2023-11-01 DOI: 10.4467/23537094kmmuj.22.015.18104
Ewa Pilarska-Banaszak
{"title":"Jan Rakowski (1898–1962) – spiritus movens violi d’amore w Polsce","authors":"Ewa Pilarska-Banaszak","doi":"10.4467/23537094kmmuj.22.015.18104","DOIUrl":"https://doi.org/10.4467/23537094kmmuj.22.015.18104","url":null,"abstract":"Jan Rakowski (1898–1962): Viola D'amore Spiritus Movens in Poland: The aim of the article is to present the profile of the outstanding Polish musician Jan Rakowski. His artistic activities were related to playing the viola and viola d'amore, which was completely unknown at that time. The author describes the use of viola d'amore in Poland until the end of the 19th century, and outlines its popularity in Western Europe and the United States. In order to reliably present the figure of Jan Rakowski, press excerpts about his achievements concerning playing the viola d’amore are presented. This leads to the assessment of his activity. An important element of the work is a reference to Stefan Bolesław Poradowski’s composition, Concerto for viola d’amore and string orchestra, and drawing attention to the problem with the dating and titling of the work.","PeriodicalId":475031,"journal":{"name":"Kwartalnik Młodych Muzykologów UJ","volume":"138 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135566303","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Stopy metryczne jako jednostki kształtujące przebieg utworu fortepianowego 以节拍脚为单位塑造钢琴曲的进程
Kwartalnik Młodych Muzykologów UJ Pub Date : 2023-11-01 DOI: 10.4467/23537094kmmuj.22.014.18103
Karol Knapiński
{"title":"Stopy metryczne jako jednostki kształtujące przebieg utworu fortepianowego","authors":"Karol Knapiński","doi":"10.4467/23537094kmmuj.22.014.18103","DOIUrl":"https://doi.org/10.4467/23537094kmmuj.22.014.18103","url":null,"abstract":"Metric Feet as Units Shaping the Course of a Piano Piece: In this paper, I make an attempt to present the analytical possibilities offered by using metric feet as units that shape the course of a (piano) piece. This approach results from cognitive studies that clearly show that the perception of auditory events is based on grouping them into larger units on the basic strong–weak axis. In this approach, the foot is a scheme of one strong sound and one or two weak sounds (in different combinations) that repeats regularly in the course of the work. In this article, I present the most common ways of distinguishing strong sounds: using duration, dynamics, and pitch (features derived analogously from language, distinguishing strong syllables from the speech stream) and characterising the most common feet.","PeriodicalId":475031,"journal":{"name":"Kwartalnik Młodych Muzykologów UJ","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135566707","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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