The Pornography Controversy最新文献

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Pornographic Theaters Off Times Square 时代广场外的色情剧院
The Pornography Controversy Pub Date : 2020-02-13 DOI: 10.4324/9780429339264-10
Joseph P. Slade
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引用次数: 0
Pornography — Raging Menace or Paper Tiger? 色情——愤怒的威胁还是纸老虎?
The Pornography Controversy Pub Date : 2020-02-13 DOI: 10.4324/9780429339264-7
J. Gagnon, W. Simon
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引用次数: 0
Polity, Politics and Social Research: A Study in the Relationship of Federal Commissions and Social Science 政治、政治与社会研究:联邦委员会与社会科学关系研究
The Pornography Controversy Pub Date : 2020-02-13 DOI: 10.4324/9780429339264-18
R. Rist
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引用次数: 0
Moral Principles Towards a Definition of the Obscene 淫秽定义的道德原则
The Pornography Controversy Pub Date : 2020-02-13 DOI: 10.2307/1190286
H. Gardiner
{"title":"Moral Principles Towards a Definition of the Obscene","authors":"H. Gardiner","doi":"10.2307/1190286","DOIUrl":"https://doi.org/10.2307/1190286","url":null,"abstract":"The problem proposed for discussion in this paper is, it seems to me-though I suppose I am egotistical to say it-the core problem of this symposium. It is all very well, of course, and most desirable that some agreement be reached as to what constitutes the obscene, and that a set of standards be evolved which will both safeguard the community and, at the same time, preserve individual freedom and the due process of the law, upon which, to a large measure, the protection of the civil society depends. But such safeguards and procedures will be but ephemeral things if they do not rest on some permanent basis of moral principle. So, too, must individual freedom, if it is not to be a thing protected today and endangered tomorrow, find its stability on the moral basis of the dignity of man. Hence, in trying to formulate moral principles by which the obscene can be determined, we are at the nub of the whole matter. If, perhaps, I do not quite succeed in setting that nub forth in the clear light and with the persuasive force which it is capable of sustaining, let it be said at once that that is not because of the inexplicable density of the subject, but rather because of the fact that I am not a theologian in the sense of being engaged full-time in theological teaching or research, and second, because of the contributing factor that I shall, to some extent, be speaking a language that may be somewhat opaque to many readers. I shall try, however, to avoid, as far as I may, any \"moralese\"-the professional jargon of the textbooks-and to phrase my observations in the language of ordinary life. That the editors of this symposium have been very much alive to the timeliness of the problem is perhaps demonstrated by the fact that last summer (June 28-30, I954), the Catholic Theological Society of America, meeting in convention in Montreal, devoted one of its panel sessions to a discussion of this very topic, \"Moral Principles for Discerning the Obscene.\" I was honored to be invited to read the paper and lead the ensuing discussion; and I should like to assure those readers who entertain the notion that Catholic theologians confine their discussions to fine-spun elucubrations concerning angels and needle-points that they would have been agreeably surprised at the practical nature of the two-hour question-and-answer period that followed the reading of the paper. The panel and its conclusions are reported in full in the proceedings of the Ninth Annual Convention;' and some of this present paper will be in the nature of an expansion of what is contained in that report. CATHOLIC THEOLOGICAL SOCIETY OF AMERICA, PROCEEDINGS OF THE NINTH ANNUAL CONVENTION 127-39 (I954). *S.T.L. I935, Woodstock College (Md.); Ph.D. 1941, Cambridge University. Literary Editor, America, National Catholic weekly, since I940. Author, TENETS FOR READERS AND REVIEWERS (1942); MYSTERIES' END (I945); NORMS FOR THE NOVEL (1953); Editor, THE GREAT BOOKS: A CHRISTIAN APPRAISAL (4 volumes, 1947-195","PeriodicalId":440438,"journal":{"name":"The Pornography Controversy","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-02-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128494993","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
The Pleasures of Commodity, or How to Make the World Safe for Pornography 商品的乐趣,或如何使世界对色情安全
The Pornography Controversy Pub Date : 2020-02-13 DOI: 10.2307/4610982
Peter Michelson
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引用次数: 1
Obscenity as an Esthetic Category 淫秽作为审美范畴
The Pornography Controversy Pub Date : 2020-02-13 DOI: 10.2307/1190285
A. Kaplan
{"title":"Obscenity as an Esthetic Category","authors":"A. Kaplan","doi":"10.2307/1190285","DOIUrl":"https://doi.org/10.2307/1190285","url":null,"abstract":"My problem is not what to do about obscenity, but what to make of it. Control over the arts in this country-whether by official power or by unofficial influencerests largely on allegations of obscenity. But patterns of social control cannot reasonably be appraised without some conception of what it is that is being controlled. Accordingly, I ask what constitutes obscenity in relation to the arts: Can a work of art be obscene and still be esthetic in status and function? What part, if any, does the obscene play in the esthetic experience? What characteristics of the art object mark its occurrence? These questions are meant as belonging to the philosophy of art, not to its psychology or sociology. To answer them is not to assert matters of fact, but to clarify relations of ideas. Such a clarification must take facts into account, of course-but its outcome, if successful, is a clear conception rather than a true proposition. Still less does an answer to these questions entail a social policy or a procedure for implementing policy. I do not pretend that the distinctions to be drawn in this essay can be directly applied in a court of law. I shall be content if they throw light on the problem of obscenity for the artist, his audience, and the critic who interprets each to the other.","PeriodicalId":440438,"journal":{"name":"The Pornography Controversy","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-02-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129851185","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 7
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