Sound, Music, Affect最新文献

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Introduction: Somewhere between the signifying and the sublime 引言:介于象征和崇高之间
Sound, Music, Affect Pub Date : 2013-04-25 DOI: 10.5040/9781501382871.0006
Marie Thompson, Ian Biddle
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引用次数: 29
So transported: Nina Simone, ‘My Sweet Lord’ and the (un)folding of affect 如此飘飘然:妮娜·西蒙,《我的甜蜜领主》和情感的折叠
Sound, Music, Affect Pub Date : 2013-02-28 DOI: 10.5040/9781501382871.ch-004
Richard Elliott
{"title":"So transported: Nina Simone, ‘My Sweet Lord’ and the (un)folding of affect","authors":"Richard Elliott","doi":"10.5040/9781501382871.ch-004","DOIUrl":"https://doi.org/10.5040/9781501382871.ch-004","url":null,"abstract":"This chapter is based around an analysis of Nina Simone’s recorded performance of George Harrison’s ‘My Sweet Lord’. The initial analysis develops into an exploration of the recorded ‘representations’ of Nina Simone’s performances, the gap between affect and representation, and the ways in which representations produce their own affects. It draws from theories of the eventual, the transformative and the affective as outlined by Alain Badiou, J. L. Austin and Brian Massumi. It also makes reference to what Kathleen Stewart calls 'ordinary affects' in order to highlight the formative strategies of religious and/or ritualistic affect that can be found in Simone’s work. In doing so, it explores the sometimes conflicting, sometimes complimentary modulations between the evental and the everyday that are played out in recorded performances. The chapter is written as a series of ‘channels’, which are intended to represent spaces of flow which can be thought of in sonic terms alongside complimentary metaphors such as streams, currents and eddies. The first half is written from a series of fixed perspectives, while the second is crafted to reflect the themes under discussion, in particular the notions of folding, unfolding and refolding. Where scholarly analysis typically refolds the unfolding it has undertaken in order to present its findings as a coherent whole, as something always already known, the purpose here is to leave part of the story unfolded as both provocation and as exposition of the layers at work in any serious analysis of affect.","PeriodicalId":424900,"journal":{"name":"Sound, Music, Affect","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127818778","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Spread the Virus : Affective prophecy in industrial music 传播病毒:工业音乐中的情感预言
Sound, Music, Affect Pub Date : 1900-01-01 DOI: 10.5040/9781501382871.ch-007
D. Lockwood
{"title":"Spread the Virus : Affective prophecy in industrial music","authors":"D. Lockwood","doi":"10.5040/9781501382871.ch-007","DOIUrl":"https://doi.org/10.5040/9781501382871.ch-007","url":null,"abstract":"The ‘industrial’ music of British post-punk band, Cabaret Voltaire, exemplified an experimental ‘street’ attitude to sound and music which reflexively appropriated elements of both popular and avant-garde techniques and styles in imagining, and rendering audible, a new, post-industrial world and society of control. It was a kind of clairaudience constituted by a contagious encounter, the capture and mapping of affective flows of the late twentieth-century mediascape. A noise music such as industrial is neither plagiaristic nor precursive, but rather a space in medias res, immanent, sandwiched between actual identities, a space in which the ‘outside’ is prophetically folded into the world. In Cabaret Voltaire’s music a map of the future was sounded which was attuned to incipient metamorphosis, a mutation of capitalism and other vital stirrings in the world.","PeriodicalId":424900,"journal":{"name":"Sound, Music, Affect","volume":"88 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123625117","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 5
Non-cochlear sound: On affect and exteriority 非耳蜗声:论情感与外在
Sound, Music, Affect Pub Date : 1900-01-01 DOI: 10.5040/9781501382871.ch-001
Will Schrimshaw
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引用次数: 19
Quiet sounds and intimate listening: The politics of tiny seductions 安静的声音和亲密的倾听:微小诱惑的政治
Sound, Music, Affect Pub Date : 1900-01-01 DOI: 10.5040/9781501382871.ch-012
Ian Biddle
{"title":"Quiet sounds and intimate listening: The politics of tiny seductions","authors":"Ian Biddle","doi":"10.5040/9781501382871.ch-012","DOIUrl":"https://doi.org/10.5040/9781501382871.ch-012","url":null,"abstract":"","PeriodicalId":424900,"journal":{"name":"Sound, Music, Affect","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125192998","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
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