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Acrobatic Modernism from the Avant-Garde to Prehistory最新文献

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Afterword 后记
Acrobatic Modernism from the Avant-Garde to Prehistory Pub Date : 2020-03-12 DOI: 10.1093/oso/9780198833949.003.0010
Jed Rasula
{"title":"Afterword","authors":"Jed Rasula","doi":"10.1093/oso/9780198833949.003.0010","DOIUrl":"https://doi.org/10.1093/oso/9780198833949.003.0010","url":null,"abstract":"On 17 December 2016, I had the good fortune to see a video installation at the Park Avenue Armory in New York City. Written, directed, and produced by Julian Rosefeldt, largely in and around Berlin, Manifesto staged thirteen scenarios—simultaneously looped on massive screens in the cavernous armory—in which extracts from nearly seventy avant-garde manifestos were performed by Cate Blanchett, featured in thirteen strikingly different roles. Her virtuosity redeployed even the most emphatic manifesto rhetoric into monologues that seem spontaneously uttered in a series of vivid locales, ranging from a cemetery to a fertilizer factory, a film studio, a drab apartment block, a former Olympic village, a puppet workshop, a recycling facility, and more. Blanchett, in effect, perpetuates the spirit of Fernando Pessoa, as if she were embodying heteronyms, not playing roles. ...","PeriodicalId":422876,"journal":{"name":"Acrobatic Modernism from the Avant-Garde to Prehistory","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117082821","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Multiplied Man 增加的人
Acrobatic Modernism from the Avant-Garde to Prehistory Pub Date : 2020-03-12 DOI: 10.1093/oso/9780198833949.003.0007
Jed Rasula
{"title":"Multiplied Man","authors":"Jed Rasula","doi":"10.1093/oso/9780198833949.003.0007","DOIUrl":"https://doi.org/10.1093/oso/9780198833949.003.0007","url":null,"abstract":"The title of this chapter comes from Marinetti’s uomo moltiplicato, a rallying cry for Italian Futurism. The artifice of optimism is here arrayed in a carnival procession or roll call of name changes, names in flux in the sprawl of pseudonyms endemic in modernism. The supreme instance of this phenomenon is Portuguese poet Fernando Pessoa with his host of heteronyms, alternate identities with their own unique practices. The case of Pessoa illustrates and affirms Nietzsche’s hypothesis of the subject as multiple, appraised by William Butler Yeats as “the emotion of multitude.” The pseudonyms and heteronyms populate the modern arts as if “making it new” commenced with the proper name.","PeriodicalId":422876,"journal":{"name":"Acrobatic Modernism from the Avant-Garde to Prehistory","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124543227","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The New Mythology 新神话
Acrobatic Modernism from the Avant-Garde to Prehistory Pub Date : 2020-03-12 DOI: 10.1093/oso/9780198833949.003.0008
Jed Rasula
{"title":"The New Mythology","authors":"Jed Rasula","doi":"10.1093/oso/9780198833949.003.0008","DOIUrl":"https://doi.org/10.1093/oso/9780198833949.003.0008","url":null,"abstract":"After the Great War, the emerging values in art were purification and organization. Furthermore, Constructivism emerged in the early USSR as a determined effort to rethink the role of art in the milieu of a social tabula rasa. Artistic attempts to reconstitute primal qualities were linked with the effort to revitalize art by vanquishing “Art” altogether. The quest for a new realism affirmed the primal qualities in art as abstract or concrete, the terms of which were recapitulated in the 1936 publication Circle. Contemporaneously, Finnegans Wake was being serialized in the journal Transition, and James Joyce’s “Work in Progress” came to exemplify a new mythology for all the arts. The chapter concludes with a look at the exponents of abstraction and Surrealism in their American exile during the Second World War, as these opposing initiatives began to merge in their quest for a new mythology.","PeriodicalId":422876,"journal":{"name":"Acrobatic Modernism from the Avant-Garde to Prehistory","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116612268","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Jazzbandism
Acrobatic Modernism from the Avant-Garde to Prehistory Pub Date : 2020-03-12 DOI: 10.1093/oso/9780198833949.003.0006
Jed Rasula
{"title":"Jazzbandism","authors":"Jed Rasula","doi":"10.1093/oso/9780198833949.003.0006","DOIUrl":"https://doi.org/10.1093/oso/9780198833949.003.0006","url":null,"abstract":"A paramount example of “making it new” in the early twentieth century was the unprecedented global phenomenon of jazz. This chapter chronicles the impact of jazz, understood not strictly as music but as agent of American modernity as the implacable engine of the new. During the Twenties a reciprocity between modernism and jazz was taken for granted; jazz was lifestyle modernism. In Europe jazz was welcomed as a vehicle of postwar revitalization. In America it was denounced as a fad or craze, albeit defended by some as a new artform, along with film, comics, vaudeville, and other popular entertainments. Debates about folk authenticity versus commercial exploitation, primitivism versus the ultra-modern, as well as racial and cultural purity swarmed around jazz for more than a decade. It also became a surrogate subject for modernism in music, with Stravinsky held up as avatar of all things progressive and/or regressive—and, it was assumed, a spawn of jazz.","PeriodicalId":422876,"journal":{"name":"Acrobatic Modernism from the Avant-Garde to Prehistory","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122921795","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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