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Japanese Horror Cinema and Deleuze最新文献

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Conclusion: Reconceptualizations of Japanese horror and beyond 总结:对日本恐怖的重新定义
Japanese Horror Cinema and Deleuze Pub Date : 1900-01-01 DOI: 10.5040/9781501368325.ch-c
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引用次数: 0
Introduction: A boom, a crash and a death rattle 一声轰隆，一声轰隆，一声轰隆，一声死亡
Japanese Horror Cinema and Deleuze Pub Date : 1900-01-01 DOI: 10.5040/9781501368325.ch-i
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引用次数: 0
Auteurship, adaptation and the molecularity of Audition (1999) 导演、改编与《试镜》的分子化(1999)
Japanese Horror Cinema and Deleuze Pub Date : 1900-01-01 DOI: 10.5040/9781501368325.ch-4
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引用次数: 0
The ‘any-space-whatever’, ‘becoming-woman’ and Ju-On: The Grudge (2002) 《任意空间》、《成为女人》和《朱安:怨恨》(2002)
Japanese Horror Cinema and Deleuze Pub Date : 1900-01-01 DOI: 10.5040/9781501368325.ch-3
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引用次数: 0
Theoretical transformations: The perspectives of Gilles Deleuze 理论转换:吉尔·德勒兹的观点
Japanese Horror Cinema and Deleuze Pub Date : 1900-01-01 DOI: 10.5040/9781501368325.ch-2
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引用次数: 0
Theoretical intersections: National, transnational and global flows and the Japanese horror genre 理论交叉点:国家，跨国和全球流动和日本恐怖类型
Japanese Horror Cinema and Deleuze Pub Date : 1900-01-01 DOI: 10.5040/9781501368325.ch-1
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引用次数: 0
Kairo (Pulse) (2001): Cosmicism and ‘becoming-machine’ 开罗(脉冲)(2001):宇宙主义和“成为机器”
Japanese Horror Cinema and Deleuze Pub Date : 1900-01-01 DOI: 10.5040/9781501368325.ch-5
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引用次数: 0
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