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Kinephanos: Revue d'études des médias et de culture populaire最新文献

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Incorporation et écologie sonore vidéoludiques : la marche sonore comme outil d’analyse 电子游戏的整合和声音生态:声音行走作为分析工具
Kinephanos: Revue d'études des médias et de culture populaire Pub Date : 1900-01-01 DOI: 10.7202/1082344ar
C. Meyer
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引用次数: 0
Immersion sous contrainte et écologie des territoires hostiles dans la série Metro : enjeux ludiques et affectifs de la pratique vidéoludique en milieu post-apocalyptique 《地铁》系列中敌对领土的约束和生态:后世界末日环境中电子游戏实践的乐趣和情感问题
Kinephanos: Revue d'études des médias et de culture populaire Pub Date : 1900-01-01 DOI: 10.7202/1082343ar
Guillaume Baychelier
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引用次数: 0
Immersion for Entangled Audiences: The Nonhuman World and Affective Patterning in Narrative Experiences 纠缠观众的沉浸:叙事经验中的非人类世界和情感模式
Kinephanos: Revue d'études des médias et de culture populaire Pub Date : 1900-01-01 DOI: 10.7202/1082341ar
Marco Caracciolo
{"title":"Immersion for Entangled Audiences: The Nonhuman World and Affective Patterning in Narrative Experiences","authors":"Marco Caracciolo","doi":"10.7202/1082341ar","DOIUrl":"https://doi.org/10.7202/1082341ar","url":null,"abstract":"The language of “immersion” in a fictional text lends itself to a dualistic reading that is, at best, unwelcome when attempting to think about narrative experiences ecologically. In this article, I argue for a model of narrative-audience interactions that privileges immersion as affective and temporal entanglement in stories over the containment model. I use Le quattro volte, a 2010 film by Italian director Michelangelo Frammartino, to exemplify this alternative understanding of audiences’ engagement with narrative and discuss its ramifications for recent work at the intersection of narrative theory and ecocriticism.","PeriodicalId":413877,"journal":{"name":"Kinephanos: Revue d'études des médias et de culture populaire","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123671010","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Éléments naturels et espaces immersifs dans les oeuvres de Doug Aitken à l’ère de l’Anthropocène 人类世时代道格·艾特肯作品中的自然元素和沉浸式空间
Kinephanos: Revue d'études des médias et de culture populaire Pub Date : 1900-01-01 DOI: 10.7202/1082345ar
Marie-Laure Delaporte
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引用次数: 0
Les modalités de captation d’attention dans l’art immersif à l’ère de l’anthropocène 人类世时代沉浸式艺术的注意力吸引模式
Kinephanos: Revue d'études des médias et de culture populaire Pub Date : 1900-01-01 DOI: 10.7202/1082346ar
Mehrez Abassi
{"title":"Les modalités de captation d’attention dans l’art immersif à l’ère de l’anthropocène","authors":"Mehrez Abassi","doi":"10.7202/1082346ar","DOIUrl":"https://doi.org/10.7202/1082346ar","url":null,"abstract":"Our attention, targeted by the hyperindustrial society (Bernard Stiegler) is the object of an economy (Yves Citton)","PeriodicalId":413877,"journal":{"name":"Kinephanos: Revue d'études des médias et de culture populaire","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126564178","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Shimmer et Chimère. Genre, transe et rimes à l’ère de l’anthropocène dans Annihilation de Jeff Vandermeer et Alex Garland 闪烁和奇美拉。杰夫·范德米尔和亚历克斯·加兰的《湮灭》中人类世时代的性别、恍惚和押韵
Kinephanos: Revue d'études des médias et de culture populaire Pub Date : 1900-01-01 DOI: 10.7202/1082342ar
Clément Hossaert
{"title":"Shimmer et Chimère. Genre, transe et rimes à l’ère de l’anthropocène dans Annihilation de Jeff Vandermeer et Alex Garland","authors":"Clément Hossaert","doi":"10.7202/1082342ar","DOIUrl":"https://doi.org/10.7202/1082342ar","url":null,"abstract":"","PeriodicalId":413877,"journal":{"name":"Kinephanos: Revue d'études des médias et de culture populaire","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116572377","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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