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Reenacting Shakespeare in the Shakespeare Aftermath最新文献

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Reenacting Shakespeare in the Shakespeare Aftermath 在莎士比亚的余波中再现莎士比亚
Reenacting Shakespeare in the Shakespeare Aftermath Pub Date : 2019-01-31 DOI: 10.1057/978-1-137-40482-4_1
Thomas Cartelli
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引用次数: 52
Channeling the Ghosts: The Wooster Group’s Remediation of the 1964 Electronovision Hamlet 引导幽灵:伍斯特集团对1964年电子电视版《哈姆雷特》的修正
Reenacting Shakespeare in the Shakespeare Aftermath Pub Date : 1900-01-01 DOI: 10.1057/978-1-137-40482-4_6
Thomas Cartelli
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引用次数: 12
Ghosts of History: Edward Bond’s Lear & Bingo and Heiner Müller’s Hamletmachine 历史的幽灵:爱德华·邦德的《李尔王与宾果》和海纳·米<e:1>勒的《哈姆雷特》
Reenacting Shakespeare in the Shakespeare Aftermath Pub Date : 1900-01-01 DOI: 10.1057/978-1-137-40482-4_3
Thomas Cartelli
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引用次数: 0
The Intermedial Turn and Turn to Embodiment 中间转向和转向化身
Reenacting Shakespeare in the Shakespeare Aftermath Pub Date : 1900-01-01 DOI: 10.1057/978-1-137-40482-4_2
Thomas Cartelli
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引用次数: 0
Coda: Mixed Reality—The Virtual Future and Return to Embodiment 结语:混合现实——虚拟的未来和回归化身
Reenacting Shakespeare in the Shakespeare Aftermath Pub Date : 1900-01-01 DOI: 10.1057/978-1-137-40482-4_9
Thomas Cartelli
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引用次数: 0
High-Tech Shakespeare in a Mediatized Globe: Ivo van Hove’s Roman Tragedies and the Problem of Spectatorship 高科技的莎士比亚在一个调解的全球:伊沃·凡·霍夫的罗马悲剧和观众的问题
Reenacting Shakespeare in the Shakespeare Aftermath Pub Date : 1900-01-01 DOI: 10.1057/978-1-137-40482-4_7
Thomas Cartelli
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引用次数: 0
States of Exception: Remembering Shakespeare Differently in Anatomie Titus, Forget Hamlet & Haider 例外的状态:在《解剖学的提图斯》中以不同的方式记住莎士比亚，忘掉哈姆雷特和海德尔
Reenacting Shakespeare in the Shakespeare Aftermath Pub Date : 1900-01-01 DOI: 10.1057/978-1-137-40482-4_4
Thomas Cartelli
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引用次数: 0
Peter Greenaway’s Montage of Attractions: Prospero’s Books and the Paratextual Imagination 彼得·格林纳威的《景点蒙太奇:普洛斯彼罗的书与超文本想象》
Reenacting Shakespeare in the Shakespeare Aftermath Pub Date : 1900-01-01 DOI: 10.1057/978-1-137-40482-4_5
Thomas Cartelli
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引用次数: 0
Disassembly, Meaning-Making and Montage in Annie Dorsen’s A Piece of Work and Péter Lichter and Bori Máté’s The Rub 拆解、意义制造和蒙太奇在安妮·多尔森的《一件作品》和帕姆斯特·利希特和博里Máté的《摩擦》中的运用
Reenacting Shakespeare in the Shakespeare Aftermath Pub Date : 1900-01-01 DOI: 10.1057/978-1-137-40482-4_8
Thomas Cartelli
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引用次数: 0
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